Seeing Art History: the Engravings of Pietro Antonio Martini on the Exhibitions of Paris and London in 1787
Pietro Antonio Martini is the author of two ambitious prints which represent the exhibitions held in 1787 in the Salon of the Louvre and in the Royal Academy of London. The aim of this study is the analysis of the prints in relation to the happening which they represent, for which we will consider t...
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Universitat Autonoma de Barcelona. Departament d'Art i Musica
2004-12-01
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Online Access: | https://revistes.uab.cat/locus/article/view/150 |
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doaj-e9339aea1f42487e9e68228957be7abc2021-02-09T17:23:13ZcatUniversitat Autonoma de Barcelona. Departament d'Art i MusicaLocvs Amoenvs1135-97222014-87982004-12-017025527010.5565/rev/locus.150137Seeing Art History: the Engravings of Pietro Antonio Martini on the Exhibitions of Paris and London in 1787Vicenç FurióPietro Antonio Martini is the author of two ambitious prints which represent the exhibitions held in 1787 in the Salon of the Louvre and in the Royal Academy of London. The aim of this study is the analysis of the prints in relation to the happening which they represent, for which we will consider their graphic image in the light of which the written sources inform about such important events. The comparison between visual and written documents permit us to reflect on the relationship between images and texts, and as well to pose until which point the Martini prints can be considered a visual equivalent to what happened. On the other hand, the fact of having such a detailed representation of the most important exhibitions held in the same year and in the two capitals of the artistic world at the end of the xviiith century, also permits a comparative study of both contexts.https://revistes.uab.cat/locus/article/view/150pietro antonio martini, salon del louvre de 1787, exposición de la royal academy de 1787 |
collection |
DOAJ |
language |
Catalan |
format |
Article |
sources |
DOAJ |
author |
Vicenç Furió |
spellingShingle |
Vicenç Furió Seeing Art History: the Engravings of Pietro Antonio Martini on the Exhibitions of Paris and London in 1787 Locvs Amoenvs pietro antonio martini, salon del louvre de 1787, exposición de la royal academy de 1787 |
author_facet |
Vicenç Furió |
author_sort |
Vicenç Furió |
title |
Seeing Art History: the Engravings of Pietro Antonio Martini on the Exhibitions of Paris and London in 1787 |
title_short |
Seeing Art History: the Engravings of Pietro Antonio Martini on the Exhibitions of Paris and London in 1787 |
title_full |
Seeing Art History: the Engravings of Pietro Antonio Martini on the Exhibitions of Paris and London in 1787 |
title_fullStr |
Seeing Art History: the Engravings of Pietro Antonio Martini on the Exhibitions of Paris and London in 1787 |
title_full_unstemmed |
Seeing Art History: the Engravings of Pietro Antonio Martini on the Exhibitions of Paris and London in 1787 |
title_sort |
seeing art history: the engravings of pietro antonio martini on the exhibitions of paris and london in 1787 |
publisher |
Universitat Autonoma de Barcelona. Departament d'Art i Musica |
series |
Locvs Amoenvs |
issn |
1135-9722 2014-8798 |
publishDate |
2004-12-01 |
description |
Pietro Antonio Martini is the author of two ambitious prints which represent the exhibitions held in 1787 in the Salon of the Louvre and in the Royal Academy of London. The aim of this study is the analysis of the prints in relation to the happening which they represent, for which we will consider their graphic image in the light of which the written sources inform about such important events. The comparison between visual and written documents permit us to reflect on the relationship between images and texts, and as well to pose until which point the Martini prints can be considered a visual equivalent to what happened. On the other hand, the fact of having such a detailed representation of the most important exhibitions held in the same year and in the two capitals of the artistic world at the end of the xviiith century, also permits a comparative study of both contexts. |
topic |
pietro antonio martini, salon del louvre de 1787, exposición de la royal academy de 1787 |
url |
https://revistes.uab.cat/locus/article/view/150 |
work_keys_str_mv |
AT vicencfurio seeingarthistorytheengravingsofpietroantoniomartiniontheexhibitionsofparisandlondonin1787 |
_version_ |
1714875986444550144 |