SOCIAL PRACTICE PERFORMED BY BALINESE SCULPTORS IN DISTRICTS OF UBUD AND SUKAWATI TO PRY INTO THE LAW OF PHORNOGRAPHY

<p>Balinese sculptors in districts of Ubud and Sukawati, Gianyar, Bali pry into the Law of Pornography. Those who agree state that the law is needed to maintain the morality which has been getting worse, and those who disagree state that it may emasculate their freedom and creativities. This s...

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Main Author: I Ketut Sudita
Format: Article
Language:English
Published: Universitas Udayana 2013-02-01
Series:E-Journal of Cultural Studies
Subjects:
Online Access:http://ojs.unud.ac.id/index.php/ecs/article/view/5438
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spelling doaj-e67ff92b3e6e4c1f80195ab933feee532020-11-24T22:37:38ZengUniversitas UdayanaE-Journal of Cultural Studies2338-24492013-02-01115059SOCIAL PRACTICE PERFORMED BY BALINESE SCULPTORS IN DISTRICTS OF UBUD AND SUKAWATI TO PRY INTO THE LAW OF PHORNOGRAPHYI Ketut Sudita0Faculty of Languages and Art, Ganesha University of Education<p>Balinese sculptors in districts of Ubud and Sukawati, Gianyar, Bali pry into the Law of Pornography. Those who agree state that the law is needed to maintain the morality which has been getting worse, and those who disagree state that it may emasculate their freedom and creativities. This study gives answers to (1) what social practices were performed by the Balinese sculptors to pry into the Law of Pornography?, (2) why did they pry into the application of the law?, and (3) what was the meaning of their prying?</p> <p>Several relevant critical theories such as the theory of structuration, the theory of hegemony, and the theory of aesthetics were eclectically used in this study. The data needed were collected through observation, in-depth interview, documentation study, and library research.</p> <p>The result of the study showed that the Balinese sculptors showed their resistance to the application of the law by making adaptation, changing profession, and still producing pornographic works. The sanction which might be imposed upon them, the consumers of pornographic works decreased, and they were eliminated from exhibitions scared them when they pried into the law. What they did could not be separated from economic, political, ideological, moral, and ethic factors. The meaning of their prying was that it caused them to lose their idealism, their consumers went down, and the number of pornographic works dropped as well.</p>http://ojs.unud.ac.id/index.php/ecs/article/view/5438social practices, Balinese sculptors, hegemony, the Law of Pornography.
collection DOAJ
language English
format Article
sources DOAJ
author I Ketut Sudita
spellingShingle I Ketut Sudita
SOCIAL PRACTICE PERFORMED BY BALINESE SCULPTORS IN DISTRICTS OF UBUD AND SUKAWATI TO PRY INTO THE LAW OF PHORNOGRAPHY
E-Journal of Cultural Studies
social practices, Balinese sculptors, hegemony, the Law of Pornography.
author_facet I Ketut Sudita
author_sort I Ketut Sudita
title SOCIAL PRACTICE PERFORMED BY BALINESE SCULPTORS IN DISTRICTS OF UBUD AND SUKAWATI TO PRY INTO THE LAW OF PHORNOGRAPHY
title_short SOCIAL PRACTICE PERFORMED BY BALINESE SCULPTORS IN DISTRICTS OF UBUD AND SUKAWATI TO PRY INTO THE LAW OF PHORNOGRAPHY
title_full SOCIAL PRACTICE PERFORMED BY BALINESE SCULPTORS IN DISTRICTS OF UBUD AND SUKAWATI TO PRY INTO THE LAW OF PHORNOGRAPHY
title_fullStr SOCIAL PRACTICE PERFORMED BY BALINESE SCULPTORS IN DISTRICTS OF UBUD AND SUKAWATI TO PRY INTO THE LAW OF PHORNOGRAPHY
title_full_unstemmed SOCIAL PRACTICE PERFORMED BY BALINESE SCULPTORS IN DISTRICTS OF UBUD AND SUKAWATI TO PRY INTO THE LAW OF PHORNOGRAPHY
title_sort social practice performed by balinese sculptors in districts of ubud and sukawati to pry into the law of phornography
publisher Universitas Udayana
series E-Journal of Cultural Studies
issn 2338-2449
publishDate 2013-02-01
description <p>Balinese sculptors in districts of Ubud and Sukawati, Gianyar, Bali pry into the Law of Pornography. Those who agree state that the law is needed to maintain the morality which has been getting worse, and those who disagree state that it may emasculate their freedom and creativities. This study gives answers to (1) what social practices were performed by the Balinese sculptors to pry into the Law of Pornography?, (2) why did they pry into the application of the law?, and (3) what was the meaning of their prying?</p> <p>Several relevant critical theories such as the theory of structuration, the theory of hegemony, and the theory of aesthetics were eclectically used in this study. The data needed were collected through observation, in-depth interview, documentation study, and library research.</p> <p>The result of the study showed that the Balinese sculptors showed their resistance to the application of the law by making adaptation, changing profession, and still producing pornographic works. The sanction which might be imposed upon them, the consumers of pornographic works decreased, and they were eliminated from exhibitions scared them when they pried into the law. What they did could not be separated from economic, political, ideological, moral, and ethic factors. The meaning of their prying was that it caused them to lose their idealism, their consumers went down, and the number of pornographic works dropped as well.</p>
topic social practices, Balinese sculptors, hegemony, the Law of Pornography.
url http://ojs.unud.ac.id/index.php/ecs/article/view/5438
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