“Belonging” in Post-Communist Europe: Strategies of Representations in Kapka Kassabova's Street without a Name

In her book Street without a Name, Kapka Kassabova, a Bulgarian author living in Scotland, combines a memoir of her childhood in communist Bulgaria with a travelogue about later return visits to her – now post-communist – native country. In this study, the discontinuous, fragmented and heterogeneous...

Full description

Bibliographic Details
Main Author: Gabriele M. Linke
Format: Article
Language:English
Published: University of Groningen Press 2013-03-01
Series:European Journal of Life Writing
Online Access:https://ejlw.eu/article/view/31393
id doaj-cd3b0026f20f4eb0a3cf110ddceacf01
record_format Article
spelling doaj-cd3b0026f20f4eb0a3cf110ddceacf012020-11-25T03:06:01ZengUniversity of Groningen PressEuropean Journal of Life Writing2211-243X2013-03-012T254110.5463/ejlw.2.4631393“Belonging” in Post-Communist Europe: Strategies of Representations in Kapka Kassabova's Street without a NameGabriele M. Linke0Dept. of English, University of Rostock, GermanyIn her book Street without a Name, Kapka Kassabova, a Bulgarian author living in Scotland, combines a memoir of her childhood in communist Bulgaria with a travelogue about later return visits to her – now post-communist – native country. In this study, the discontinuous, fragmented and heterogeneous narrative of her autobiographical text is interpreted as an attempt to find an appropriate mode of sharing intimate knowledge of life in communism with a wider reading public in (primarily) Western English-speaking countries. It is demonstrated that Kassabova, writing from the perspective of an expatriate, emphasizes both the uniqueness of life in communist Bulgaria and the commonality of many experiences and values as well as their compatibility with those held by many people in Western countries. By employing a hybrid textual form, she succeeds in rendering her experiences as a child and teenager in communist Bulgaria and as a transnational migrant into the structures, metaphors and themes of a transnational “liquid modernity”, thus appealing to a broad multinational readership.https://ejlw.eu/article/view/31393
collection DOAJ
language English
format Article
sources DOAJ
author Gabriele M. Linke
spellingShingle Gabriele M. Linke
“Belonging” in Post-Communist Europe: Strategies of Representations in Kapka Kassabova's Street without a Name
European Journal of Life Writing
author_facet Gabriele M. Linke
author_sort Gabriele M. Linke
title “Belonging” in Post-Communist Europe: Strategies of Representations in Kapka Kassabova's Street without a Name
title_short “Belonging” in Post-Communist Europe: Strategies of Representations in Kapka Kassabova's Street without a Name
title_full “Belonging” in Post-Communist Europe: Strategies of Representations in Kapka Kassabova's Street without a Name
title_fullStr “Belonging” in Post-Communist Europe: Strategies of Representations in Kapka Kassabova's Street without a Name
title_full_unstemmed “Belonging” in Post-Communist Europe: Strategies of Representations in Kapka Kassabova's Street without a Name
title_sort “belonging” in post-communist europe: strategies of representations in kapka kassabova's street without a name
publisher University of Groningen Press
series European Journal of Life Writing
issn 2211-243X
publishDate 2013-03-01
description In her book Street without a Name, Kapka Kassabova, a Bulgarian author living in Scotland, combines a memoir of her childhood in communist Bulgaria with a travelogue about later return visits to her – now post-communist – native country. In this study, the discontinuous, fragmented and heterogeneous narrative of her autobiographical text is interpreted as an attempt to find an appropriate mode of sharing intimate knowledge of life in communism with a wider reading public in (primarily) Western English-speaking countries. It is demonstrated that Kassabova, writing from the perspective of an expatriate, emphasizes both the uniqueness of life in communist Bulgaria and the commonality of many experiences and values as well as their compatibility with those held by many people in Western countries. By employing a hybrid textual form, she succeeds in rendering her experiences as a child and teenager in communist Bulgaria and as a transnational migrant into the structures, metaphors and themes of a transnational “liquid modernity”, thus appealing to a broad multinational readership.
url https://ejlw.eu/article/view/31393
work_keys_str_mv AT gabrielemlinke belonginginpostcommunisteuropestrategiesofrepresentationsinkapkakassabovasstreetwithoutaname
_version_ 1724675867585544192