The Politics and Aesthetics of Non-Representation: Re-Imagining Ethnographic Cinema with Apichatpong Weerasethakul
This article argues that the work of Thai filmmaker Apichatpong Weerasethakul offers conceptual and methodological tools that may contribute to the re-imagination of ethnographic cinema beyond representation. Weerasethakul’s films emerge out of a para-ethnographic engagement with people and places,...
Main Author: | Isaac Marrero-Guillamón |
---|---|
Format: | Article |
Language: | English |
Published: |
Universidad de los Andes (Bogotá)
2018-10-01
|
Series: | Antípoda: Revista de Antropología y Arqueología |
Subjects: | |
Online Access: | https://revistas.uniandes.edu.co/doi/full/10.7440/antipoda33.2018.02 |
Similar Items
-
[pt] PRIMITIVE: A EXPERIÊNCIA DO PRIMITIVISMO EM APICHATPONG WEERASETHAKUL
Published: (2021) -
Fabulations nocturnes: Écologie, vitalité et opacité dans le cinéma d'Apichatpong Weerasethakul
by: Bordeleau, Érik
Published: (2017) -
Nocturnal Fabulations: Ecology, Vitality and Opacity in the Cinema of Apichatpong Weerasethakul
by: Bordeleau, Érik
Published: (2017) -
La résistance par le détour dans l'œuvre d'Apichatpong Weerasethakul
by: Renaud-Lorrain, Aude
Published: (2018) -
Mysterious Objects of Knowledge: An Interpretation of Three Feature Films by Apichatpong Weerasethakul in Terms of the Ethnographic Paradigm
by: Ferrari, Matthew P.
Published: (2006)