El sí de las niñas, segundo centenario
The first steps of El sí de las niñas’s career are evoked from the author’s diary and the work realized by Juan Pérez de Guzmán in 1906 about the first century of comedy, in particular the different lectures, public and private, that the author delivered from 1801 in contemplation of the publication...
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Universidad Complutense de Madrid
2008-02-01
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Series: | Cuadernos de Historia Moderna |
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Online Access: | http://revistas.ucm.es/index.php/CHMO/article/view/22965 |
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doaj-caf28a6e27ba41ef8b8719610db425e02020-11-24T20:58:39ZspaUniversidad Complutense de MadridCuadernos de Historia Moderna0214-40181988-24752008-02-0100193622954El sí de las niñas, segundo centenarioRené AndiocThe first steps of El sí de las niñas’s career are evoked from the author’s diary and the work realized by Juan Pérez de Guzmán in 1906 about the first century of comedy, in particular the different lectures, public and private, that the author delivered from 1801 in contemplation of the publication and the premiere, the choice of the actors and the rehearsals, the audience’s reaction in Madrid, Zaragoza, Cádiz, Barcelona in 1806 and the following decades, as much as the indubitable attraction of the misalliance theme. There is then a suggestion of the possibility to clarify the old man’s “generosity”, he who is able to “sacrifice” himself, triumphing over his passions, as embodied by Don Diego’s character, “man of good will” according to Moratín and many historians, depending on an outcome which achieves to reconcile generally irreconcilable interests, that are parental authority and the freedom to love.http://revistas.ucm.es/index.php/CHMO/article/view/22965TeatroMatrimonioLeandro Fernández de MoratínEl sí de las niñasSiglos XVIII-XIX |
collection |
DOAJ |
language |
Spanish |
format |
Article |
sources |
DOAJ |
author |
René Andioc |
spellingShingle |
René Andioc El sí de las niñas, segundo centenario Cuadernos de Historia Moderna Teatro Matrimonio Leandro Fernández de Moratín El sí de las niñas Siglos XVIII-XIX |
author_facet |
René Andioc |
author_sort |
René Andioc |
title |
El sí de las niñas, segundo centenario |
title_short |
El sí de las niñas, segundo centenario |
title_full |
El sí de las niñas, segundo centenario |
title_fullStr |
El sí de las niñas, segundo centenario |
title_full_unstemmed |
El sí de las niñas, segundo centenario |
title_sort |
el sí de las niñas, segundo centenario |
publisher |
Universidad Complutense de Madrid |
series |
Cuadernos de Historia Moderna |
issn |
0214-4018 1988-2475 |
publishDate |
2008-02-01 |
description |
The first steps of El sí de las niñas’s career are evoked from the author’s diary and the work realized by Juan Pérez de Guzmán in 1906 about the first century of comedy, in particular the different lectures, public and private, that the author delivered from 1801 in contemplation of the publication and the premiere, the choice of the actors and the rehearsals, the audience’s reaction in Madrid, Zaragoza, Cádiz, Barcelona in 1806 and the following decades, as much as the indubitable attraction of the misalliance theme. There is then a suggestion of the possibility to clarify the old man’s “generosity”, he who is able to “sacrifice” himself, triumphing over his passions, as embodied by Don Diego’s character, “man of good will” according to Moratín and many historians, depending on an outcome which achieves to reconcile generally irreconcilable interests, that are parental authority and the freedom to love. |
topic |
Teatro Matrimonio Leandro Fernández de Moratín El sí de las niñas Siglos XVIII-XIX |
url |
http://revistas.ucm.es/index.php/CHMO/article/view/22965 |
work_keys_str_mv |
AT reneandioc elsidelasninassegundocentenario |
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