El sí de las niñas, segundo centenario

The first steps of El sí de las niñas’s career are evoked from the author’s diary and the work realized by Juan Pérez de Guzmán in 1906 about the first century of comedy, in particular the different lectures, public and private, that the author delivered from 1801 in contemplation of the publication...

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Main Author: René Andioc
Format: Article
Language:Spanish
Published: Universidad Complutense de Madrid 2008-02-01
Series:Cuadernos de Historia Moderna
Subjects:
Online Access:http://revistas.ucm.es/index.php/CHMO/article/view/22965
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spelling doaj-caf28a6e27ba41ef8b8719610db425e02020-11-24T20:58:39ZspaUniversidad Complutense de MadridCuadernos de Historia Moderna0214-40181988-24752008-02-0100193622954El sí de las niñas, segundo centenarioRené AndiocThe first steps of El sí de las niñas’s career are evoked from the author’s diary and the work realized by Juan Pérez de Guzmán in 1906 about the first century of comedy, in particular the different lectures, public and private, that the author delivered from 1801 in contemplation of the publication and the premiere, the choice of the actors and the rehearsals, the audience’s reaction in Madrid, Zaragoza, Cádiz, Barcelona in 1806 and the following decades, as much as the indubitable attraction of the misalliance theme. There is then a suggestion of the possibility to clarify the old man’s “generosity”, he who is able to “sacrifice” himself, triumphing over his passions, as embodied by Don Diego’s character, “man of good will” according to Moratín and many historians, depending on an outcome which achieves to reconcile generally irreconcilable interests, that are parental authority and the freedom to love.http://revistas.ucm.es/index.php/CHMO/article/view/22965TeatroMatrimonioLeandro Fernández de MoratínEl sí de las niñasSiglos XVIII-XIX
collection DOAJ
language Spanish
format Article
sources DOAJ
author René Andioc
spellingShingle René Andioc
El sí de las niñas, segundo centenario
Cuadernos de Historia Moderna
Teatro
Matrimonio
Leandro Fernández de Moratín
El sí de las niñas
Siglos XVIII-XIX
author_facet René Andioc
author_sort René Andioc
title El sí de las niñas, segundo centenario
title_short El sí de las niñas, segundo centenario
title_full El sí de las niñas, segundo centenario
title_fullStr El sí de las niñas, segundo centenario
title_full_unstemmed El sí de las niñas, segundo centenario
title_sort el sí de las niñas, segundo centenario
publisher Universidad Complutense de Madrid
series Cuadernos de Historia Moderna
issn 0214-4018
1988-2475
publishDate 2008-02-01
description The first steps of El sí de las niñas’s career are evoked from the author’s diary and the work realized by Juan Pérez de Guzmán in 1906 about the first century of comedy, in particular the different lectures, public and private, that the author delivered from 1801 in contemplation of the publication and the premiere, the choice of the actors and the rehearsals, the audience’s reaction in Madrid, Zaragoza, Cádiz, Barcelona in 1806 and the following decades, as much as the indubitable attraction of the misalliance theme. There is then a suggestion of the possibility to clarify the old man’s “generosity”, he who is able to “sacrifice” himself, triumphing over his passions, as embodied by Don Diego’s character, “man of good will” according to Moratín and many historians, depending on an outcome which achieves to reconcile generally irreconcilable interests, that are parental authority and the freedom to love.
topic Teatro
Matrimonio
Leandro Fernández de Moratín
El sí de las niñas
Siglos XVIII-XIX
url http://revistas.ucm.es/index.php/CHMO/article/view/22965
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