Reading Very Well for Our Age: Hyperobject Metadata and Global Warming in Emily St. John Mandel’s Station Eleven

In recent years, the practices of symptomatic reading have been called into question by scholars such as Stephen Best, Sharon Marcus, Cathy N. Davidson, David Theo Goldberg, Rita Felski and Bruno Latour. It is claimed that such reading has become either formulaic or politically inefficacious. This a...

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Main Author: Caroline Edwards
Format: Article
Language:English
Published: Open Library of Humanities 2018-02-01
Series:Open Library of Humanities
Online Access:https://olh.openlibhums.org/article/id/4465/
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spelling doaj-edf6127a3bec44e79d01e1affc29c16c2021-08-18T11:02:50ZengOpen Library of HumanitiesOpen Library of Humanities2056-67002018-02-014110.16995/olh.155Reading Very Well for Our Age: Hyperobject Metadata and Global Warming in Emily St. John Mandel’s Station ElevenCaroline Edwards0Editorial Director, In recent years, the practices of symptomatic reading have been called into question by scholars such as Stephen Best, Sharon Marcus, Cathy N. Davidson, David Theo Goldberg, Rita Felski and Bruno Latour. It is claimed that such reading has become either formulaic or politically inefficacious. This article argues, against such thinking, that Emily St. John Mandel’s Arthur C. Clarke award–winning novel Station Eleven (2014) presents several challenges for an age of so-called post-critical reading. Given that this novel is, in some ways, about how the future will ‘read’ our present, I use the metaphor of ‘metadata’ here to think through the series of ruined objects in Station Eleven that project a hyperobject-like extent across two epistemic contexts. I argue that this is a comment on interpretative reading practices and an invitation for politicised symptomatic readings of the novel. Using this approach, I show that Station Eleven is a novel that is deeply concerned with global warming and with colonial nationalist legacies, even while such concerns appear buried—or even absent—within the novel. If one takes the novel’s surface instruction to look for ‘another world just out sight’, these concerns of the early twenty-first century emerge as central to the forking futures of Mandel’s work.https://olh.openlibhums.org/article/id/4465/
collection DOAJ
language English
format Article
sources DOAJ
author Caroline Edwards
spellingShingle Caroline Edwards
Reading Very Well for Our Age: Hyperobject Metadata and Global Warming in Emily St. John Mandel’s Station Eleven
Open Library of Humanities
author_facet Caroline Edwards
author_sort Caroline Edwards
title Reading Very Well for Our Age: Hyperobject Metadata and Global Warming in Emily St. John Mandel’s Station Eleven
title_short Reading Very Well for Our Age: Hyperobject Metadata and Global Warming in Emily St. John Mandel’s Station Eleven
title_full Reading Very Well for Our Age: Hyperobject Metadata and Global Warming in Emily St. John Mandel’s Station Eleven
title_fullStr Reading Very Well for Our Age: Hyperobject Metadata and Global Warming in Emily St. John Mandel’s Station Eleven
title_full_unstemmed Reading Very Well for Our Age: Hyperobject Metadata and Global Warming in Emily St. John Mandel’s Station Eleven
title_sort reading very well for our age: hyperobject metadata and global warming in emily st. john mandel’s station eleven
publisher Open Library of Humanities
series Open Library of Humanities
issn 2056-6700
publishDate 2018-02-01
description In recent years, the practices of symptomatic reading have been called into question by scholars such as Stephen Best, Sharon Marcus, Cathy N. Davidson, David Theo Goldberg, Rita Felski and Bruno Latour. It is claimed that such reading has become either formulaic or politically inefficacious. This article argues, against such thinking, that Emily St. John Mandel’s Arthur C. Clarke award–winning novel Station Eleven (2014) presents several challenges for an age of so-called post-critical reading. Given that this novel is, in some ways, about how the future will ‘read’ our present, I use the metaphor of ‘metadata’ here to think through the series of ruined objects in Station Eleven that project a hyperobject-like extent across two epistemic contexts. I argue that this is a comment on interpretative reading practices and an invitation for politicised symptomatic readings of the novel. Using this approach, I show that Station Eleven is a novel that is deeply concerned with global warming and with colonial nationalist legacies, even while such concerns appear buried—or even absent—within the novel. If one takes the novel’s surface instruction to look for ‘another world just out sight’, these concerns of the early twenty-first century emerge as central to the forking futures of Mandel’s work.
url https://olh.openlibhums.org/article/id/4465/
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