Hip-hop em Angola: O rap de intervenção social

This article has as its starting point the argument that, while a group of styles and cultural forms spread world-wide from the Afro-American ghettos of New York in the 1970’s, hip-hop, in Angola, had a particular reception and appropriation. For the Angolan contemporary youth, the cultural incorpor...

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Main Authors: Gilson Lázaro, Osvaldo Silva
Format: Article
Language:English
Published: Instituto Universitário de Lisboa 2016-06-01
Series:Cadernos de Estudos Africanos
Subjects:
Online Access:http://journals.openedition.org/cea/2013
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spelling doaj-e9132f3cfd4749fba7f22d8ab15983262020-11-24T22:09:25ZengInstituto Universitário de LisboaCadernos de Estudos Africanos1645-37942016-06-0131416710.4000/cea.2013Hip-hop em Angola: O rap de intervenção socialGilson LázaroOsvaldo SilvaThis article has as its starting point the argument that, while a group of styles and cultural forms spread world-wide from the Afro-American ghettos of New York in the 1970’s, hip-hop, in Angola, had a particular reception and appropriation. For the Angolan contemporary youth, the cultural incorporation of those styles and cultural forms to the national reality represented, despite the calculation of the consequences, an effort to update and modernise the national culture on the emergency of a public space provided by the end of the monopartisan regime. In this context, the so-called “social intervention rap”, mainly produced by the young from the lower classes, has been assuming itself as an artistic instrument through which rappers combine the cultural emancipation to the exercise of the democratic political participation.http://journals.openedition.org/cea/2013hip-hopsocial intervention rapAngola
collection DOAJ
language English
format Article
sources DOAJ
author Gilson Lázaro
Osvaldo Silva
spellingShingle Gilson Lázaro
Osvaldo Silva
Hip-hop em Angola: O rap de intervenção social
Cadernos de Estudos Africanos
hip-hop
social intervention rap
Angola
author_facet Gilson Lázaro
Osvaldo Silva
author_sort Gilson Lázaro
title Hip-hop em Angola: O rap de intervenção social
title_short Hip-hop em Angola: O rap de intervenção social
title_full Hip-hop em Angola: O rap de intervenção social
title_fullStr Hip-hop em Angola: O rap de intervenção social
title_full_unstemmed Hip-hop em Angola: O rap de intervenção social
title_sort hip-hop em angola: o rap de intervenção social
publisher Instituto Universitário de Lisboa
series Cadernos de Estudos Africanos
issn 1645-3794
publishDate 2016-06-01
description This article has as its starting point the argument that, while a group of styles and cultural forms spread world-wide from the Afro-American ghettos of New York in the 1970’s, hip-hop, in Angola, had a particular reception and appropriation. For the Angolan contemporary youth, the cultural incorporation of those styles and cultural forms to the national reality represented, despite the calculation of the consequences, an effort to update and modernise the national culture on the emergency of a public space provided by the end of the monopartisan regime. In this context, the so-called “social intervention rap”, mainly produced by the young from the lower classes, has been assuming itself as an artistic instrument through which rappers combine the cultural emancipation to the exercise of the democratic political participation.
topic hip-hop
social intervention rap
Angola
url http://journals.openedition.org/cea/2013
work_keys_str_mv AT gilsonlazaro hiphopemangolaorapdeintervencaosocial
AT osvaldosilva hiphopemangolaorapdeintervencaosocial
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