Gender, Body and Writing in Ena Lucía Portela’s “Una extraña entre las piedras”

This article seeks to fill a gap in Cuban gender studies. The aim here is to explore, through Ena Lucía Portela’s short story “Una extraña entre las piedras”, how intertextuality is used in recent Cuban lesbian narrative to challenge the monologic and homogeneous positions created in terms of post-r...

Full description

Bibliographic Details
Main Author: Ángela Dorado-Otero
Format: Article
Language:English
Published: Consejo Superior de Investigaciones Científicas 2013-06-01
Series:Culture & History Digital Journal
Subjects:
Online Access:http://cultureandhistory.revistas.csic.es/index.php/cultureandhistory/article/view/25
id doaj-e7c1997eaacd46faa11cf76fd2fad0d7
record_format Article
spelling doaj-e7c1997eaacd46faa11cf76fd2fad0d72021-05-05T08:31:29ZengConsejo Superior de Investigaciones CientíficasCulture & History Digital Journal2253-797X2013-06-0121e016e01610.3989/chdj.2013.01625Gender, Body and Writing in Ena Lucía Portela’s “Una extraña entre las piedras”Ángela Dorado-Otero0School of Languages, Linguistics and Film, Queen Mary University of LondonThis article seeks to fill a gap in Cuban gender studies. The aim here is to explore, through Ena Lucía Portela’s short story “Una extraña entre las piedras”, how intertextuality is used in recent Cuban lesbian narrative to challenge the monologic and homogeneous positions created in terms of post-revolutionary Cuban subjectivities. By inserting the feminine subjects within a transnational debate, this article claims that Portela will create a fluid identity within a context labelled by Portela herself as “pulp”, a heterogeneity framed by discourses that engage with postmodernism, and feminine writing. This article will prove that although the text itself attempts to defy the parameters of French feminists, it ends up representing them through a metanarrative process, which paradoxically places Portela at the forefront of new gender frameworks in Cuban studies, by giving visibility to the generally absent lesbian body.http://cultureandhistory.revistas.csic.es/index.php/cultureandhistory/article/view/25gender identitycuban literaturefeminine writingintertextualitylesbian fictionpostmodernismmetafiction
collection DOAJ
language English
format Article
sources DOAJ
author Ángela Dorado-Otero
spellingShingle Ángela Dorado-Otero
Gender, Body and Writing in Ena Lucía Portela’s “Una extraña entre las piedras”
Culture & History Digital Journal
gender identity
cuban literature
feminine writing
intertextuality
lesbian fiction
postmodernism
metafiction
author_facet Ángela Dorado-Otero
author_sort Ángela Dorado-Otero
title Gender, Body and Writing in Ena Lucía Portela’s “Una extraña entre las piedras”
title_short Gender, Body and Writing in Ena Lucía Portela’s “Una extraña entre las piedras”
title_full Gender, Body and Writing in Ena Lucía Portela’s “Una extraña entre las piedras”
title_fullStr Gender, Body and Writing in Ena Lucía Portela’s “Una extraña entre las piedras”
title_full_unstemmed Gender, Body and Writing in Ena Lucía Portela’s “Una extraña entre las piedras”
title_sort gender, body and writing in ena lucía portela’s “una extraña entre las piedras”
publisher Consejo Superior de Investigaciones Científicas
series Culture & History Digital Journal
issn 2253-797X
publishDate 2013-06-01
description This article seeks to fill a gap in Cuban gender studies. The aim here is to explore, through Ena Lucía Portela’s short story “Una extraña entre las piedras”, how intertextuality is used in recent Cuban lesbian narrative to challenge the monologic and homogeneous positions created in terms of post-revolutionary Cuban subjectivities. By inserting the feminine subjects within a transnational debate, this article claims that Portela will create a fluid identity within a context labelled by Portela herself as “pulp”, a heterogeneity framed by discourses that engage with postmodernism, and feminine writing. This article will prove that although the text itself attempts to defy the parameters of French feminists, it ends up representing them through a metanarrative process, which paradoxically places Portela at the forefront of new gender frameworks in Cuban studies, by giving visibility to the generally absent lesbian body.
topic gender identity
cuban literature
feminine writing
intertextuality
lesbian fiction
postmodernism
metafiction
url http://cultureandhistory.revistas.csic.es/index.php/cultureandhistory/article/view/25
work_keys_str_mv AT angeladoradootero genderbodyandwritinginenaluciaportelasunaextranaentrelaspiedras
_version_ 1721467283373555712