Gli Abiti Trasformabili

Gli Abiti Trasformabili

Transformable dresses are capable of incorporating the becoming of forms into a single object, thus offering a new perspective to investigate the relationship between the morphology and performativity of fashion. The analysis stems from Roland Barthes’ interpretation of the “endless” or “total” gar...

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Bibliographic Details
Main Author: Alessandra Vaccari
Format: Article
Language:deu
Published: Università degli Studi di Torino 2021-06-01
Series:CoSMO
Subjects:
Fashion
Morphology
Performativity
Transformation
Roland Barthes
Illusionism
Online Access:https://www.ojs.unito.it/index.php/COSMO/article/view/5133
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spelling doaj-d5e33f7addbc42e096ccd919b233e4142021-09-13T19:56:01ZdeuUniversità degli Studi di TorinoCoSMO2281-66582021-06-011810.13135/2281-6658/5133Gli Abiti TrasformabiliAlessandra Vaccari0Università Iuav di Venezia Transformable dresses are capable of incorporating the becoming of forms into a single object, thus offering a new perspective to investigate the relationship between the morphology and performativity of fashion. The analysis stems from Roland Barthes’ interpretation of the “endless” or “total” garment to focus on the role of transformable dresses in the 1910s’ European and American modernism and their effects on today’s digital and post-digital fashion. https://www.ojs.unito.it/index.php/COSMO/article/view/5133FashionMorphologyPerformativityTransformationRoland BarthesIllusionism
collection DOAJ
language deu
format Article
sources DOAJ
author Alessandra Vaccari
spellingShingle Alessandra Vaccari
Gli Abiti Trasformabili
CoSMO
Fashion
Morphology
Performativity
Transformation
Roland Barthes
Illusionism
author_facet Alessandra Vaccari
author_sort Alessandra Vaccari
title Gli Abiti Trasformabili
title_short Gli Abiti Trasformabili
title_full Gli Abiti Trasformabili
title_fullStr Gli Abiti Trasformabili
title_full_unstemmed Gli Abiti Trasformabili
title_sort gli abiti trasformabili
publisher Università degli Studi di Torino
series CoSMO
issn 2281-6658
publishDate 2021-06-01
description Transformable dresses are capable of incorporating the becoming of forms into a single object, thus offering a new perspective to investigate the relationship between the morphology and performativity of fashion. The analysis stems from Roland Barthes’ interpretation of the “endless” or “total” garment to focus on the role of transformable dresses in the 1910s’ European and American modernism and their effects on today’s digital and post-digital fashion.
topic Fashion
Morphology
Performativity
Transformation
Roland Barthes
Illusionism
url https://www.ojs.unito.it/index.php/COSMO/article/view/5133
work_keys_str_mv AT alessandravaccari gliabititrasformabili
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