Different Modes of Pitch Perception and Learning-Induced Neuronal Plasticity of the Human Auditory Cortex

We designed a melody perception experiment involving eight harmonic complex tones of missing fundamental frequencies (hidden auditory object) to study the short-term neuronal plasticity of the auditory cortex. In this experiment, the fundamental frequencies of the complex tones followed the beginnin...

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Main Authors: Michael Schulte, Arne Knief, Annemarie Seither-Preisler, Christo Pantev
Format: Article
Language:English
Published: Hindawi Limited 2002-01-01
Series:Neural Plasticity
Online Access:http://dx.doi.org/10.1155/NP.2002.161
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spelling doaj-c64a516348cb4aa8b06e7643d6bc08502020-11-24T23:09:10ZengHindawi LimitedNeural Plasticity2090-59041687-54432002-01-019316117510.1155/NP.2002.161Different Modes of Pitch Perception and Learning-Induced Neuronal Plasticity of the Human Auditory CortexMichael Schulte0Arne Knief1Annemarie Seither-Preisler2Christo Pantev3Biomagnetism Center, Institute of Experimental Audiology, University of Münster, Münster 48129, GermanyBiomagnetism Center, Institute of Experimental Audiology, University of Münster, Münster 48129, GermanyBiomagnetism Center, Institute of Experimental Audiology, University of Münster, Münster 48129, GermanyRotman Research Institute, Baycrest Centre for Geriatric Care, University of Toronto, 3560 Bahturst Street, Toronto, Ontario, CanadaWe designed a melody perception experiment involving eight harmonic complex tones of missing fundamental frequencies (hidden auditory object) to study the short-term neuronal plasticity of the auditory cortex. In this experiment, the fundamental frequencies of the complex tones followed the beginning of the virtual melody of the tune “Frère Jacques”. The harmonics of the complex tones were chosen so that the spectral melody had an inverse contour when compared with the virtual one. Evoked magnetic fields were recorded contralaterally to the ear of stimulation from both hemispheres. After a base line measurement, the subjects were exposed repeatedly to the experimental stimuli for 1 hour a day. All subjects reported a sudden change in the perceived melody, indicating possible reorganization of the cortical processes involved in the virtual pitch formation. After this switch in perception, a second measurement was performed. Cortical sources of the evoked gamma-band activity were significantly stronger and located more medially after a switch in perception. Independent Component Analysis revealed enhanced synchronization in the gamma-band frequency range. Comparing the gamma-band activation of both hemispheres, no laterality effects were observed. The results indicate that the primary auditory cortices are involved in the process of virtual pitch perception and that their function is modifiable by laboratory manipulation.http://dx.doi.org/10.1155/NP.2002.161
collection DOAJ
language English
format Article
sources DOAJ
author Michael Schulte
Arne Knief
Annemarie Seither-Preisler
Christo Pantev
spellingShingle Michael Schulte
Arne Knief
Annemarie Seither-Preisler
Christo Pantev
Different Modes of Pitch Perception and Learning-Induced Neuronal Plasticity of the Human Auditory Cortex
Neural Plasticity
author_facet Michael Schulte
Arne Knief
Annemarie Seither-Preisler
Christo Pantev
author_sort Michael Schulte
title Different Modes of Pitch Perception and Learning-Induced Neuronal Plasticity of the Human Auditory Cortex
title_short Different Modes of Pitch Perception and Learning-Induced Neuronal Plasticity of the Human Auditory Cortex
title_full Different Modes of Pitch Perception and Learning-Induced Neuronal Plasticity of the Human Auditory Cortex
title_fullStr Different Modes of Pitch Perception and Learning-Induced Neuronal Plasticity of the Human Auditory Cortex
title_full_unstemmed Different Modes of Pitch Perception and Learning-Induced Neuronal Plasticity of the Human Auditory Cortex
title_sort different modes of pitch perception and learning-induced neuronal plasticity of the human auditory cortex
publisher Hindawi Limited
series Neural Plasticity
issn 2090-5904
1687-5443
publishDate 2002-01-01
description We designed a melody perception experiment involving eight harmonic complex tones of missing fundamental frequencies (hidden auditory object) to study the short-term neuronal plasticity of the auditory cortex. In this experiment, the fundamental frequencies of the complex tones followed the beginning of the virtual melody of the tune “Frère Jacques”. The harmonics of the complex tones were chosen so that the spectral melody had an inverse contour when compared with the virtual one. Evoked magnetic fields were recorded contralaterally to the ear of stimulation from both hemispheres. After a base line measurement, the subjects were exposed repeatedly to the experimental stimuli for 1 hour a day. All subjects reported a sudden change in the perceived melody, indicating possible reorganization of the cortical processes involved in the virtual pitch formation. After this switch in perception, a second measurement was performed. Cortical sources of the evoked gamma-band activity were significantly stronger and located more medially after a switch in perception. Independent Component Analysis revealed enhanced synchronization in the gamma-band frequency range. Comparing the gamma-band activation of both hemispheres, no laterality effects were observed. The results indicate that the primary auditory cortices are involved in the process of virtual pitch perception and that their function is modifiable by laboratory manipulation.
url http://dx.doi.org/10.1155/NP.2002.161
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