Who is afraid of Shah Rukh Khan? Neoliberal India’s Fears seen through a Cinematic Prism
21st century India constructs itself as a neoliberal and consumerist superpower. In his cinematic career Shah Rukh Khan has become an icon of a rampant middle class, transforming himself from an antihero into a model story of Indian success. Focusing on identity politics, in this article his persona...
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University of Bologna
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doaj-c8462e21f5124dcea9d0615c08ebb22b2020-11-25T02:41:32ZengUniversity of BolognaGovernare la paura1974-49352014-07-017110.6092/issn.1974-4935/44254078Who is afraid of Shah Rukh Khan? Neoliberal India’s Fears seen through a Cinematic PrismAlessandra Consolaro0Università degli Studi di Torino, Dipartimento di Studi Umanistici21st century India constructs itself as a neoliberal and consumerist superpower. In his cinematic career Shah Rukh Khan has become an icon of a rampant middle class, transforming himself from an antihero into a model story of Indian success. Focusing on identity politics, in this article his persona is utilized as a prism through which some representations of fears connected to 20th century India can be observed.https://governarelapaura.unibo.it/article/view/4425indian cinemacontemporary indian historyidentitycommunalism |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Alessandra Consolaro |
spellingShingle |
Alessandra Consolaro Who is afraid of Shah Rukh Khan? Neoliberal India’s Fears seen through a Cinematic Prism Governare la paura indian cinema contemporary indian history identity communalism |
author_facet |
Alessandra Consolaro |
author_sort |
Alessandra Consolaro |
title |
Who is afraid of Shah Rukh Khan? Neoliberal India’s Fears seen through a Cinematic Prism |
title_short |
Who is afraid of Shah Rukh Khan? Neoliberal India’s Fears seen through a Cinematic Prism |
title_full |
Who is afraid of Shah Rukh Khan? Neoliberal India’s Fears seen through a Cinematic Prism |
title_fullStr |
Who is afraid of Shah Rukh Khan? Neoliberal India’s Fears seen through a Cinematic Prism |
title_full_unstemmed |
Who is afraid of Shah Rukh Khan? Neoliberal India’s Fears seen through a Cinematic Prism |
title_sort |
who is afraid of shah rukh khan? neoliberal india’s fears seen through a cinematic prism |
publisher |
University of Bologna |
series |
Governare la paura |
issn |
1974-4935 |
publishDate |
2014-07-01 |
description |
21st century India constructs itself as a neoliberal and consumerist superpower. In his cinematic career Shah Rukh Khan has become an icon of a rampant middle class, transforming himself from an antihero into a model story of Indian success. Focusing on identity politics, in this article his persona is utilized as a prism through which some representations of fears connected to 20th century India can be observed. |
topic |
indian cinema contemporary indian history identity communalism |
url |
https://governarelapaura.unibo.it/article/view/4425 |
work_keys_str_mv |
AT alessandraconsolaro whoisafraidofshahrukhkhanneoliberalindiasfearsseenthroughacinematicprism |
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1724777960626454528 |