Musical Rhythm for Linguists: A Response to Justin London
Musical timing is a rich, complex phenomenon which changes across cultures, periods and styles and requires highly explicit terminology in order to communicate clearly between music theorists, psychologists, neuroscientists, performers and indeed with linguists. Here I respond to Justin London’s ope...
Main Author: | |
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Format: | Article |
Language: | English |
Published: |
The Ohio State University Libraries
2012-09-01
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Series: | Empirical Musicology Review |
Subjects: | |
Online Access: | https://kb.osu.edu/dspace/handle/1811/52974 |
Summary: | Musical timing is a rich, complex phenomenon which changes across cultures, periods and styles and requires highly explicit terminology in order to communicate clearly between music theorists, psychologists, neuroscientists, performers and indeed with linguists. Here I respond to Justin London’s opening paper by outlining and expanding upon his key points and raising additional questions regarding the neural basis and the functional role of musical timing. |
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ISSN: | 1559-5749 |