Tworki of Marek Bieńczyk as a genre story
<span>The article’s author analyses Marek Bieńczyk’s novel Tworki (1999), using tools from genre theory and challenging the prevailing view of Bieńczyk as a postmodernist, the pantextualism of his literature, and his adherence to “non-epic prose.” Bieńczyk’s novel is contextualized as a drawno...
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| Format: | Article |
| Language: | Polish |
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Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w Poznaniu
2012-01-01
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| Series: | Przestrzenie Teorii |
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| Online Access: | http://pressto.amu.edu.pl/index.php/pt/article/view/3396 |
| Summary: | <span>The article’s author analyses Marek Bieńczyk’s novel Tworki (1999), using tools from genre theory and challenging the prevailing view of Bieńczyk as a postmodernist, the pantextualism of his literature, and his adherence to “non-epic prose.” Bieńczyk’s novel is contextualized as a drawnout story (gawęda), mystery story, bildundsroman. It is shown how Bieńczyk uses established genres to assemble the elements of a narrative universe (the narrator, protagonist, intrigue), and the way he handles the epic aspects of his literature. Particular emphasis is placed on an analysis of the vaudeville-cabaret layers of the novel, everything borrowed from popular culture and used to re-narrate the trauma of the Holocaust. In this respect, Bieńczyk’s novel is considered to be one of the bravest works in Polish post-1989 literature.</span> |
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| ISSN: | 1644-6763 2450-5765 |