POETRY AS AN ELEMENT OF THE APARTHEID MILITARY DISCOURSE

From the 1970s to the early 1990s, "struggle poetry" served to define elements of the struggle against apartheid. In contrast to struggle literature, which was open and clearly focussed, pro-apartheid literature was not produced in abundance and, when it appeared, was shrouded in social di...

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Main Author: Andre Van der Bijl
Format: Article
Language:Afrikaans
Published: Stellenbosch University 2011-08-01
Series:Scientia Militaria
Online Access:http://scientiamilitaria.journals.ac.za/pub/article/view/102
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spelling doaj-e559b0d42d7b4efbb2a43754b52c09e12020-11-25T00:22:20ZafrStellenbosch UniversityScientia Militaria2224-00202011-08-0139110.5787/39-1-102POETRY AS AN ELEMENT OF THE APARTHEID MILITARY DISCOURSEAndre Van der BijlFrom the 1970s to the early 1990s, "struggle poetry" served to define elements of the struggle against apartheid. In contrast to struggle literature, which was open and clearly focussed, pro-apartheid literature was not produced in abundance and, when it appeared, was shrouded in social discourse, including historical analysis, terminology, the articulation of specific viewpoints, humour and a sense of duty. One of the longest-lasting windows into apartheid military propaganda was Peter Badcock's Images of war (1981), a compilation of pencil sketches and short poetic works that used simple blank verse and images of racial diversity, romance and implied tradition. This article presents a discourse analysis of the above-mentioned publication, using both Foucault-infused thoughts and a critical discourse analysis methodology developed by Fairclough. It provides insight into how the apparatus of a state can gain popular support for sociologically unacceptable practices. Understanding the latter contributes to an understanding of power relations and ideological processes that underlie text and rhetoric.http://scientiamilitaria.journals.ac.za/pub/article/view/102
collection DOAJ
language Afrikaans
format Article
sources DOAJ
author Andre Van der Bijl
spellingShingle Andre Van der Bijl
POETRY AS AN ELEMENT OF THE APARTHEID MILITARY DISCOURSE
Scientia Militaria
author_facet Andre Van der Bijl
author_sort Andre Van der Bijl
title POETRY AS AN ELEMENT OF THE APARTHEID MILITARY DISCOURSE
title_short POETRY AS AN ELEMENT OF THE APARTHEID MILITARY DISCOURSE
title_full POETRY AS AN ELEMENT OF THE APARTHEID MILITARY DISCOURSE
title_fullStr POETRY AS AN ELEMENT OF THE APARTHEID MILITARY DISCOURSE
title_full_unstemmed POETRY AS AN ELEMENT OF THE APARTHEID MILITARY DISCOURSE
title_sort poetry as an element of the apartheid military discourse
publisher Stellenbosch University
series Scientia Militaria
issn 2224-0020
publishDate 2011-08-01
description From the 1970s to the early 1990s, "struggle poetry" served to define elements of the struggle against apartheid. In contrast to struggle literature, which was open and clearly focussed, pro-apartheid literature was not produced in abundance and, when it appeared, was shrouded in social discourse, including historical analysis, terminology, the articulation of specific viewpoints, humour and a sense of duty. One of the longest-lasting windows into apartheid military propaganda was Peter Badcock's Images of war (1981), a compilation of pencil sketches and short poetic works that used simple blank verse and images of racial diversity, romance and implied tradition. This article presents a discourse analysis of the above-mentioned publication, using both Foucault-infused thoughts and a critical discourse analysis methodology developed by Fairclough. It provides insight into how the apparatus of a state can gain popular support for sociologically unacceptable practices. Understanding the latter contributes to an understanding of power relations and ideological processes that underlie text and rhetoric.
url http://scientiamilitaria.journals.ac.za/pub/article/view/102
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