The Listening Train: A Collaborative, Connective Aesthetics Approach to Transgressive Social Learning

This paper explores a personal iterative retrospective of a series of expansive social-learning processes that were collaboratively developed through practice-based enquiry across 17 South African towns/contexts. This reflexive narrative explores the development of a ‘Climate Train’, a mobile social...

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Main Author: Dylan McGarry
Format: Article
Language:English
Published: Environmental Association of Southern Africa 2016-06-01
Series:Southern African Journal of Environmental Education
Online Access:https://www.ajol.info/index.php/sajee/article/view/137658
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spelling doaj-c57002d1f4144a63bdbdf326c99823222020-11-25T00:41:01ZengEnvironmental Association of Southern AfricaSouthern African Journal of Environmental Education2411-59592411-59592016-06-0131The Listening Train: A Collaborative, Connective Aesthetics Approach to Transgressive Social LearningDylan McGarry0Rhodes University, South AfricaThis paper explores a personal iterative retrospective of a series of expansive social-learning processes that were collaboratively developed through practice-based enquiry across 17 South African towns/contexts. This reflexive narrative explores the development of a ‘Climate Train’, a mobile social-learning platform, that was conceived and created through a collaborative social movement of ‘cultural practitioners’ ranging from visual artists, poets, film-makers, theatre-makers, guerrilla-gardeners, musicians, facilitators, to educational researchers, among others, who created new ‘connective aesthetic’ social spaces for dialogue and exchange. Drawing from a variety of artistic genres, including but not limited to theatre and social sculpture (an expanded concept of public/participatory art), I reflect on the formative, foundational qualities of these approaches and share insights into social-learning praxis that emerged on the tracks. Of primary focus is the use of aesthetic praxis as a means that transforms how we engage with our inner capacities as well as how we develop our relational sensibilities. Key findings include the vital role of connective aesthetics in establishing imaginal thinking, moral intuition, empathy, participative parity, and emergence, and how these are important for transformation and establishing new capacities for ecological/global citizenship and collaborative intelligence.https://www.ajol.info/index.php/sajee/article/view/137658
collection DOAJ
language English
format Article
sources DOAJ
author Dylan McGarry
spellingShingle Dylan McGarry
The Listening Train: A Collaborative, Connective Aesthetics Approach to Transgressive Social Learning
Southern African Journal of Environmental Education
author_facet Dylan McGarry
author_sort Dylan McGarry
title The Listening Train: A Collaborative, Connective Aesthetics Approach to Transgressive Social Learning
title_short The Listening Train: A Collaborative, Connective Aesthetics Approach to Transgressive Social Learning
title_full The Listening Train: A Collaborative, Connective Aesthetics Approach to Transgressive Social Learning
title_fullStr The Listening Train: A Collaborative, Connective Aesthetics Approach to Transgressive Social Learning
title_full_unstemmed The Listening Train: A Collaborative, Connective Aesthetics Approach to Transgressive Social Learning
title_sort listening train: a collaborative, connective aesthetics approach to transgressive social learning
publisher Environmental Association of Southern Africa
series Southern African Journal of Environmental Education
issn 2411-5959
2411-5959
publishDate 2016-06-01
description This paper explores a personal iterative retrospective of a series of expansive social-learning processes that were collaboratively developed through practice-based enquiry across 17 South African towns/contexts. This reflexive narrative explores the development of a ‘Climate Train’, a mobile social-learning platform, that was conceived and created through a collaborative social movement of ‘cultural practitioners’ ranging from visual artists, poets, film-makers, theatre-makers, guerrilla-gardeners, musicians, facilitators, to educational researchers, among others, who created new ‘connective aesthetic’ social spaces for dialogue and exchange. Drawing from a variety of artistic genres, including but not limited to theatre and social sculpture (an expanded concept of public/participatory art), I reflect on the formative, foundational qualities of these approaches and share insights into social-learning praxis that emerged on the tracks. Of primary focus is the use of aesthetic praxis as a means that transforms how we engage with our inner capacities as well as how we develop our relational sensibilities. Key findings include the vital role of connective aesthetics in establishing imaginal thinking, moral intuition, empathy, participative parity, and emergence, and how these are important for transformation and establishing new capacities for ecological/global citizenship and collaborative intelligence.
url https://www.ajol.info/index.php/sajee/article/view/137658
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