Musical Rhythm for Linguists: A Response to Justin London
Musical timing is a rich, complex phenomenon which changes across cultures, periods and styles and requires highly explicit terminology in order to communicate clearly between music theorists, psychologists, neuroscientists, performers and indeed with linguists. Here I respond to Justin London’s ope...
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doaj-ec353f4aaa2246c9a1845c167c0869952020-11-24T23:40:41ZengThe Ohio State University LibrariesEmpirical Musicology Review1559-57492012-09-0171-2121610.18061/1811/52974Musical Rhythm for Linguists: A Response to Justin LondonKatie OveryMusical timing is a rich, complex phenomenon which changes across cultures, periods and styles and requires highly explicit terminology in order to communicate clearly between music theorists, psychologists, neuroscientists, performers and indeed with linguists. Here I respond to Justin London’s opening paper by outlining and expanding upon his key points and raising additional questions regarding the neural basis and the functional role of musical timing.https://kb.osu.edu/dspace/handle/1811/52974beatrhythmmeterpulseshared experience |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Katie Overy |
spellingShingle |
Katie Overy Musical Rhythm for Linguists: A Response to Justin London Empirical Musicology Review beat rhythm meter pulse shared experience |
author_facet |
Katie Overy |
author_sort |
Katie Overy |
title |
Musical Rhythm for Linguists: A Response to Justin London |
title_short |
Musical Rhythm for Linguists: A Response to Justin London |
title_full |
Musical Rhythm for Linguists: A Response to Justin London |
title_fullStr |
Musical Rhythm for Linguists: A Response to Justin London |
title_full_unstemmed |
Musical Rhythm for Linguists: A Response to Justin London |
title_sort |
musical rhythm for linguists: a response to justin london |
publisher |
The Ohio State University Libraries |
series |
Empirical Musicology Review |
issn |
1559-5749 |
publishDate |
2012-09-01 |
description |
Musical timing is a rich, complex phenomenon which changes across cultures, periods and styles and requires highly explicit terminology in order to communicate clearly between music theorists, psychologists, neuroscientists, performers and indeed with linguists. Here I respond to Justin London’s opening paper by outlining and expanding upon his key points and raising additional questions regarding the neural basis and the functional role of musical timing. |
topic |
beat rhythm meter pulse shared experience |
url |
https://kb.osu.edu/dspace/handle/1811/52974 |
work_keys_str_mv |
AT katieovery musicalrhythmforlinguistsaresponsetojustinlondon |
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