Gender, Body and Writing in Ena Lucía Portela’s “Una extraña entre las piedras”
This article seeks to fill a gap in Cuban gender studies. The aim here is to explore, through Ena Lucía Portela’s short story “Una extraña entre las piedras”, how intertextuality is used in recent Cuban lesbian narrative to challenge the monologic and homogeneous positions created in terms of post-r...
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
Consejo Superior de Investigaciones Científicas
2013-06-01
|
Series: | Culture & History Digital Journal |
Subjects: | |
Online Access: | http://cultureandhistory.revistas.csic.es/index.php/cultureandhistory/article/view/25 |
id |
doaj-e7c1997eaacd46faa11cf76fd2fad0d7 |
---|---|
record_format |
Article |
spelling |
doaj-e7c1997eaacd46faa11cf76fd2fad0d72021-05-05T08:31:29ZengConsejo Superior de Investigaciones CientíficasCulture & History Digital Journal2253-797X2013-06-0121e016e01610.3989/chdj.2013.01625Gender, Body and Writing in Ena Lucía Portela’s “Una extraña entre las piedras”Ángela Dorado-Otero0School of Languages, Linguistics and Film, Queen Mary University of LondonThis article seeks to fill a gap in Cuban gender studies. The aim here is to explore, through Ena Lucía Portela’s short story “Una extraña entre las piedras”, how intertextuality is used in recent Cuban lesbian narrative to challenge the monologic and homogeneous positions created in terms of post-revolutionary Cuban subjectivities. By inserting the feminine subjects within a transnational debate, this article claims that Portela will create a fluid identity within a context labelled by Portela herself as “pulp”, a heterogeneity framed by discourses that engage with postmodernism, and feminine writing. This article will prove that although the text itself attempts to defy the parameters of French feminists, it ends up representing them through a metanarrative process, which paradoxically places Portela at the forefront of new gender frameworks in Cuban studies, by giving visibility to the generally absent lesbian body.http://cultureandhistory.revistas.csic.es/index.php/cultureandhistory/article/view/25gender identitycuban literaturefeminine writingintertextualitylesbian fictionpostmodernismmetafiction |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Ángela Dorado-Otero |
spellingShingle |
Ángela Dorado-Otero Gender, Body and Writing in Ena Lucía Portela’s “Una extraña entre las piedras” Culture & History Digital Journal gender identity cuban literature feminine writing intertextuality lesbian fiction postmodernism metafiction |
author_facet |
Ángela Dorado-Otero |
author_sort |
Ángela Dorado-Otero |
title |
Gender, Body and Writing in Ena Lucía Portela’s “Una extraña entre las piedras” |
title_short |
Gender, Body and Writing in Ena Lucía Portela’s “Una extraña entre las piedras” |
title_full |
Gender, Body and Writing in Ena Lucía Portela’s “Una extraña entre las piedras” |
title_fullStr |
Gender, Body and Writing in Ena Lucía Portela’s “Una extraña entre las piedras” |
title_full_unstemmed |
Gender, Body and Writing in Ena Lucía Portela’s “Una extraña entre las piedras” |
title_sort |
gender, body and writing in ena lucía portela’s “una extraña entre las piedras” |
publisher |
Consejo Superior de Investigaciones Científicas |
series |
Culture & History Digital Journal |
issn |
2253-797X |
publishDate |
2013-06-01 |
description |
This article seeks to fill a gap in Cuban gender studies. The aim here is to explore, through Ena Lucía Portela’s short story “Una extraña entre las piedras”, how intertextuality is used in recent Cuban lesbian narrative to challenge the monologic and homogeneous positions created in terms of post-revolutionary Cuban subjectivities. By inserting the feminine subjects within a transnational debate, this article claims that Portela will create a fluid identity within a context labelled by Portela herself as “pulp”, a heterogeneity framed by discourses that engage with postmodernism, and feminine writing. This article will prove that although the text itself attempts to defy the parameters of French feminists, it ends up representing them through a metanarrative process, which paradoxically places Portela at the forefront of new gender frameworks in Cuban studies, by giving visibility to the generally absent lesbian body. |
topic |
gender identity cuban literature feminine writing intertextuality lesbian fiction postmodernism metafiction |
url |
http://cultureandhistory.revistas.csic.es/index.php/cultureandhistory/article/view/25 |
work_keys_str_mv |
AT angeladoradootero genderbodyandwritinginenaluciaportelasunaextranaentrelaspiedras |
_version_ |
1721467283373555712 |