Robotic theatre: comparative analysis of human and mechanized activities in the creative process

The article systematizes and analyzes the existing experience of organizing the creative process in a robotic theater. The author explores the robotic theater phenomenon, the artificial intelligence technology possibilities to function in the stage space. The article provides a comparative analysis...

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Main Author: Tetiana Sovhyra
Format: Article
Language:English
Published: Vilnius Gediminas Technical University 2021-08-01
Series:Creativity Studies
Subjects:
Online Access:https://journals.vgtu.lt/index.php/CS/article/view/13545
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spelling doaj-ceae724ccded44308c80d12641ff71df2021-09-17T11:42:44ZengVilnius Gediminas Technical UniversityCreativity Studies2345-04792345-04872021-08-0114229530610.3846/cs.2021.1354513545Robotic theatre: comparative analysis of human and mechanized activities in the creative processTetiana Sovhyra0Variety Art Department, Faculty of Variety Art Directing, Kyiv National University of Culture and Arts, Konovalets str. 36, 01601 Kyiv, UkraineThe article systematizes and analyzes the existing experience of organizing the creative process in a robotic theater. The author explores the robotic theater phenomenon, the artificial intelligence technology possibilities to function in the stage space. The article provides a comparative analysis of human and mechanized interaction in the stage space. The methodological basis of the research is a combination of several methods: analytical – for accounting for historical and fictional literature; theoretical and conceptual method – for analyzing the conceptual and terminological system of research and identifying the specifics of introducing the artificial intelligence technology in creative process; comparative-typological – to compare the peculiarities of the functioning of mechanized “actors” with the acting skills of human performers. The article explores the threat perception and uncanny valley concepts to study the perception of a robot–actor by an audience. The author examines the process of human interaction with a robotic body: from the moment of interest, interaction to the moment of rejection of the robot by a person (audience).https://journals.vgtu.lt/index.php/CS/article/view/13545actorartificial intelligencecreativitydigital technologyrobottheater
collection DOAJ
language English
format Article
sources DOAJ
author Tetiana Sovhyra
spellingShingle Tetiana Sovhyra
Robotic theatre: comparative analysis of human and mechanized activities in the creative process
Creativity Studies
actor
artificial intelligence
creativity
digital technology
robot
theater
author_facet Tetiana Sovhyra
author_sort Tetiana Sovhyra
title Robotic theatre: comparative analysis of human and mechanized activities in the creative process
title_short Robotic theatre: comparative analysis of human and mechanized activities in the creative process
title_full Robotic theatre: comparative analysis of human and mechanized activities in the creative process
title_fullStr Robotic theatre: comparative analysis of human and mechanized activities in the creative process
title_full_unstemmed Robotic theatre: comparative analysis of human and mechanized activities in the creative process
title_sort robotic theatre: comparative analysis of human and mechanized activities in the creative process
publisher Vilnius Gediminas Technical University
series Creativity Studies
issn 2345-0479
2345-0487
publishDate 2021-08-01
description The article systematizes and analyzes the existing experience of organizing the creative process in a robotic theater. The author explores the robotic theater phenomenon, the artificial intelligence technology possibilities to function in the stage space. The article provides a comparative analysis of human and mechanized interaction in the stage space. The methodological basis of the research is a combination of several methods: analytical – for accounting for historical and fictional literature; theoretical and conceptual method – for analyzing the conceptual and terminological system of research and identifying the specifics of introducing the artificial intelligence technology in creative process; comparative-typological – to compare the peculiarities of the functioning of mechanized “actors” with the acting skills of human performers. The article explores the threat perception and uncanny valley concepts to study the perception of a robot–actor by an audience. The author examines the process of human interaction with a robotic body: from the moment of interest, interaction to the moment of rejection of the robot by a person (audience).
topic actor
artificial intelligence
creativity
digital technology
robot
theater
url https://journals.vgtu.lt/index.php/CS/article/view/13545
work_keys_str_mv AT tetianasovhyra robotictheatrecomparativeanalysisofhumanandmechanizedactivitiesinthecreativeprocess
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