De l’exposition à la décomposition prismatique : art de la mémoire et arts visuels dans Speak, Memory de Vladimir Nabokov

References to the visual arts – painting, drawing, photography, the cinema and the magic lantern – play a central role in Speak Memory, reflecting the tensions underlying the workings of memory in Nabokov’s autobiography. Framing and pictorial devices allow the narrator to highlight significant epis...

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Main Author: Laure de Nervaux-Gavoty
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2013-12-01
Series:Sillages Critiques
Subjects:
Online Access:http://journals.openedition.org/sillagescritiques/3415
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spelling doaj-e97ad6817a254a1885f6ff476131c9092020-11-24T21:58:41ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022013-12-0117De l’exposition à la décomposition prismatique : art de la mémoire et arts visuels dans Speak, Memory de Vladimir NabokovLaure de Nervaux-GavotyReferences to the visual arts – painting, drawing, photography, the cinema and the magic lantern – play a central role in Speak Memory, reflecting the tensions underlying the workings of memory in Nabokov’s autobiography. Framing and pictorial devices allow the narrator to highlight significant episodes and salvage them from the flow of time while allusions to photography invite the reader to analyze the complex dialectic of light and darkness, and awareness and oblivion at work in the emergence of memories. Nabokov’s prismatic and reflexive aesthetic, lastly, is at the heart of a process of decomposition and transmutation which blurs the boundaries of truth and fiction and tries to come to terms with loss by performing a literary form of grief work.http://journals.openedition.org/sillagescritiques/3415autobiographydetailframing devicesintertextualitymemorymourning
collection DOAJ
language English
format Article
sources DOAJ
author Laure de Nervaux-Gavoty
spellingShingle Laure de Nervaux-Gavoty
De l’exposition à la décomposition prismatique : art de la mémoire et arts visuels dans Speak, Memory de Vladimir Nabokov
Sillages Critiques
autobiography
detail
framing devices
intertextuality
memory
mourning
author_facet Laure de Nervaux-Gavoty
author_sort Laure de Nervaux-Gavoty
title De l’exposition à la décomposition prismatique : art de la mémoire et arts visuels dans Speak, Memory de Vladimir Nabokov
title_short De l’exposition à la décomposition prismatique : art de la mémoire et arts visuels dans Speak, Memory de Vladimir Nabokov
title_full De l’exposition à la décomposition prismatique : art de la mémoire et arts visuels dans Speak, Memory de Vladimir Nabokov
title_fullStr De l’exposition à la décomposition prismatique : art de la mémoire et arts visuels dans Speak, Memory de Vladimir Nabokov
title_full_unstemmed De l’exposition à la décomposition prismatique : art de la mémoire et arts visuels dans Speak, Memory de Vladimir Nabokov
title_sort de l’exposition à la décomposition prismatique : art de la mémoire et arts visuels dans speak, memory de vladimir nabokov
publisher Centre de Recherche "Texte et Critique de Texte"
series Sillages Critiques
issn 1272-3819
1969-6302
publishDate 2013-12-01
description References to the visual arts – painting, drawing, photography, the cinema and the magic lantern – play a central role in Speak Memory, reflecting the tensions underlying the workings of memory in Nabokov’s autobiography. Framing and pictorial devices allow the narrator to highlight significant episodes and salvage them from the flow of time while allusions to photography invite the reader to analyze the complex dialectic of light and darkness, and awareness and oblivion at work in the emergence of memories. Nabokov’s prismatic and reflexive aesthetic, lastly, is at the heart of a process of decomposition and transmutation which blurs the boundaries of truth and fiction and tries to come to terms with loss by performing a literary form of grief work.
topic autobiography
detail
framing devices
intertextuality
memory
mourning
url http://journals.openedition.org/sillagescritiques/3415
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