Bod a škvrna. Od symbolistického kódu k hľadaniu nového jazyka spirituálnej poézie (2. časť) (The Point and the Blur. From the Symbolistic Code to the Search for the New Language of Spiritual Poetry)

Spiritual themes in the 20th century Slovak poetry were influenced first of all by the aesthetic code of symbolism with a small exception in the 1930s when it was influenced by H. Bremond’s conception of pure poetry. Only in contemporary spiritual poetry the power of the symbolist code is weakening,...

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Main Author:	Jana Juhásová
Format:	Article
Language:	ces
Published:	Ostium 2014-06-01
Series:	Ostium
Subjects:	Spiritual poetry Aesthetic code of symbolism Avant-gardes and poststructuralist tendencies Latency
Online Access:	http://www.ostium.sk/index.php?mod=magazine&act=show&aid=536

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spelling	doaj-e7ac517cee36491f809d61598db5970d2020-11-24T23:30:36ZcesOstiumOstium1336-65562014-06-01102Bod a škvrna. Od symbolistického kódu k hľadaniu nového jazyka spirituálnej poézie (2. časť) (The Point and the Blur. From the Symbolistic Code to the Search for the New Language of Spiritual Poetry)Jana Juhásová0Katedra slovenského jazyka a literatúry, Filozofická fakulta Katolíckej univerzity v Ružomberku, SlovakiaSpiritual themes in the 20th century Slovak poetry were influenced first of all by the aesthetic code of symbolism with a small exception in the 1930s when it was influenced by H. Bremond’s conception of pure poetry. Only in contemporary spiritual poetry the power of the symbolist code is weakening, and aesthetic impulses of avant-gardes and poststructuralist tendencies become a more distinctive source of inspiration. Against the background of the interpretation of two poetic texts—Milan Rúfus: Vlastnoručný podpis, coll. Vážka, 1998 [The Handwritten Signature, coll. The Dragonfly], and Erik Jakub Groch: Sa, coll. Druhá naivita, 2005 [Self, coll. The Second Naïveté], the study focuses on important developmental impulses in literary thought, observing how in a certain period the power of one aesthetic code begins to weaken and leaves a space for a new one to succeed.http://www.ostium.sk/index.php?mod=magazine&act=show&aid=536Spiritual poetryAesthetic code of symbolismAvant-gardes and poststructuralist tendenciesLatency
collection	DOAJ
language	ces
format	Article
sources	DOAJ
author	Jana Juhásová
spellingShingle	Jana Juhásová Bod a škvrna. Od symbolistického kódu k hľadaniu nového jazyka spirituálnej poézie (2. časť) (The Point and the Blur. From the Symbolistic Code to the Search for the New Language of Spiritual Poetry) Ostium Spiritual poetry Aesthetic code of symbolism Avant-gardes and poststructuralist tendencies Latency
author_facet	Jana Juhásová
author_sort	Jana Juhásová
title	Bod a škvrna. Od symbolistického kódu k hľadaniu nového jazyka spirituálnej poézie (2. časť) (The Point and the Blur. From the Symbolistic Code to the Search for the New Language of Spiritual Poetry)
title_short	Bod a škvrna. Od symbolistického kódu k hľadaniu nového jazyka spirituálnej poézie (2. časť) (The Point and the Blur. From the Symbolistic Code to the Search for the New Language of Spiritual Poetry)
title_full	Bod a škvrna. Od symbolistického kódu k hľadaniu nového jazyka spirituálnej poézie (2. časť) (The Point and the Blur. From the Symbolistic Code to the Search for the New Language of Spiritual Poetry)
title_fullStr	Bod a škvrna. Od symbolistického kódu k hľadaniu nového jazyka spirituálnej poézie (2. časť) (The Point and the Blur. From the Symbolistic Code to the Search for the New Language of Spiritual Poetry)
title_full_unstemmed	Bod a škvrna. Od symbolistického kódu k hľadaniu nového jazyka spirituálnej poézie (2. časť) (The Point and the Blur. From the Symbolistic Code to the Search for the New Language of Spiritual Poetry)
title_sort	bod a škvrna. od symbolistického kódu k hľadaniu nového jazyka spirituálnej poézie (2. časť) (the point and the blur. from the symbolistic code to the search for the new language of spiritual poetry)
publisher	Ostium
series	Ostium
issn	1336-6556
publishDate	2014-06-01
description	Spiritual themes in the 20th century Slovak poetry were influenced first of all by the aesthetic code of symbolism with a small exception in the 1930s when it was influenced by H. Bremond’s conception of pure poetry. Only in contemporary spiritual poetry the power of the symbolist code is weakening, and aesthetic impulses of avant-gardes and poststructuralist tendencies become a more distinctive source of inspiration. Against the background of the interpretation of two poetic texts—Milan Rúfus: Vlastnoručný podpis, coll. Vážka, 1998 [The Handwritten Signature, coll. The Dragonfly], and Erik Jakub Groch: Sa, coll. Druhá naivita, 2005 [Self, coll. The Second Naïveté], the study focuses on important developmental impulses in literary thought, observing how in a certain period the power of one aesthetic code begins to weaken and leaves a space for a new one to succeed.
topic	Spiritual poetry Aesthetic code of symbolism Avant-gardes and poststructuralist tendencies Latency
url	http://www.ostium.sk/index.php?mod=magazine&act=show&aid=536
work_keys_str_mv	AT janajuhasova bodaskvrnaodsymbolistickehokodukhladaniunovehojazykaspiritualnejpoezie2castthepointandtheblurfromthesymbolisticcodetothesearchforthenewlanguageofspiritualpoetry
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Bod a škvrna. Od symbolistického kódu k hľadaniu nového jazyka spirituálnej poézie (2. časť) (The Point and the Blur. From the Symbolistic Code to the Search for the New Language of Spiritual Poetry)

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