Dramatic Carpentry in Lorca's «La dama boba»: Lope at Molière's Pace

<p><span>This paper examines Lorca’s version of Lope’s <em>La dama boba</em>, which was performed by Eva Franco’s Company in Buenos Aires in 1934, and then by Rivas Cherif and the Xirgu-Borrás’ Company in 1935 for the occasion of Lope’s tercentenary. The study is based on a c...

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Main Author: Alba Agraz-Ortiz
Format: Article
Language:Spanish
Published: Universitat Autònoma de Barcelona 2016-01-01
Series:Anuario Lope de Vega: Texto, Literatura, Cultura
Subjects:
Online Access:https://revistes.uab.cat/anuariolopedevega/article/view/146
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spelling doaj-de2c1e87d27a430eb9757481ad7857742021-05-04T16:10:44ZspaUniversitat Autònoma de BarcelonaAnuario Lope de Vega: Texto, Literatura, Cultura2014-88602016-01-0122012710.5565/rev/anuariolopedevega.146111Dramatic Carpentry in Lorca's «La dama boba»: Lope at Molière's PaceAlba Agraz-Ortiz0Universidad de Salamanca<p><span>This paper examines Lorca’s version of Lope’s <em>La dama boba</em>, which was performed by Eva Franco’s Company in Buenos Aires in 1934, and then by Rivas Cherif and the Xirgu-Borrás’ Company in 1935 for the occasion of Lope’s tercentenary. The study is based on a comparative analysis of three texts: Prolope’s critical edition as a canonical reference (Presotto 2007), the text edited by J.E. Hartzenbusch in 1859, which is based on the printed play in <em>Novena Parte</em> (1617) which Lorca used as starting point, and finally Lorca’s adapted text (Aguilera Sastre and Lizarraga Vizcarra 2001). The analysis of these texts will show Lorca’s dramaturgy and will allow to connect his personal reading of <em>La dama boba</em> (defined by its farcical and musical character) with the European avant-garde drama of the early 20th century.</span></p>https://revistes.uab.cat/anuariolopedevega/article/view/146lope de vegafederico garcía lorca«la dama boba»dramaturgiavanguardiafarsa.
collection DOAJ
language Spanish
format Article
sources DOAJ
author Alba Agraz-Ortiz
spellingShingle Alba Agraz-Ortiz
Dramatic Carpentry in Lorca's «La dama boba»: Lope at Molière's Pace
Anuario Lope de Vega: Texto, Literatura, Cultura
lope de vega
federico garcía lorca
«la dama boba»
dramaturgia
vanguardia
farsa.
author_facet Alba Agraz-Ortiz
author_sort Alba Agraz-Ortiz
title Dramatic Carpentry in Lorca's «La dama boba»: Lope at Molière's Pace
title_short Dramatic Carpentry in Lorca's «La dama boba»: Lope at Molière's Pace
title_full Dramatic Carpentry in Lorca's «La dama boba»: Lope at Molière's Pace
title_fullStr Dramatic Carpentry in Lorca's «La dama boba»: Lope at Molière's Pace
title_full_unstemmed Dramatic Carpentry in Lorca's «La dama boba»: Lope at Molière's Pace
title_sort dramatic carpentry in lorca's «la dama boba»: lope at molière's pace
publisher Universitat Autònoma de Barcelona
series Anuario Lope de Vega: Texto, Literatura, Cultura
issn 2014-8860
publishDate 2016-01-01
description <p><span>This paper examines Lorca’s version of Lope’s <em>La dama boba</em>, which was performed by Eva Franco’s Company in Buenos Aires in 1934, and then by Rivas Cherif and the Xirgu-Borrás’ Company in 1935 for the occasion of Lope’s tercentenary. The study is based on a comparative analysis of three texts: Prolope’s critical edition as a canonical reference (Presotto 2007), the text edited by J.E. Hartzenbusch in 1859, which is based on the printed play in <em>Novena Parte</em> (1617) which Lorca used as starting point, and finally Lorca’s adapted text (Aguilera Sastre and Lizarraga Vizcarra 2001). The analysis of these texts will show Lorca’s dramaturgy and will allow to connect his personal reading of <em>La dama boba</em> (defined by its farcical and musical character) with the European avant-garde drama of the early 20th century.</span></p>
topic lope de vega
federico garcía lorca
«la dama boba»
dramaturgia
vanguardia
farsa.
url https://revistes.uab.cat/anuariolopedevega/article/view/146
work_keys_str_mv AT albaagrazortiz dramaticcarpentryinlorcasladamabobalopeatmolierespace
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