Hip-hop em Angola: O rap de intervenção social
This article has as its starting point the argument that, while a group of styles and cultural forms spread world-wide from the Afro-American ghettos of New York in the 1970’s, hip-hop, in Angola, had a particular reception and appropriation. For the Angolan contemporary youth, the cultural incorpor...
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Instituto Universitário de Lisboa
2016-06-01
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Series: | Cadernos de Estudos Africanos |
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Online Access: | http://journals.openedition.org/cea/2013 |
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doaj-e9132f3cfd4749fba7f22d8ab15983262020-11-24T22:09:25ZengInstituto Universitário de LisboaCadernos de Estudos Africanos1645-37942016-06-0131416710.4000/cea.2013Hip-hop em Angola: O rap de intervenção socialGilson LázaroOsvaldo SilvaThis article has as its starting point the argument that, while a group of styles and cultural forms spread world-wide from the Afro-American ghettos of New York in the 1970’s, hip-hop, in Angola, had a particular reception and appropriation. For the Angolan contemporary youth, the cultural incorporation of those styles and cultural forms to the national reality represented, despite the calculation of the consequences, an effort to update and modernise the national culture on the emergency of a public space provided by the end of the monopartisan regime. In this context, the so-called “social intervention rap”, mainly produced by the young from the lower classes, has been assuming itself as an artistic instrument through which rappers combine the cultural emancipation to the exercise of the democratic political participation.http://journals.openedition.org/cea/2013hip-hopsocial intervention rapAngola |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Gilson Lázaro Osvaldo Silva |
spellingShingle |
Gilson Lázaro Osvaldo Silva Hip-hop em Angola: O rap de intervenção social Cadernos de Estudos Africanos hip-hop social intervention rap Angola |
author_facet |
Gilson Lázaro Osvaldo Silva |
author_sort |
Gilson Lázaro |
title |
Hip-hop em Angola: O rap de intervenção social |
title_short |
Hip-hop em Angola: O rap de intervenção social |
title_full |
Hip-hop em Angola: O rap de intervenção social |
title_fullStr |
Hip-hop em Angola: O rap de intervenção social |
title_full_unstemmed |
Hip-hop em Angola: O rap de intervenção social |
title_sort |
hip-hop em angola: o rap de intervenção social |
publisher |
Instituto Universitário de Lisboa |
series |
Cadernos de Estudos Africanos |
issn |
1645-3794 |
publishDate |
2016-06-01 |
description |
This article has as its starting point the argument that, while a group of styles and cultural forms spread world-wide from the Afro-American ghettos of New York in the 1970’s, hip-hop, in Angola, had a particular reception and appropriation. For the Angolan contemporary youth, the cultural incorporation of those styles and cultural forms to the national reality represented, despite the calculation of the consequences, an effort to update and modernise the national culture on the emergency of a public space provided by the end of the monopartisan regime. In this context, the so-called “social intervention rap”, mainly produced by the young from the lower classes, has been assuming itself as an artistic instrument through which rappers combine the cultural emancipation to the exercise of the democratic political participation. |
topic |
hip-hop social intervention rap Angola |
url |
http://journals.openedition.org/cea/2013 |
work_keys_str_mv |
AT gilsonlazaro hiphopemangolaorapdeintervencaosocial AT osvaldosilva hiphopemangolaorapdeintervencaosocial |
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1725811857592156160 |