Archéologie d’un ensemble mobilier exceptionnel : les collections du château de La Sarraz (Suisse)

The castle of La Sarraz (Switzerland) houses a remarkable collection of movable objects, still unknown. It is currently being scientifically inventoried by students of the University of Lausanne. The collection – rich of many thousands items – is composed of several layers. To the pieces of furnitur...

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Main Author: Dave Lüthi
Format: Article
Language:fra
Published: Ministère de la Culture et de la Communication 2016-07-01
Series:In Situ : Revue de Patrimoines
Subjects:
Online Access:http://journals.openedition.org/insitu/13007
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spelling doaj-ddfb2eaec6d14c6cacc622a9c75020842020-11-24T21:41:35ZfraMinistère de la Culture et de la CommunicationIn Situ : Revue de Patrimoines1630-73052016-07-012910.4000/insitu.13007Archéologie d’un ensemble mobilier exceptionnel : les collections du château de La Sarraz (Suisse)Dave LüthiThe castle of La Sarraz (Switzerland) houses a remarkable collection of movable objects, still unknown. It is currently being scientifically inventoried by students of the University of Lausanne. The collection – rich of many thousands items – is composed of several layers. To the pieces of furniture and paintings belonging to the different branches of the de Gingins family, gathered at the castle during the 19th century, are notably added the items bought by the historian and chatelain Frédéric de Gingins – who transformed the castle into a dynastic museum – and the contemporary works of art given to the last person who lived there, Hélène de Mandrot, who had founded an Artists’ House there: Moholy-Nagy, Le Corbusier and Oskar Schlemmer are thus neighbours to 18th century Bernese portraits and Renaissance furniture. Finally, the castle’s first curator, Charles Knébel, adds his personal paintings collection by the middle of the 20th century: neo-classical views of Rome, signed by two renowned Vaudois artists among his ancestors. The current inventory puts emphasis on the different historical layers, but it also seeks to enhance them individually as much as mutually. Indeed, the article shows that the castle’s current state, a succession of period rooms arranged since the 1920s, cannot be dissociated from the plurality of the collections.http://journals.openedition.org/insitu/13007inventoryhistory of a collectioncollection of objectscastle-museumLa Sarraz (VaudSwitzerland)
collection DOAJ
language fra
format Article
sources DOAJ
author Dave Lüthi
spellingShingle Dave Lüthi
Archéologie d’un ensemble mobilier exceptionnel : les collections du château de La Sarraz (Suisse)
In Situ : Revue de Patrimoines
inventory
history of a collection
collection of objects
castle-museum
La Sarraz (Vaud
Switzerland)
author_facet Dave Lüthi
author_sort Dave Lüthi
title Archéologie d’un ensemble mobilier exceptionnel : les collections du château de La Sarraz (Suisse)
title_short Archéologie d’un ensemble mobilier exceptionnel : les collections du château de La Sarraz (Suisse)
title_full Archéologie d’un ensemble mobilier exceptionnel : les collections du château de La Sarraz (Suisse)
title_fullStr Archéologie d’un ensemble mobilier exceptionnel : les collections du château de La Sarraz (Suisse)
title_full_unstemmed Archéologie d’un ensemble mobilier exceptionnel : les collections du château de La Sarraz (Suisse)
title_sort archéologie d’un ensemble mobilier exceptionnel : les collections du château de la sarraz (suisse)
publisher Ministère de la Culture et de la Communication
series In Situ : Revue de Patrimoines
issn 1630-7305
publishDate 2016-07-01
description The castle of La Sarraz (Switzerland) houses a remarkable collection of movable objects, still unknown. It is currently being scientifically inventoried by students of the University of Lausanne. The collection – rich of many thousands items – is composed of several layers. To the pieces of furniture and paintings belonging to the different branches of the de Gingins family, gathered at the castle during the 19th century, are notably added the items bought by the historian and chatelain Frédéric de Gingins – who transformed the castle into a dynastic museum – and the contemporary works of art given to the last person who lived there, Hélène de Mandrot, who had founded an Artists’ House there: Moholy-Nagy, Le Corbusier and Oskar Schlemmer are thus neighbours to 18th century Bernese portraits and Renaissance furniture. Finally, the castle’s first curator, Charles Knébel, adds his personal paintings collection by the middle of the 20th century: neo-classical views of Rome, signed by two renowned Vaudois artists among his ancestors. The current inventory puts emphasis on the different historical layers, but it also seeks to enhance them individually as much as mutually. Indeed, the article shows that the castle’s current state, a succession of period rooms arranged since the 1920s, cannot be dissociated from the plurality of the collections.
topic inventory
history of a collection
collection of objects
castle-museum
La Sarraz (Vaud
Switzerland)
url http://journals.openedition.org/insitu/13007
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