Empire is out there!? The spirit of imperialism in the Pixar animated film UP
The animated feature Up (Pete Docter, 2009) tells the story of wilderness explorer Charles Muntz in search of a rare species of bird in the South American valley of Paradise Falls and widower Carl Frederickson hoping to mend the pain of losing his wife by fulfilling their lifelong dream of traveling...
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
Amsterdam University Press
2014-01-01
|
Series: | NECSUS : European journal of media studies |
Online Access: | https://www.necsus-ejms.org/test/empire-spirit-imperialism-pixar-animated-film/ |
id |
doaj-d3a4da86bdb445369beeda18af04fbfe |
---|---|
record_format |
Article |
spelling |
doaj-d3a4da86bdb445369beeda18af04fbfe2020-11-25T01:59:32ZengAmsterdam University PressNECSUS : European journal of media studies2213-02172014-01-0131698710.5117/NECSUS2014.1.MEINEmpire is out there!? The spirit of imperialism in the Pixar animated film UPDietmar MeinelThe animated feature Up (Pete Docter, 2009) tells the story of wilderness explorer Charles Muntz in search of a rare species of bird in the South American valley of Paradise Falls and widower Carl Frederickson hoping to mend the pain of losing his wife by fulfilling their lifelong dream of traveling to the same valley. Both men pursue their fantasies of adventure in South America. I situate this narrative within discourses of imperialism and the Monroe Doctrine. Whereas Charles has usurped Paradise Falls in his zealous decades-long hunt the film offers an alternative to his imperial fixation by portraying the redemptive experience of Carl during his travels. As the latter learns to define adventure as a spiritual endeavor, Carl sheds his imperial obsession and rescues his South American friends from Charles. I argue that Up attempts to critique the damaging effects of imperialism ‐ and by extension the ‘War on Terror’ ‐ through the figure of the fallen hero Charles but disavows the ‘informal’ qualities of U.S. empire embodied by Carl. This disavowal of the informal features of (U.S.) imperialism in Up allows me to explore the persistence of the ‘tenacious grasp’ of U.S. exceptionalism, while the imagery of a queer, transnational community also suggests alteration in the tropes of U.S. imperialism.https://www.necsus-ejms.org/test/empire-spirit-imperialism-pixar-animated-film/ |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Dietmar Meinel |
spellingShingle |
Dietmar Meinel Empire is out there!? The spirit of imperialism in the Pixar animated film UP NECSUS : European journal of media studies |
author_facet |
Dietmar Meinel |
author_sort |
Dietmar Meinel |
title |
Empire is out there!? The spirit of imperialism in the Pixar animated film UP |
title_short |
Empire is out there!? The spirit of imperialism in the Pixar animated film UP |
title_full |
Empire is out there!? The spirit of imperialism in the Pixar animated film UP |
title_fullStr |
Empire is out there!? The spirit of imperialism in the Pixar animated film UP |
title_full_unstemmed |
Empire is out there!? The spirit of imperialism in the Pixar animated film UP |
title_sort |
empire is out there!? the spirit of imperialism in the pixar animated film up |
publisher |
Amsterdam University Press |
series |
NECSUS : European journal of media studies |
issn |
2213-0217 |
publishDate |
2014-01-01 |
description |
The animated feature Up (Pete Docter, 2009) tells the story of wilderness explorer Charles Muntz in search of a rare species of bird in the South American valley of Paradise Falls and widower Carl Frederickson hoping to mend the pain of losing his wife by fulfilling their lifelong dream of traveling to the same valley. Both men pursue their fantasies of adventure in South America. I situate this narrative within discourses of imperialism and the Monroe Doctrine. Whereas Charles has usurped Paradise Falls in his zealous decades-long hunt the film offers an alternative to his imperial fixation by portraying the redemptive experience of Carl during his travels. As the latter learns to define adventure as a spiritual endeavor, Carl sheds his imperial obsession and rescues his South American friends from Charles. I argue that Up attempts to critique the damaging effects of imperialism ‐ and by extension the ‘War on Terror’ ‐ through the figure of the fallen hero Charles but disavows the ‘informal’ qualities of U.S. empire embodied by Carl. This disavowal of the informal features of (U.S.) imperialism in Up allows me to explore the persistence of the ‘tenacious grasp’ of U.S. exceptionalism, while the imagery of a queer, transnational community also suggests alteration in the tropes of U.S. imperialism. |
url |
https://www.necsus-ejms.org/test/empire-spirit-imperialism-pixar-animated-film/ |
work_keys_str_mv |
AT dietmarmeinel empireisouttherethespiritofimperialisminthepixaranimatedfilmup |
_version_ |
1724964236588744704 |