NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS
It remains a very negative view on critics about the relationship of the modernists, especially Mário de Andrade, with the Popular Music. This study aims to review the matter in the light of Mario’s writings, exploring both internal dialogues of modernism, critical production and artistic practice (...
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Universidade Federal Fluminense
2015-12-01
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Online Access: | http://www.gragoata.uff.br/index.php/gragoata/article/view/383 |
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doaj-ea6ec9b82d6d4cba912a6552b5bac0f52020-11-24T23:08:03ZporUniversidade Federal FluminenseGragoatá1413-90732358-41142015-12-012039420NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARSAndré Domingues dos Santos0Universidade Federal do Sul da BahiaIt remains a very negative view on critics about the relationship of the modernists, especially Mário de Andrade, with the Popular Music. This study aims to review the matter in the light of Mario’s writings, exploring both internal dialogues of modernism, critical production and artistic practice (in this case, commenting an obscure partnership between Andrade and the pianist Marcelo Tupinambá, "Canção marinha"). Far less than a mechanical refusal, the author creates a complex elective operation of elements for exaltation or rejection in the works of artists of Popular Music.http://www.gragoata.uff.br/index.php/gragoata/article/view/383ModernismoNacionalismoMúsica PopularMário de Andrade |
collection |
DOAJ |
language |
Portuguese |
format |
Article |
sources |
DOAJ |
author |
André Domingues dos Santos |
spellingShingle |
André Domingues dos Santos NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS Gragoatá Modernismo Nacionalismo Música Popular Mário de Andrade |
author_facet |
André Domingues dos Santos |
author_sort |
André Domingues dos Santos |
title |
NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS |
title_short |
NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS |
title_full |
NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS |
title_fullStr |
NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS |
title_full_unstemmed |
NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS |
title_sort |
neither national, nor really artistic, but by no means negligible: the popular music to mario de andrade’s ears |
publisher |
Universidade Federal Fluminense |
series |
Gragoatá |
issn |
1413-9073 2358-4114 |
publishDate |
2015-12-01 |
description |
It remains a very negative view on critics about the relationship of the modernists, especially Mário de Andrade, with the Popular Music. This study aims to review the matter in the light of Mario’s writings, exploring both internal dialogues of modernism, critical production and artistic practice (in this case, commenting an obscure partnership between Andrade and the pianist Marcelo Tupinambá, "Canção marinha"). Far less than a mechanical refusal, the author creates a complex elective operation of elements for exaltation or rejection in the works of artists of Popular Music. |
topic |
Modernismo Nacionalismo Música Popular Mário de Andrade |
url |
http://www.gragoata.uff.br/index.php/gragoata/article/view/383 |
work_keys_str_mv |
AT andredominguesdossantos neithernationalnorreallyartisticbutbynomeansnegligiblethepopularmusictomariodeandradesears |
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1725615560571486208 |