I dintorni difficili. L’architettura paratestuale dei «Racconti» di Italo Calvino

Published in 1958, Italo Calvino’s I racconti is a collection of fifty-two short-stories assembled by Calvino himself. At the time, most of them were published in periodicals or as part of previous collections, while others were still unpublished, although in many cases they would have been included...

Full description

Bibliographic Details
Main Author: Filippo Pennacchio
Format: Article
Language:English
Published: University of Bologna 2019-12-01
Series:Griseldaonline
Subjects:
Online Access:https://griseldaonline.unibo.it/article/view/9842
id doaj-c49feefff14945639f09c589103fe3df
record_format Article
spelling doaj-c49feefff14945639f09c589103fe3df2021-06-04T06:54:58ZengUniversity of BolognaGriseldaonline1721-47772019-12-0118214916210.6092/issn.1721-4777/98428330I dintorni difficili. L’architettura paratestuale dei «Racconti» di Italo CalvinoFilippo Pennacchio0Libera Università di Lingue e Comunicazione IULMPublished in 1958, Italo Calvino’s I racconti is a collection of fifty-two short-stories assembled by Calvino himself. At the time, most of them were published in periodicals or as part of previous collections, while others were still unpublished, although in many cases they would have been included in later collections. In other words, I racconti is a sort of auto-anthology in which Calvino aims at organizing coherently his short-story production from 1945 to 1958. In this regard, the structure underlying the collection plays a crucial role, from the decision to split the index in four sections to the titles assigned to them, all of which feature the adjective «difficile»: a choice that not only suggests new meanings for the stories included in each section as well as different ways of reading them, but also resonates with the picture reproduced in the front cover of the book, that is, Paul Klee’s Battle scene from the comic fantastic opera The Seafarer. Starting from these premises, the aim of this article is to investigate the thresholds of the Calvino’s collection (according to Genette, its paratexts), focusing on a crucial and yet little explored step in the author’s literary career.https://griseldaonline.unibo.it/article/view/9842italo calvino"i racconti"paratestititoliautoantologia
collection DOAJ
language English
format Article
sources DOAJ
author Filippo Pennacchio
spellingShingle Filippo Pennacchio
I dintorni difficili. L’architettura paratestuale dei «Racconti» di Italo Calvino
Griseldaonline
italo calvino
"i racconti"
paratesti
titoli
autoantologia
author_facet Filippo Pennacchio
author_sort Filippo Pennacchio
title I dintorni difficili. L’architettura paratestuale dei «Racconti» di Italo Calvino
title_short I dintorni difficili. L’architettura paratestuale dei «Racconti» di Italo Calvino
title_full I dintorni difficili. L’architettura paratestuale dei «Racconti» di Italo Calvino
title_fullStr I dintorni difficili. L’architettura paratestuale dei «Racconti» di Italo Calvino
title_full_unstemmed I dintorni difficili. L’architettura paratestuale dei «Racconti» di Italo Calvino
title_sort i dintorni difficili. l’architettura paratestuale dei «racconti» di italo calvino
publisher University of Bologna
series Griseldaonline
issn 1721-4777
publishDate 2019-12-01
description Published in 1958, Italo Calvino’s I racconti is a collection of fifty-two short-stories assembled by Calvino himself. At the time, most of them were published in periodicals or as part of previous collections, while others were still unpublished, although in many cases they would have been included in later collections. In other words, I racconti is a sort of auto-anthology in which Calvino aims at organizing coherently his short-story production from 1945 to 1958. In this regard, the structure underlying the collection plays a crucial role, from the decision to split the index in four sections to the titles assigned to them, all of which feature the adjective «difficile»: a choice that not only suggests new meanings for the stories included in each section as well as different ways of reading them, but also resonates with the picture reproduced in the front cover of the book, that is, Paul Klee’s Battle scene from the comic fantastic opera The Seafarer. Starting from these premises, the aim of this article is to investigate the thresholds of the Calvino’s collection (according to Genette, its paratexts), focusing on a crucial and yet little explored step in the author’s literary career.
topic italo calvino
"i racconti"
paratesti
titoli
autoantologia
url https://griseldaonline.unibo.it/article/view/9842
work_keys_str_mv AT filippopennacchio idintornidifficililarchitetturaparatestualedeiraccontidiitalocalvino
_version_ 1721398389075083264