Reception of Illustrated Prints of Ovid’s Metamorphoses in Bohemian and Moravian Art: Johann Jacob von Sandrart and the Judgement of Tiresias

One of the major traits of Baroque art in Bohemia and Moravia is its receptive character. In the cycles thematically taken from Ovid's Metamorphoses artists often accurately followed widespread and popular illustrations. My paper focuses on rare example of reception of Metamorphoses edition pub...

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Main Author: Radka Nokkala Miltová
Format: Article
Language:ces
Published: Karolinum Press 2020-12-01
Series:Acta Universitatis Carolinae: Philologica
Subjects:
Online Access:http://www.karolinum.cz/doi/10.14712/24646830.2020.27
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spelling doaj-c50f3c47b78043f987c66f7c5c43e92d2020-12-07T13:23:11ZcesKarolinum PressActa Universitatis Carolinae: Philologica0567-82692464-68302020-12-0120202233410.14712/24646830.2020.2710363Reception of Illustrated Prints of Ovid’s Metamorphoses in Bohemian and Moravian Art: Johann Jacob von Sandrart and the Judgement of TiresiasRadka Nokkala MiltováOne of the major traits of Baroque art in Bohemia and Moravia is its receptive character. In the cycles thematically taken from Ovid's Metamorphoses artists often accurately followed widespread and popular illustrations. My paper focuses on rare example of reception of Metamorphoses edition published by J. J. von Sandrart in Nürnberg 1698. This edition includes several engravings depicting less frequently visualized stories that were followed in stucco decorations in the Silesian chauteau in Kravaře, irrecoverably damaged during a fire in 1937. The discovery of printed model allowed for the identification of all the iconographic motifs in Kravaře. The ceiling of the grand hall showed story about the prophet Tiresias. The article analyses visual representations of Judgement of Tiresias as well as its textual interpretations. The stucco ceiling in Kravaře was the only known monumental visual representation of this motif not only in the Central European context, but most probably in all Europe.http://www.karolinum.cz/doi/10.14712/24646830.2020.27kravařeovidmetamorphosestiresiasbaroque artstuccoiconographyancient mythology
collection DOAJ
language ces
format Article
sources DOAJ
author Radka Nokkala Miltová
spellingShingle Radka Nokkala Miltová
Reception of Illustrated Prints of Ovid’s Metamorphoses in Bohemian and Moravian Art: Johann Jacob von Sandrart and the Judgement of Tiresias
Acta Universitatis Carolinae: Philologica
kravaře
ovid
metamorphoses
tiresias
baroque art
stucco
iconography
ancient mythology
author_facet Radka Nokkala Miltová
author_sort Radka Nokkala Miltová
title Reception of Illustrated Prints of Ovid’s Metamorphoses in Bohemian and Moravian Art: Johann Jacob von Sandrart and the Judgement of Tiresias
title_short Reception of Illustrated Prints of Ovid’s Metamorphoses in Bohemian and Moravian Art: Johann Jacob von Sandrart and the Judgement of Tiresias
title_full Reception of Illustrated Prints of Ovid’s Metamorphoses in Bohemian and Moravian Art: Johann Jacob von Sandrart and the Judgement of Tiresias
title_fullStr Reception of Illustrated Prints of Ovid’s Metamorphoses in Bohemian and Moravian Art: Johann Jacob von Sandrart and the Judgement of Tiresias
title_full_unstemmed Reception of Illustrated Prints of Ovid’s Metamorphoses in Bohemian and Moravian Art: Johann Jacob von Sandrart and the Judgement of Tiresias
title_sort reception of illustrated prints of ovid’s metamorphoses in bohemian and moravian art: johann jacob von sandrart and the judgement of tiresias
publisher Karolinum Press
series Acta Universitatis Carolinae: Philologica
issn 0567-8269
2464-6830
publishDate 2020-12-01
description One of the major traits of Baroque art in Bohemia and Moravia is its receptive character. In the cycles thematically taken from Ovid's Metamorphoses artists often accurately followed widespread and popular illustrations. My paper focuses on rare example of reception of Metamorphoses edition published by J. J. von Sandrart in Nürnberg 1698. This edition includes several engravings depicting less frequently visualized stories that were followed in stucco decorations in the Silesian chauteau in Kravaře, irrecoverably damaged during a fire in 1937. The discovery of printed model allowed for the identification of all the iconographic motifs in Kravaře. The ceiling of the grand hall showed story about the prophet Tiresias. The article analyses visual representations of Judgement of Tiresias as well as its textual interpretations. The stucco ceiling in Kravaře was the only known monumental visual representation of this motif not only in the Central European context, but most probably in all Europe.
topic kravaře
ovid
metamorphoses
tiresias
baroque art
stucco
iconography
ancient mythology
url http://www.karolinum.cz/doi/10.14712/24646830.2020.27
work_keys_str_mv AT radkanokkalamiltova receptionofillustratedprintsofovidsmetamorphosesinbohemianandmoravianartjohannjacobvonsandrartandthejudgementoftiresias
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