The Centelles’ Palace of Oliva: The Recovery of Architectural Heritage through Its Plundering

At the beginning of the 20th century, the Danish architects Egil Fischer and Vilhelm Lauritzen carried out a rigorous graphic documentary study of one of the most important late-Gothic—Renaissance palaces in the Kingdom of Valencia, the Centelles’ Palace of Oliva, with the aim of later taking many o...

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Main Author: Joaquín A. Martínez-Moya
Format: Article
Language:English
Published: MDPI AG 2018-02-01
Series:Buildings
Subjects:
Online Access:http://www.mdpi.com/2075-5309/8/2/26
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spelling doaj-d862024ded50416380859c3697ce40652020-11-24T22:46:10ZengMDPI AGBuildings2075-53092018-02-01822610.3390/buildings8020026buildings8020026The Centelles’ Palace of Oliva: The Recovery of Architectural Heritage through Its PlunderingJoaquín A. Martínez-Moya0Department of Industrial Systems Engineering and Design, Universitat Jaume I, Avda. Sos Baynat s/n, 12071 Castellón de la Plana, SpainAt the beginning of the 20th century, the Danish architects Egil Fischer and Vilhelm Lauritzen carried out a rigorous graphic documentary study of one of the most important late-Gothic—Renaissance palaces in the Kingdom of Valencia, the Centelles’ Palace of Oliva, with the aim of later taking many of its architectural elements to Denmark. After numerous complaints, the Palace was declared a National Monument in 1920 and the exportation of its pieces was suspended. In 1932, due to heavy rain, a part of the Palace collapsed. The Spanish Civil War increased the deterioration of the Palace, and after some attempts to retrieve it, the remains of the Palace were demolished in the 1950s, and all traces of this large building disappeared with them. Thanks to the graphic documentation carried out by Danish architects, today we are able to know and study this Palace of great cultural and patrimonial interest, which has now almost completely disappeared. The work carried out by these architects, far from destroying the Palace, has helped to preserve it through this graphic legacy which allows us to carry out a highly detailed graphical restoration of many of its elements, as well as a hypothetical physical restitution of them.http://www.mdpi.com/2075-5309/8/2/26Centelles’ Palacelate-Gothic-Renaissancegraphic legacygraphical restoration
collection DOAJ
language English
format Article
sources DOAJ
author Joaquín A. Martínez-Moya
spellingShingle Joaquín A. Martínez-Moya
The Centelles’ Palace of Oliva: The Recovery of Architectural Heritage through Its Plundering
Buildings
Centelles’ Palace
late-Gothic-Renaissance
graphic legacy
graphical restoration
author_facet Joaquín A. Martínez-Moya
author_sort Joaquín A. Martínez-Moya
title The Centelles’ Palace of Oliva: The Recovery of Architectural Heritage through Its Plundering
title_short The Centelles’ Palace of Oliva: The Recovery of Architectural Heritage through Its Plundering
title_full The Centelles’ Palace of Oliva: The Recovery of Architectural Heritage through Its Plundering
title_fullStr The Centelles’ Palace of Oliva: The Recovery of Architectural Heritage through Its Plundering
title_full_unstemmed The Centelles’ Palace of Oliva: The Recovery of Architectural Heritage through Its Plundering
title_sort centelles’ palace of oliva: the recovery of architectural heritage through its plundering
publisher MDPI AG
series Buildings
issn 2075-5309
publishDate 2018-02-01
description At the beginning of the 20th century, the Danish architects Egil Fischer and Vilhelm Lauritzen carried out a rigorous graphic documentary study of one of the most important late-Gothic—Renaissance palaces in the Kingdom of Valencia, the Centelles’ Palace of Oliva, with the aim of later taking many of its architectural elements to Denmark. After numerous complaints, the Palace was declared a National Monument in 1920 and the exportation of its pieces was suspended. In 1932, due to heavy rain, a part of the Palace collapsed. The Spanish Civil War increased the deterioration of the Palace, and after some attempts to retrieve it, the remains of the Palace were demolished in the 1950s, and all traces of this large building disappeared with them. Thanks to the graphic documentation carried out by Danish architects, today we are able to know and study this Palace of great cultural and patrimonial interest, which has now almost completely disappeared. The work carried out by these architects, far from destroying the Palace, has helped to preserve it through this graphic legacy which allows us to carry out a highly detailed graphical restoration of many of its elements, as well as a hypothetical physical restitution of them.
topic Centelles’ Palace
late-Gothic-Renaissance
graphic legacy
graphical restoration
url http://www.mdpi.com/2075-5309/8/2/26
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