Listening as a writing principle: an approach to La piel de caballo by Ricardo Zalarayán

Listening as a writing principle: an approach to La piel de caballo by Ricardo Zalarayán

The purpose of this article is to analyze a writing style that stems from listening. This will be achieved by adopting a descriptive-explanatory approach (taking into account the contributions of Nancy, Ong, Barthes and Toop). In the works of Zelarayán, listening is conceived as a narrative/poetic m...

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Main Author: Pablo Alejandro Aranda
Format: Article
Language:Spanish
Published: Universidad Nacional de Mar del Plata 2018-09-01
Series:Estudios de Teoría Literaria
Subjects:
Escucha, modalidades de la escucha, procedimiento, Ricardo Zelayarán.
Online Access:https://fh.mdp.edu.ar/revistas/index.php/etl/article/view/2373
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spelling doaj-c7204b889d844a1faed30d2b421512f32020-11-24T20:56:15ZspaUniversidad Nacional de Mar del PlataEstudios de Teoría Literaria2313-96762018-09-017141191302031Listening as a writing principle: an approach to La piel de caballo by Ricardo ZalarayánPablo Alejandro Aranda0Universidad Católica de Santa FeThe purpose of this article is to analyze a writing style that stems from listening. This will be achieved by adopting a descriptive-explanatory approach (taking into account the contributions of Nancy, Ong, Barthes and Toop). In the works of Zelarayán, listening is conceived as a narrative/poetic method of composition—a writing principle and not a result. Firstly, we aim to investigate the process of listening and its materials. Secondly, we will identify some listening types, from which the method develops. We understand the works of Zelarayán as a significant challenge within the possibilities of the literary language.https://fh.mdp.edu.ar/revistas/index.php/etl/article/view/2373Escucha, modalidades de la escucha, procedimiento, Ricardo Zelayarán.
collection DOAJ
language Spanish
format Article
sources DOAJ
author Pablo Alejandro Aranda
spellingShingle Pablo Alejandro Aranda
Listening as a writing principle: an approach to La piel de caballo by Ricardo Zalarayán
Estudios de Teoría Literaria
Escucha, modalidades de la escucha, procedimiento, Ricardo Zelayarán.
author_facet Pablo Alejandro Aranda
author_sort Pablo Alejandro Aranda
title Listening as a writing principle: an approach to La piel de caballo by Ricardo Zalarayán
title_short Listening as a writing principle: an approach to La piel de caballo by Ricardo Zalarayán
title_full Listening as a writing principle: an approach to La piel de caballo by Ricardo Zalarayán
title_fullStr Listening as a writing principle: an approach to La piel de caballo by Ricardo Zalarayán
title_full_unstemmed Listening as a writing principle: an approach to La piel de caballo by Ricardo Zalarayán
title_sort listening as a writing principle: an approach to la piel de caballo by ricardo zalarayán
publisher Universidad Nacional de Mar del Plata
series Estudios de Teoría Literaria
issn 2313-9676
publishDate 2018-09-01
description The purpose of this article is to analyze a writing style that stems from listening. This will be achieved by adopting a descriptive-explanatory approach (taking into account the contributions of Nancy, Ong, Barthes and Toop). In the works of Zelarayán, listening is conceived as a narrative/poetic method of composition—a writing principle and not a result. Firstly, we aim to investigate the process of listening and its materials. Secondly, we will identify some listening types, from which the method develops. We understand the works of Zelarayán as a significant challenge within the possibilities of the literary language.
topic Escucha, modalidades de la escucha, procedimiento, Ricardo Zelayarán.
url https://fh.mdp.edu.ar/revistas/index.php/etl/article/view/2373
work_keys_str_mv AT pabloalejandroaranda listeningasawritingprincipleanapproachtolapieldecaballobyricardozalarayan
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