SILENUS’ SONG (VIRGIL ECL. 6.27-86) —A SOURCE FOR OVID’S PYTHAGOREANISM IN THE METAMORPHOSES ?

Pythagorean ideas in Silenus’ song in Virgil’s Eclogue 6 are set out. The role of music in ordering a transcendent, stable world and changing cosmos and in accessing the transcendent world is shown to be stressed by Virgil. A modern-philosophical account of musical transcendence is provided, as well...

Full description

Bibliographic Details
Main Author: Marcus Nabielek
Format: Article
Language:Spanish
Published: Universidad Panamericana 2013-11-01
Series:Tópicos
Subjects:
Online Access:http://topicosojs.up.edu.mx/ojs/index.php/topicos/article/view/161
Description
Summary:Pythagorean ideas in Silenus’ song in Virgil’s Eclogue 6 are set out. The role of music in ordering a transcendent, stable world and changing cosmos and in accessing the transcendent world is shown to be stressed by Virgil. A modern-philosophical account of musical transcendence is provided, as well as an explanation of its continued attractiveness for poets and philosophers who ponder the notion of immortality. The same ideas are then shown to be emphasised in Ovid’s Metamorphoses. The conclusion is drawn that the Metamorphoses owe their philosophical dimension to Virgil’s Pythagoreanism in Eclogue 6.
ISSN:0188-6649
2007-8498