Musical Rhythm for Linguists: A Response to Justin London

Musical timing is a rich, complex phenomenon which changes across cultures, periods and styles and requires highly explicit terminology in order to communicate clearly between music theorists, psychologists, neuroscientists, performers and indeed with linguists. Here I respond to Justin London’s ope...

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Bibliographic Details
Main Author: Katie Overy
Format: Article
Language:English
Published: The Ohio State University Libraries 2012-09-01
Series:Empirical Musicology Review
Subjects:
Online Access:https://kb.osu.edu/dspace/handle/1811/52974
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spelling doaj-ec353f4aaa2246c9a1845c167c0869952020-11-24T23:40:41ZengThe Ohio State University LibrariesEmpirical Musicology Review1559-57492012-09-0171-2121610.18061/1811/52974Musical Rhythm for Linguists: A Response to Justin LondonKatie OveryMusical timing is a rich, complex phenomenon which changes across cultures, periods and styles and requires highly explicit terminology in order to communicate clearly between music theorists, psychologists, neuroscientists, performers and indeed with linguists. Here I respond to Justin London’s opening paper by outlining and expanding upon his key points and raising additional questions regarding the neural basis and the functional role of musical timing.https://kb.osu.edu/dspace/handle/1811/52974beatrhythmmeterpulseshared experience
collection DOAJ
language English
format Article
sources DOAJ
author Katie Overy
spellingShingle Katie Overy
Musical Rhythm for Linguists: A Response to Justin London
Empirical Musicology Review
beat
rhythm
meter
pulse
shared experience
author_facet Katie Overy
author_sort Katie Overy
title Musical Rhythm for Linguists: A Response to Justin London
title_short Musical Rhythm for Linguists: A Response to Justin London
title_full Musical Rhythm for Linguists: A Response to Justin London
title_fullStr Musical Rhythm for Linguists: A Response to Justin London
title_full_unstemmed Musical Rhythm for Linguists: A Response to Justin London
title_sort musical rhythm for linguists: a response to justin london
publisher The Ohio State University Libraries
series Empirical Musicology Review
issn 1559-5749
publishDate 2012-09-01
description Musical timing is a rich, complex phenomenon which changes across cultures, periods and styles and requires highly explicit terminology in order to communicate clearly between music theorists, psychologists, neuroscientists, performers and indeed with linguists. Here I respond to Justin London’s opening paper by outlining and expanding upon his key points and raising additional questions regarding the neural basis and the functional role of musical timing.
topic beat
rhythm
meter
pulse
shared experience
url https://kb.osu.edu/dspace/handle/1811/52974
work_keys_str_mv AT katieovery musicalrhythmforlinguistsaresponsetojustinlondon
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