Paranada: Beyond Beyond

• Main Authors: Hector Currie, Juan Pacheco
• Format: Article
• Language: deu
• Published: ARINA, Inc. 2009-06-01
• Series: Integral Review
• Subjects: integration; Hector Currie; Juan Pacheco; Anaximander; cosmology; equipoise; gravitational factor; Greek; harmony of the spheres; nature philosophy; quantum physics; Pythagoras; Shakespeare; Temple at Delphi; tragedy; transcendence
• Online Access: http://integral-review.org/pdf-template-issue.php?pdfName=vol_5_no_1_currie_parananda.pdf
• ISSN: 1553-3069; 1553-3069

“Paranada: Beyond Beyond” represents the culmination of the author’s research findings of geometric evidence in the Pythagorean design of the temple and theatre complex of the ancient Greek Temple of Delphi. Rather than a dualistic moral judgment, Delphic rites sought a dynamic equipoise between Apollonian and Dionysian psychic forces, transcending the self/boundless dichotomy. The temple has a deflection of 7.5 degrees—1/12th the 90-degree gravitational fall of all existents, the gravitational factor in music theory (as in the Pythagorean “harmony of the spheres”) in each note’s descent in the 12-tone scale’s octaval fall. Significantly, this means that the Delphic design encapsulates a space/time concordance. The design reveals that Pythagoras’ epochal concept of a transcendent kosmos is realized in both space (the sacred site’s cosmic plan) and in time (the nightly celestial whirl of constellations above it). “Paranada” traces this discovery of a divine order at the Delphic center to the sages of the kingdom of Bharat in ancient India and the birth of speculation on the meaning of existence in their most sacred Rig Vedic “Creation Hymn” X. 129. “Paranada” thus suggests that the Western cultural tradition is derived not ultimately from Greece, but from India, and contemplates the significance such ancient visionary philosophical insight might have for the daunting challenges continually confronting us. This work constitutes an eclectic integration of transdisciplinary insights into the known and the unknown, the arts and the sciences, and science and religion. In descriptive and poetic forms, “Paranada” seeks to find vital correspondences and affinities among Pythagorean geometry; numerology; cosmology; ancient psychologies; nature philosophy and mysticism; Greek mythology; Greek, Shakespearean, and modern tragedy; quantum physics and astrophysics; and transcendent cosmic consciousness.