Dramatic Carpentry in Lorca's «La dama boba»: Lope at Molière's Pace
<p><span>This paper examines Lorca’s version of Lope’s <em>La dama boba</em>, which was performed by Eva Franco’s Company in Buenos Aires in 1934, and then by Rivas Cherif and the Xirgu-Borrás’ Company in 1935 for the occasion of Lope’s tercentenary. The study is based on a c...
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doaj-de2c1e87d27a430eb9757481ad7857742021-05-04T16:10:44ZspaUniversitat Autònoma de BarcelonaAnuario Lope de Vega: Texto, Literatura, Cultura2014-88602016-01-0122012710.5565/rev/anuariolopedevega.146111Dramatic Carpentry in Lorca's «La dama boba»: Lope at Molière's PaceAlba Agraz-Ortiz0Universidad de Salamanca<p><span>This paper examines Lorca’s version of Lope’s <em>La dama boba</em>, which was performed by Eva Franco’s Company in Buenos Aires in 1934, and then by Rivas Cherif and the Xirgu-Borrás’ Company in 1935 for the occasion of Lope’s tercentenary. The study is based on a comparative analysis of three texts: Prolope’s critical edition as a canonical reference (Presotto 2007), the text edited by J.E. Hartzenbusch in 1859, which is based on the printed play in <em>Novena Parte</em> (1617) which Lorca used as starting point, and finally Lorca’s adapted text (Aguilera Sastre and Lizarraga Vizcarra 2001). The analysis of these texts will show Lorca’s dramaturgy and will allow to connect his personal reading of <em>La dama boba</em> (defined by its farcical and musical character) with the European avant-garde drama of the early 20th century.</span></p>https://revistes.uab.cat/anuariolopedevega/article/view/146lope de vegafederico garcía lorca«la dama boba»dramaturgiavanguardiafarsa. |
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language |
Spanish |
format |
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sources |
DOAJ |
author |
Alba Agraz-Ortiz |
spellingShingle |
Alba Agraz-Ortiz Dramatic Carpentry in Lorca's «La dama boba»: Lope at Molière's Pace Anuario Lope de Vega: Texto, Literatura, Cultura lope de vega federico garcía lorca «la dama boba» dramaturgia vanguardia farsa. |
author_facet |
Alba Agraz-Ortiz |
author_sort |
Alba Agraz-Ortiz |
title |
Dramatic Carpentry in Lorca's «La dama boba»: Lope at Molière's Pace |
title_short |
Dramatic Carpentry in Lorca's «La dama boba»: Lope at Molière's Pace |
title_full |
Dramatic Carpentry in Lorca's «La dama boba»: Lope at Molière's Pace |
title_fullStr |
Dramatic Carpentry in Lorca's «La dama boba»: Lope at Molière's Pace |
title_full_unstemmed |
Dramatic Carpentry in Lorca's «La dama boba»: Lope at Molière's Pace |
title_sort |
dramatic carpentry in lorca's «la dama boba»: lope at molière's pace |
publisher |
Universitat Autònoma de Barcelona |
series |
Anuario Lope de Vega: Texto, Literatura, Cultura |
issn |
2014-8860 |
publishDate |
2016-01-01 |
description |
<p><span>This paper examines Lorca’s version of Lope’s <em>La dama boba</em>, which was performed by Eva Franco’s Company in Buenos Aires in 1934, and then by Rivas Cherif and the Xirgu-Borrás’ Company in 1935 for the occasion of Lope’s tercentenary. The study is based on a comparative analysis of three texts: Prolope’s critical edition as a canonical reference (Presotto 2007), the text edited by J.E. Hartzenbusch in 1859, which is based on the printed play in <em>Novena Parte</em> (1617) which Lorca used as starting point, and finally Lorca’s adapted text (Aguilera Sastre and Lizarraga Vizcarra 2001). The analysis of these texts will show Lorca’s dramaturgy and will allow to connect his personal reading of <em>La dama boba</em> (defined by its farcical and musical character) with the European avant-garde drama of the early 20th century.</span></p> |
topic |
lope de vega federico garcía lorca «la dama boba» dramaturgia vanguardia farsa. |
url |
https://revistes.uab.cat/anuariolopedevega/article/view/146 |
work_keys_str_mv |
AT albaagrazortiz dramaticcarpentryinlorcasladamabobalopeatmolierespace |
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1721478187649597440 |