Armfuls of Eclectic Pieces: Poetic-Photographic Essay
As a writer and poet, I am particularly interested in language(s), in words in Tahitian and in French. Since 2016, I have explored themes of survival, duration, continuity, and transmission through poetry and artworks made of materials evoking cracks, fractures, disruption, remains, remnants, separa...
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James Cook University
2020-08-01
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Online Access: | https://journals.jcu.edu.au/etropic/article/view/3730/pdf |
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doaj-e8b333dd9a364f50bdbe83e57ba1e0172020-11-25T01:56:48ZengJames Cook UniversityeTropic: electronic journal of studies in the tropics1448-29402020-08-01191699510.25120/etropic.19.1.2020.3730Armfuls of Eclectic Pieces: Poetic-Photographic EssayFlora Aurima Devatine0Independent Indigenous Poet & ArtistAs a writer and poet, I am particularly interested in language(s), in words in Tahitian and in French. Since 2016, I have explored themes of survival, duration, continuity, and transmission through poetry and artworks made of materials evoking cracks, fractures, disruption, remains, remnants, separation, and loss. In this poetic-photographic essay, I reflect on my creative process and show how Tahitian concepts, such as HU’A, HU’AHU’A, HI’O, HI’OHI’O, GLASS, MIRROR, and ITE, SIGHT, KNOWLEDGE, WITNESS have inspired my artworks. I explore how the elements I collected and transformed are both a mirror of society and an invitation to create new images and ideas. I also highlight the importance of – establishing a dialogue between French and – Tahitian and other Indigenous languages for conceptualising the arts and creativity.https://journals.jcu.edu.au/etropic/article/view/3730/pdfpoemma’ohifrench polynesiafragmentationcreative recycling |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Flora Aurima Devatine |
spellingShingle |
Flora Aurima Devatine Armfuls of Eclectic Pieces: Poetic-Photographic Essay eTropic: electronic journal of studies in the tropics poem ma’ohi french polynesia fragmentation creative recycling |
author_facet |
Flora Aurima Devatine |
author_sort |
Flora Aurima Devatine |
title |
Armfuls of Eclectic Pieces: Poetic-Photographic Essay |
title_short |
Armfuls of Eclectic Pieces: Poetic-Photographic Essay |
title_full |
Armfuls of Eclectic Pieces: Poetic-Photographic Essay |
title_fullStr |
Armfuls of Eclectic Pieces: Poetic-Photographic Essay |
title_full_unstemmed |
Armfuls of Eclectic Pieces: Poetic-Photographic Essay |
title_sort |
armfuls of eclectic pieces: poetic-photographic essay |
publisher |
James Cook University |
series |
eTropic: electronic journal of studies in the tropics |
issn |
1448-2940 |
publishDate |
2020-08-01 |
description |
As a writer and poet, I am particularly interested in language(s), in words in Tahitian and in French. Since 2016, I have explored themes of survival, duration, continuity, and transmission through poetry and artworks made of materials evoking cracks, fractures, disruption, remains, remnants, separation, and loss. In this poetic-photographic essay, I reflect on my creative process and show how Tahitian concepts, such as HU’A, HU’AHU’A, HI’O, HI’OHI’O, GLASS, MIRROR, and ITE, SIGHT, KNOWLEDGE, WITNESS have inspired my artworks. I explore how the elements I collected and transformed are both a mirror of society and an invitation to create new images and ideas. I also highlight the importance of – establishing a dialogue between French and – Tahitian and other Indigenous languages for conceptualising the arts and creativity. |
topic |
poem ma’ohi french polynesia fragmentation creative recycling |
url |
https://journals.jcu.edu.au/etropic/article/view/3730/pdf |
work_keys_str_mv |
AT floraaurimadevatine armfulsofeclecticpiecespoeticphotographicessay |
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1724977553723097088 |