NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS

It remains a very negative view on critics about the relationship of the modernists, especially Mário de Andrade, with the Popular Music. This study aims to review the matter in the light of Mario’s writings, exploring both internal dialogues of modernism, critical production and artistic practice (...

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Main Author: André Domingues dos Santos
Format: Article
Language:Portuguese
Published: Universidade Federal Fluminense 2015-12-01
Series:Gragoatá
Subjects:
Online Access:http://www.gragoata.uff.br/index.php/gragoata/article/view/383
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spelling doaj-ea6ec9b82d6d4cba912a6552b5bac0f52020-11-24T23:08:03ZporUniversidade Federal FluminenseGragoatá1413-90732358-41142015-12-012039420NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARSAndré Domingues dos Santos0Universidade Federal do Sul da BahiaIt remains a very negative view on critics about the relationship of the modernists, especially Mário de Andrade, with the Popular Music. This study aims to review the matter in the light of Mario’s writings, exploring both internal dialogues of modernism, critical production and artistic practice (in this case, commenting an obscure partnership between Andrade and the pianist Marcelo Tupinambá, "Canção marinha"). Far less than a mechanical refusal, the author creates a complex elective operation of elements for exaltation or rejection in the works of artists of Popular Music.http://www.gragoata.uff.br/index.php/gragoata/article/view/383ModernismoNacionalismoMúsica PopularMário de Andrade
collection DOAJ
language Portuguese
format Article
sources DOAJ
author André Domingues dos Santos
spellingShingle André Domingues dos Santos
NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS
Gragoatá
Modernismo
Nacionalismo
Música Popular
Mário de Andrade
author_facet André Domingues dos Santos
author_sort André Domingues dos Santos
title NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS
title_short NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS
title_full NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS
title_fullStr NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS
title_full_unstemmed NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS
title_sort neither national, nor really artistic, but by no means negligible: the popular music to mario de andrade’s ears
publisher Universidade Federal Fluminense
series Gragoatá
issn 1413-9073
2358-4114
publishDate 2015-12-01
description It remains a very negative view on critics about the relationship of the modernists, especially Mário de Andrade, with the Popular Music. This study aims to review the matter in the light of Mario’s writings, exploring both internal dialogues of modernism, critical production and artistic practice (in this case, commenting an obscure partnership between Andrade and the pianist Marcelo Tupinambá, "Canção marinha"). Far less than a mechanical refusal, the author creates a complex elective operation of elements for exaltation or rejection in the works of artists of Popular Music.
topic Modernismo
Nacionalismo
Música Popular
Mário de Andrade
url http://www.gragoata.uff.br/index.php/gragoata/article/view/383
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