La fotografia, una matrice per due mostre

Le ville venete touring photo exhibition, which opened in Treviso in 1952 with the curatorial support of Giuseppe Mazzotti, was transferred to Paris in 1954, where it was curated by Michelangelo Muraro and was given a new format and a new title: Les villas de la Vénétie. Both exhibitions aimed to...

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Main Author: Naim, Margherita
Format: Article
Language:English
Published: Edizioni Ca’ Foscari 2016-12-01
Series:Venezia Arti
Subjects:
Online Access:http://edizionicafoscari.unive.it/riviste/venezia-arti/2016/1/la-fotografia-una-matrice-per-due-mostre/
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spelling doaj-c6e928e0b871461696beadedb11e39a52021-06-02T03:35:26ZengEdizioni Ca’ FoscariVenezia Arti2385-27202016-12-0125110.14277/2385-2720/VA-25-16-15journal_article_409La fotografia, una matrice per due mostreNaim, Margherita0Università Ca’ Foscari Venezia, Italia Le ville venete touring photo exhibition, which opened in Treviso in 1952 with the curatorial support of Giuseppe Mazzotti, was transferred to Paris in 1954, where it was curated by Michelangelo Muraro and was given a new format and a new title: Les villas de la Vénétie. Both exhibitions aimed to demonstrate the importance of ancient villas, by highlighting their original characteristics and the territorial value they had not only for Veneto, but also for Italy. Although it was used for quite different purposes, photography played a central role in both exhibitions. By drawing on a number of sources, primarily those found in the Fondazione Giuseppe Mazzotti per la civiltà veneta (the Giuseppe Mazzotti’s Foundation for Venetian Civilization) and in the Treviso State Archives, it was possible to provide a more accurate and clearer understanding of the works of the two different photo series featured in those exhibitions, of the different   venues where they were made available for circulations and of the goals of the two curators. http://edizionicafoscari.unive.it/riviste/venezia-arti/2016/1/la-fotografia-una-matrice-per-due-mostre/Photography. Venetian villas. Exhibition. Giuseppe Mazzotti. Michelangelo Muraro.
collection DOAJ
language English
format Article
sources DOAJ
author Naim, Margherita
spellingShingle Naim, Margherita
La fotografia, una matrice per due mostre
Venezia Arti
Photography. Venetian villas. Exhibition. Giuseppe Mazzotti. Michelangelo Muraro.
author_facet Naim, Margherita
author_sort Naim, Margherita
title La fotografia, una matrice per due mostre
title_short La fotografia, una matrice per due mostre
title_full La fotografia, una matrice per due mostre
title_fullStr La fotografia, una matrice per due mostre
title_full_unstemmed La fotografia, una matrice per due mostre
title_sort la fotografia, una matrice per due mostre
publisher Edizioni Ca’ Foscari
series Venezia Arti
issn 2385-2720
publishDate 2016-12-01
description Le ville venete touring photo exhibition, which opened in Treviso in 1952 with the curatorial support of Giuseppe Mazzotti, was transferred to Paris in 1954, where it was curated by Michelangelo Muraro and was given a new format and a new title: Les villas de la Vénétie. Both exhibitions aimed to demonstrate the importance of ancient villas, by highlighting their original characteristics and the territorial value they had not only for Veneto, but also for Italy. Although it was used for quite different purposes, photography played a central role in both exhibitions. By drawing on a number of sources, primarily those found in the Fondazione Giuseppe Mazzotti per la civiltà veneta (the Giuseppe Mazzotti’s Foundation for Venetian Civilization) and in the Treviso State Archives, it was possible to provide a more accurate and clearer understanding of the works of the two different photo series featured in those exhibitions, of the different   venues where they were made available for circulations and of the goals of the two curators.
topic Photography. Venetian villas. Exhibition. Giuseppe Mazzotti. Michelangelo Muraro.
url http://edizionicafoscari.unive.it/riviste/venezia-arti/2016/1/la-fotografia-una-matrice-per-due-mostre/
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