Empire is out there!? The spirit of imperialism in the Pixar animated film UP

The animated feature Up (Pete Docter, 2009) tells the story of wilderness explorer Charles Muntz in search of a rare species of bird in the South American valley of Paradise Falls and widower Carl Frederickson hoping to mend the pain of losing his wife by fulfilling their lifelong dream of traveling...

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Main Author: Dietmar Meinel
Format: Article
Language:English
Published: Amsterdam University Press 2014-01-01
Series:NECSUS : European journal of media studies
Online Access:https://www.necsus-ejms.org/test/empire-spirit-imperialism-pixar-animated-film/
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spelling doaj-d3a4da86bdb445369beeda18af04fbfe2020-11-25T01:59:32ZengAmsterdam University PressNECSUS : European journal of media studies2213-02172014-01-0131698710.5117/NECSUS2014.1.MEINEmpire is out there!? The spirit of imperialism in the Pixar animated film UPDietmar MeinelThe animated feature Up (Pete Docter, 2009) tells the story of wilderness explorer Charles Muntz in search of a rare species of bird in the South American valley of Paradise Falls and widower Carl Frederickson hoping to mend the pain of losing his wife by fulfilling their lifelong dream of traveling to the same valley. Both men pursue their fantasies of adventure in South America. I situate this narrative within discourses of imperialism and the Monroe Doctrine. Whereas Charles has usurped Paradise Falls in his zealous decades-long hunt the film offers an alternative to his imperial fixation by portraying the redemptive experience of Carl during his travels. As the latter learns to define adventure as a spiritual endeavor, Carl sheds his imperial obsession and rescues his South American friends from Charles. I argue that Up attempts to critique the damaging effects of imperialism ‐ and by extension the ‘War on Terror’ ‐ through the figure of the fallen hero Charles but disavows the ‘informal’ qualities of U.S. empire embodied by Carl. This disavowal of the informal features of (U.S.) imperialism in Up allows me to explore the persistence of the ‘tenacious grasp’ of U.S. exceptionalism, while the imagery of a queer, transnational community also suggests alteration in the tropes of U.S. imperialism.https://www.necsus-ejms.org/test/empire-spirit-imperialism-pixar-animated-film/
collection DOAJ
language English
format Article
sources DOAJ
author Dietmar Meinel
spellingShingle Dietmar Meinel
Empire is out there!? The spirit of imperialism in the Pixar animated film UP
NECSUS : European journal of media studies
author_facet Dietmar Meinel
author_sort Dietmar Meinel
title Empire is out there!? The spirit of imperialism in the Pixar animated film UP
title_short Empire is out there!? The spirit of imperialism in the Pixar animated film UP
title_full Empire is out there!? The spirit of imperialism in the Pixar animated film UP
title_fullStr Empire is out there!? The spirit of imperialism in the Pixar animated film UP
title_full_unstemmed Empire is out there!? The spirit of imperialism in the Pixar animated film UP
title_sort empire is out there!? the spirit of imperialism in the pixar animated film up
publisher Amsterdam University Press
series NECSUS : European journal of media studies
issn 2213-0217
publishDate 2014-01-01
description The animated feature Up (Pete Docter, 2009) tells the story of wilderness explorer Charles Muntz in search of a rare species of bird in the South American valley of Paradise Falls and widower Carl Frederickson hoping to mend the pain of losing his wife by fulfilling their lifelong dream of traveling to the same valley. Both men pursue their fantasies of adventure in South America. I situate this narrative within discourses of imperialism and the Monroe Doctrine. Whereas Charles has usurped Paradise Falls in his zealous decades-long hunt the film offers an alternative to his imperial fixation by portraying the redemptive experience of Carl during his travels. As the latter learns to define adventure as a spiritual endeavor, Carl sheds his imperial obsession and rescues his South American friends from Charles. I argue that Up attempts to critique the damaging effects of imperialism ‐ and by extension the ‘War on Terror’ ‐ through the figure of the fallen hero Charles but disavows the ‘informal’ qualities of U.S. empire embodied by Carl. This disavowal of the informal features of (U.S.) imperialism in Up allows me to explore the persistence of the ‘tenacious grasp’ of U.S. exceptionalism, while the imagery of a queer, transnational community also suggests alteration in the tropes of U.S. imperialism.
url https://www.necsus-ejms.org/test/empire-spirit-imperialism-pixar-animated-film/
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