The forms of dialogical interaction between politics and art in the context of worldview paradigm of the New time rationalism

The paper analyzes the forms of dialogical interaction between politics and art in the context of the worldview paradigm of the Modern time. The category of mind is defined as the backbone element of the paradigm of rationalism of the New time along with its basic features. It is being argued that i...

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Main Author: Y. Y. Laniuk
Format: Article
Language:English
Published: Publishing House "Grani" 2014-10-01
Series:Granì
Subjects:
Online Access:https://grani.org.ua/index.php/journal/article/view/744
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spelling doaj-ce5b79c631da4a61931b90bcec9cef662020-11-24T22:39:28ZengPublishing House "Grani"Granì2077-18002413-87382014-10-010116470723The forms of dialogical interaction between politics and art in the context of worldview paradigm of the New time rationalismY. Y. Laniuk0Львівський національний університет імені Івана ФранкаThe paper analyzes the forms of dialogical interaction between politics and art in the context of the worldview paradigm of the Modern time. The category of mind is defined as the backbone element of the paradigm of rationalism of the New time along with its basic features. It is being argued that in ontological sense the concept of mind is identical to necessary, substantial laws under the surface of sensory available phenomena; in epistemological sense the mind correlates with analytical and synthetic method of cognition, and in the worldview sense it is equal to the organizing principle of World-order. Main features of the embodiment of the New time rationalism in political theories are outlined, including the interpretation of the concepts of natural condition of mankind and social contract as the necessary implications of the application of epistemological mind to sociopolitical reality. The specificity of the rationalistic anthropology is disclosed, along with the understanding of an individual as part of social system. The main principles of the aesthetics of rationalism are defined and the classicist style as aesthetical correlate of rationalism is characterized. Main features of the classicist aesthetics are postulated: normativeness, geometrism, consistency, etc. On this basis the principles of dialogical interaction between politics and art in the worldview paradigm of rationalism are established, including: 1. the equality of these spheres in their relationship to mind; 2. their rationalistic formal and substantial normativity; 3. correlation in the context of rationalistic anthropology.https://grani.org.ua/index.php/journal/article/view/744розум«ера Розуму»раціоналізмПросвітництвополітикамистецтвоестетикадіалогічність
collection DOAJ
language English
format Article
sources DOAJ
author Y. Y. Laniuk
spellingShingle Y. Y. Laniuk
The forms of dialogical interaction between politics and art in the context of worldview paradigm of the New time rationalism
Granì
розум
«ера Розуму»
раціоналізм
Просвітництво
політика
мистецтво
естетика
діалогічність
author_facet Y. Y. Laniuk
author_sort Y. Y. Laniuk
title The forms of dialogical interaction between politics and art in the context of worldview paradigm of the New time rationalism
title_short The forms of dialogical interaction between politics and art in the context of worldview paradigm of the New time rationalism
title_full The forms of dialogical interaction between politics and art in the context of worldview paradigm of the New time rationalism
title_fullStr The forms of dialogical interaction between politics and art in the context of worldview paradigm of the New time rationalism
title_full_unstemmed The forms of dialogical interaction between politics and art in the context of worldview paradigm of the New time rationalism
title_sort forms of dialogical interaction between politics and art in the context of worldview paradigm of the new time rationalism
publisher Publishing House "Grani"
series Granì
issn 2077-1800
2413-8738
publishDate 2014-10-01
description The paper analyzes the forms of dialogical interaction between politics and art in the context of the worldview paradigm of the Modern time. The category of mind is defined as the backbone element of the paradigm of rationalism of the New time along with its basic features. It is being argued that in ontological sense the concept of mind is identical to necessary, substantial laws under the surface of sensory available phenomena; in epistemological sense the mind correlates with analytical and synthetic method of cognition, and in the worldview sense it is equal to the organizing principle of World-order. Main features of the embodiment of the New time rationalism in political theories are outlined, including the interpretation of the concepts of natural condition of mankind and social contract as the necessary implications of the application of epistemological mind to sociopolitical reality. The specificity of the rationalistic anthropology is disclosed, along with the understanding of an individual as part of social system. The main principles of the aesthetics of rationalism are defined and the classicist style as aesthetical correlate of rationalism is characterized. Main features of the classicist aesthetics are postulated: normativeness, geometrism, consistency, etc. On this basis the principles of dialogical interaction between politics and art in the worldview paradigm of rationalism are established, including: 1. the equality of these spheres in their relationship to mind; 2. their rationalistic formal and substantial normativity; 3. correlation in the context of rationalistic anthropology.
topic розум
«ера Розуму»
раціоналізм
Просвітництво
політика
мистецтво
естетика
діалогічність
url https://grani.org.ua/index.php/journal/article/view/744
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