<i>“E tu, que achas tu de tudo isto?”</i>: Colonial Women, Memory and Post-Independence in João Paulo Borges Coelho’s <i>Rainhas da Noite</i>

This essay analyzes João Paulo Borges Coelho’s latest novel, Rainhas da Noite (2013), from the perspective of its portrayal of colonial women. My argument begins by recalling Laura Calvacante Padilha’s inspired insights into the representation of voices from pre-colonial traditions in modern African...

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Main Author: Sandra Sousa
Format: Article
Language:Portuguese
Published: Universidade Federal Fluminense 2016-12-01
Series:Gragoatá
Subjects:
Online Access:http://www.gragoata.uff.br/index.php/gragoata/article/view/733
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spelling doaj-e9e3918ab630420d81c8fcec367b9c332020-11-24T21:36:39ZporUniversidade Federal FluminenseGragoatá1413-90732358-41142016-12-012141538<i>“E tu, que achas tu de tudo isto?”</i>: Colonial Women, Memory and Post-Independence in João Paulo Borges Coelho’s <i>Rainhas da Noite</i>Sandra Sousa0University of Central FloridaThis essay analyzes João Paulo Borges Coelho’s latest novel, Rainhas da Noite (2013), from the perspective of its portrayal of colonial women. My argument begins by recalling Laura Calvacante Padilha’s inspired insights into the representation of voices from pre-colonial traditions in modern African fiction. I then develop and extend Padilha’s work by including voices from the historically more recent colonial past within the fictional repertory of recovered voices. Borges Coelho’s writings indeed allude to spaces and “voices” of African tradition, as Padilha argues. I suggest, however, that it is the memory of the past of Mozambican colonial time, as well as the relation between that past and a present defined by post-independence, that constitutes the axis of aesthetic and social meaning in Rainhas da Noite. The recent past of Portuguese colonial domination permeates Borges Coelho’s novels.  --- Original in English.http://www.gragoata.uff.br/index.php/gragoata/article/view/733Colonial WomenMozambiqueColonialismPost-Independence.
collection DOAJ
language Portuguese
format Article
sources DOAJ
author Sandra Sousa
spellingShingle Sandra Sousa
<i>“E tu, que achas tu de tudo isto?”</i>: Colonial Women, Memory and Post-Independence in João Paulo Borges Coelho’s <i>Rainhas da Noite</i>
Gragoatá
Colonial Women
Mozambique
Colonialism
Post-Independence.
author_facet Sandra Sousa
author_sort Sandra Sousa
title <i>“E tu, que achas tu de tudo isto?”</i>: Colonial Women, Memory and Post-Independence in João Paulo Borges Coelho’s <i>Rainhas da Noite</i>
title_short <i>“E tu, que achas tu de tudo isto?”</i>: Colonial Women, Memory and Post-Independence in João Paulo Borges Coelho’s <i>Rainhas da Noite</i>
title_full <i>“E tu, que achas tu de tudo isto?”</i>: Colonial Women, Memory and Post-Independence in João Paulo Borges Coelho’s <i>Rainhas da Noite</i>
title_fullStr <i>“E tu, que achas tu de tudo isto?”</i>: Colonial Women, Memory and Post-Independence in João Paulo Borges Coelho’s <i>Rainhas da Noite</i>
title_full_unstemmed <i>“E tu, que achas tu de tudo isto?”</i>: Colonial Women, Memory and Post-Independence in João Paulo Borges Coelho’s <i>Rainhas da Noite</i>
title_sort <i>“e tu, que achas tu de tudo isto?”</i>: colonial women, memory and post-independence in joão paulo borges coelho’s <i>rainhas da noite</i>
publisher Universidade Federal Fluminense
series Gragoatá
issn 1413-9073
2358-4114
publishDate 2016-12-01
description This essay analyzes João Paulo Borges Coelho’s latest novel, Rainhas da Noite (2013), from the perspective of its portrayal of colonial women. My argument begins by recalling Laura Calvacante Padilha’s inspired insights into the representation of voices from pre-colonial traditions in modern African fiction. I then develop and extend Padilha’s work by including voices from the historically more recent colonial past within the fictional repertory of recovered voices. Borges Coelho’s writings indeed allude to spaces and “voices” of African tradition, as Padilha argues. I suggest, however, that it is the memory of the past of Mozambican colonial time, as well as the relation between that past and a present defined by post-independence, that constitutes the axis of aesthetic and social meaning in Rainhas da Noite. The recent past of Portuguese colonial domination permeates Borges Coelho’s novels.  --- Original in English.
topic Colonial Women
Mozambique
Colonialism
Post-Independence.
url http://www.gragoata.uff.br/index.php/gragoata/article/view/733
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