The Trans-Border Arrangement of Ming Pilgrim Flasks and the Narrative of Transculturation in the British Museum

This article revolves around the concepts of trans-border arrangement and transculturation and their significance to a critical theme in the British Museum today: cultural connectivity. Trans-border arrangement refers to displaying and classifying an object in museum space based on the object’s cont...

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Main Author: Pao-Yi Yang
Format: Article
Language:English
Published: University of Leicester 2021-03-01
Series:Museum & Society
Subjects:
Online Access:https://journals.le.ac.uk/ojs1/index.php/mas/article/view/3415
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spelling doaj-cdc561f198dd4e76a1b27ab985401a0a2021-03-10T17:41:39ZengUniversity of LeicesterMuseum & Society1479-83602021-03-01191324710.29311/mas.v19i1.34153166The Trans-Border Arrangement of Ming Pilgrim Flasks and the Narrative of Transculturation in the British MuseumPao-Yi Yang0Leiden University Centre for the Arts in Society (LUCAS)This article revolves around the concepts of trans-border arrangement and transculturation and their significance to a critical theme in the British Museum today: cultural connectivity. Trans-border arrangement refers to displaying and classifying an object in museum space based on the object’s context of production as well as its relations with other objects and people; its transfer, gifting, collection, consumption, and appropriation. It represents, in museum space today, the circulation of material objects across cultural-geographical boundaries over a period of time in the past. To illustrate a trans-border arrangement, this article provides an empirical investigation of the multiple placements of Ming pilgrim flasks in the British Museum’s galleries of China, India, and Europe. This display scheme not only shows how the British Museum can accommodate the narrative of transculturation into its spatial configuration, but also how the institution of the museum can engage in the global turn in art history that blossomed in the late 1990s.https://journals.le.ac.uk/ojs1/index.php/mas/article/view/3415transculturalityglobal biographiestrans-border spatialitychinese ming porcelainbritish museum
collection DOAJ
language English
format Article
sources DOAJ
author Pao-Yi Yang
spellingShingle Pao-Yi Yang
The Trans-Border Arrangement of Ming Pilgrim Flasks and the Narrative of Transculturation in the British Museum
Museum & Society
transculturality
global biographies
trans-border spatiality
chinese ming porcelain
british museum
author_facet Pao-Yi Yang
author_sort Pao-Yi Yang
title The Trans-Border Arrangement of Ming Pilgrim Flasks and the Narrative of Transculturation in the British Museum
title_short The Trans-Border Arrangement of Ming Pilgrim Flasks and the Narrative of Transculturation in the British Museum
title_full The Trans-Border Arrangement of Ming Pilgrim Flasks and the Narrative of Transculturation in the British Museum
title_fullStr The Trans-Border Arrangement of Ming Pilgrim Flasks and the Narrative of Transculturation in the British Museum
title_full_unstemmed The Trans-Border Arrangement of Ming Pilgrim Flasks and the Narrative of Transculturation in the British Museum
title_sort trans-border arrangement of ming pilgrim flasks and the narrative of transculturation in the british museum
publisher University of Leicester
series Museum & Society
issn 1479-8360
publishDate 2021-03-01
description This article revolves around the concepts of trans-border arrangement and transculturation and their significance to a critical theme in the British Museum today: cultural connectivity. Trans-border arrangement refers to displaying and classifying an object in museum space based on the object’s context of production as well as its relations with other objects and people; its transfer, gifting, collection, consumption, and appropriation. It represents, in museum space today, the circulation of material objects across cultural-geographical boundaries over a period of time in the past. To illustrate a trans-border arrangement, this article provides an empirical investigation of the multiple placements of Ming pilgrim flasks in the British Museum’s galleries of China, India, and Europe. This display scheme not only shows how the British Museum can accommodate the narrative of transculturation into its spatial configuration, but also how the institution of the museum can engage in the global turn in art history that blossomed in the late 1990s.
topic transculturality
global biographies
trans-border spatiality
chinese ming porcelain
british museum
url https://journals.le.ac.uk/ojs1/index.php/mas/article/view/3415
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