Reconstruction in ‘The Survivor’ by Julian Barnes

The article turns to the narrative unfolding in the fourth chapter of Julian Barnes’ A History of the World in 10 ½ Chapters (1989), a volume which retells and reconfigures the biblical Noah myth in a number of different ways. ‘The Survivor’ can be read within the context of a large number of contem...

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Main Author: Helen E. Mundler
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2018-03-01
Series:Études Britanniques Contemporaines
Subjects:
Online Access:http://journals.openedition.org/ebc/4303
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spelling doaj-ecdd8cc518c04694a9f7a7b9101a2d512020-11-25T00:27:37ZengPresses Universitaires de la MéditerranéeÉtudes Britanniques Contemporaines1168-49172271-54442018-03-015410.4000/ebc.4303Reconstruction in ‘The Survivor’ by Julian BarnesHelen E. MundlerThe article turns to the narrative unfolding in the fourth chapter of Julian Barnes’ A History of the World in 10 ½ Chapters (1989), a volume which retells and reconfigures the biblical Noah myth in a number of different ways. ‘The Survivor’ can be read within the context of a large number of contemporary fictions based on the story of Noah which make only indirect reference to the biblical story, and in which the ark, the flood and Noah himself are only obliquely represented. The eponymous “survivor” is a young woman who fears nuclear war and believes the Apocalypse is imminent. The narrative form of the text allows two stories to be told at once, one in which she sets sail to avoid the fallout of nuclear war, another in which she is interned in a psychiatric hospital and treated for paranoia. This paper offers a rereading of “The Survivor” in the light of recent work on ecocriticism, nuclear criticism and animal studies, considering both the form of the text, and the commentary it makes on the contemporary world.http://journals.openedition.org/ebc/4303Julian BarnesNoahChernobylnuclear criticismCold War literatureecocriticism
collection DOAJ
language English
format Article
sources DOAJ
author Helen E. Mundler
spellingShingle Helen E. Mundler
Reconstruction in ‘The Survivor’ by Julian Barnes
Études Britanniques Contemporaines
Julian Barnes
Noah
Chernobyl
nuclear criticism
Cold War literature
ecocriticism
author_facet Helen E. Mundler
author_sort Helen E. Mundler
title Reconstruction in ‘The Survivor’ by Julian Barnes
title_short Reconstruction in ‘The Survivor’ by Julian Barnes
title_full Reconstruction in ‘The Survivor’ by Julian Barnes
title_fullStr Reconstruction in ‘The Survivor’ by Julian Barnes
title_full_unstemmed Reconstruction in ‘The Survivor’ by Julian Barnes
title_sort reconstruction in ‘the survivor’ by julian barnes
publisher Presses Universitaires de la Méditerranée
series Études Britanniques Contemporaines
issn 1168-4917
2271-5444
publishDate 2018-03-01
description The article turns to the narrative unfolding in the fourth chapter of Julian Barnes’ A History of the World in 10 ½ Chapters (1989), a volume which retells and reconfigures the biblical Noah myth in a number of different ways. ‘The Survivor’ can be read within the context of a large number of contemporary fictions based on the story of Noah which make only indirect reference to the biblical story, and in which the ark, the flood and Noah himself are only obliquely represented. The eponymous “survivor” is a young woman who fears nuclear war and believes the Apocalypse is imminent. The narrative form of the text allows two stories to be told at once, one in which she sets sail to avoid the fallout of nuclear war, another in which she is interned in a psychiatric hospital and treated for paranoia. This paper offers a rereading of “The Survivor” in the light of recent work on ecocriticism, nuclear criticism and animal studies, considering both the form of the text, and the commentary it makes on the contemporary world.
topic Julian Barnes
Noah
Chernobyl
nuclear criticism
Cold War literature
ecocriticism
url http://journals.openedition.org/ebc/4303
work_keys_str_mv AT helenemundler reconstructioninthesurvivorbyjulianbarnes
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