The Schopenhauer-Galaxy
My paper discusses the methodical question of the cultural unconscious, taking up the concept of “mentalities” by the Annales school of historiography, and Pierre Bourdieu’s notion of “habituality”. The scope is to describe contemporary manifestations in philosophy, literature and artwork in epistem...
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Department of Art History, University of Birmingham
2009-12-01
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Online Access: | http://arthistoriography.files.wordpress.com/2011/02/media_139140_en.pdf |
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doaj-d151f53be8794f6f85b6b5e13bebaa422020-11-24T22:57:24ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522009-12-0111BW/1The Schopenhauer-GalaxyBeat WyssMy paper discusses the methodical question of the cultural unconscious, taking up the concept of “mentalities” by the Annales school of historiography, and Pierre Bourdieu’s notion of “habituality”. The scope is to describe contemporary manifestations in philosophy, literature and artwork in epistemic terms. Is there a modernist mentality, encompassing different disciplines, genres, and authors? In a case study, Friedrich Nietzsche’s Birth of Tragedy, Richard Wagner’s Ring of the Nibelungen, and Kasimir Malevich’s Suprematism are subjects of a discourse analysis. Their common denominator is the philosophy of Arthur Schopenhauer, whose legacy is paradigmatic for the intellectual field between European Symbolism and avant-garde.http://arthistoriography.files.wordpress.com/2011/02/media_139140_en.pdfNietzscheSchopenhauerWagnerMalevichmentalities |
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DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Beat Wyss |
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Beat Wyss The Schopenhauer-Galaxy Journal of Art Historiography Nietzsche Schopenhauer Wagner Malevich mentalities |
author_facet |
Beat Wyss |
author_sort |
Beat Wyss |
title |
The Schopenhauer-Galaxy |
title_short |
The Schopenhauer-Galaxy |
title_full |
The Schopenhauer-Galaxy |
title_fullStr |
The Schopenhauer-Galaxy |
title_full_unstemmed |
The Schopenhauer-Galaxy |
title_sort |
schopenhauer-galaxy |
publisher |
Department of Art History, University of Birmingham |
series |
Journal of Art Historiography |
issn |
2042-4752 |
publishDate |
2009-12-01 |
description |
My paper discusses the methodical question of the cultural unconscious, taking up the concept of “mentalities” by the Annales school of historiography, and Pierre Bourdieu’s notion of “habituality”. The scope is to describe contemporary manifestations in philosophy, literature and artwork in epistemic terms. Is there a modernist mentality, encompassing different disciplines, genres, and authors? In a case study, Friedrich Nietzsche’s Birth of Tragedy, Richard Wagner’s Ring of the Nibelungen, and Kasimir Malevich’s Suprematism are subjects of a discourse analysis. Their common denominator is the philosophy of Arthur Schopenhauer, whose legacy is paradigmatic for the intellectual field between European Symbolism and avant-garde. |
topic |
Nietzsche Schopenhauer Wagner Malevich mentalities |
url |
http://arthistoriography.files.wordpress.com/2011/02/media_139140_en.pdf |
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AT beatwyss theschopenhauergalaxy AT beatwyss schopenhauergalaxy |
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