| Summary: | This paper aims to discuss the construction of the image aesthetic/erotic of two
greats femme fatales in the history of cinema: Marlene Dietrich and Brigitte Bardot. The
discussion will be held through the understanding of the concept of eroticism and the beauty
of this insertion bias, then seek to understand the role of the film image in the satisfaction of
desires, from the seductive visuality of the woman body. Finally, a reconstruction of imagetic
birth of such characters, traces a parallel between them and it was as distinctive elements of
tone images projected in history, before and after the appearance of them, the effect of the
mythology of the images produced on them, forming a look that aims at, in more complex and
more interesting, the tale of the femme fatale in the history of the development of women.
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