Drawing the Musaeum. The graphic origins of a typology

The first museums of history were installed in ancient palaces in the xvii and xviii centuries. However, the inadequacy of these spaces made it necessary the creation of an independent architecture. In the process to create a new typology the academic impulse was fundamental. Beyond individual effor...

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Main Author: José Manuel Falcón Meraz
Format: Article
Language:Spanish
Published: Universitat Politècnica de València 2019-04-01
Series:EGA
Subjects:
Online Access:https://polipapers.upv.es/index.php/EGA/article/view/11553
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spelling doaj-e0c3932317884933ad575230880dde7a2020-11-25T03:47:21ZspaUniversitat Politècnica de ValènciaEGA 1133-61372254-61032019-04-01243520221110.4995/ega.2019.115537431Drawing the Musaeum. The graphic origins of a typologyJosé Manuel Falcón Meraz0ITESO, Universidad Jesuita de GuadalajaraThe first museums of history were installed in ancient palaces in the xvii and xviii centuries. However, the inadequacy of these spaces made it necessary the creation of an independent architecture. In the process to create a new typology the academic impulse was fundamental. Beyond individual efforts like those of Sturm and Algarotti, it would be at the Academy of Fine Arts in Paris where the main idea found its inspiration in the monumental image of the Musaeum of Alexandria. Through constant competitions and institutional exams, over four decades, the museum defined its role and internal organization, represented in highly detailed plans. It was precisely one of his former students, Durand, who took the academic efforts forward, with a rational prototype, contained in his Précis, which unwittingly, provided the basis for the public museums of the nineteenth century.https://polipapers.upv.es/index.php/EGA/article/view/11553museosgrand prixacademia de bellas artes de parísjnl durand
collection DOAJ
language Spanish
format Article
sources DOAJ
author José Manuel Falcón Meraz
spellingShingle José Manuel Falcón Meraz
Drawing the Musaeum. The graphic origins of a typology
EGA
museos
grand prix
academia de bellas artes de parís
jnl durand
author_facet José Manuel Falcón Meraz
author_sort José Manuel Falcón Meraz
title Drawing the Musaeum. The graphic origins of a typology
title_short Drawing the Musaeum. The graphic origins of a typology
title_full Drawing the Musaeum. The graphic origins of a typology
title_fullStr Drawing the Musaeum. The graphic origins of a typology
title_full_unstemmed Drawing the Musaeum. The graphic origins of a typology
title_sort drawing the musaeum. the graphic origins of a typology
publisher Universitat Politècnica de València
series EGA
issn 1133-6137
2254-6103
publishDate 2019-04-01
description The first museums of history were installed in ancient palaces in the xvii and xviii centuries. However, the inadequacy of these spaces made it necessary the creation of an independent architecture. In the process to create a new typology the academic impulse was fundamental. Beyond individual efforts like those of Sturm and Algarotti, it would be at the Academy of Fine Arts in Paris where the main idea found its inspiration in the monumental image of the Musaeum of Alexandria. Through constant competitions and institutional exams, over four decades, the museum defined its role and internal organization, represented in highly detailed plans. It was precisely one of his former students, Durand, who took the academic efforts forward, with a rational prototype, contained in his Précis, which unwittingly, provided the basis for the public museums of the nineteenth century.
topic museos
grand prix
academia de bellas artes de parís
jnl durand
url https://polipapers.upv.es/index.php/EGA/article/view/11553
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