Synagogue Decorations in Present-Day Ukraine: Practice in Preservation of Cultural and Artistic Heritage

There are approximately ten historical synagogue buildings left in Ukraine today which continue, to varying extents, to preserve their original wall paintings and decoration. A number of these were only recently discovered. The attempts underway, beginning in the early 2000s, to preserve as well as...

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Main Authors: Kotlyar, Eugeny, Sokolyuk, Lyudmyla, Pavlova, Tetiana
Format: Article
Language:English
Published: Muzeológia a kultúrne dedičstvo, o.z. 2020-12-01
Series:Muzeológia a Kultúrne Dedičstvo
Subjects:
Online Access:https://www.muzeologia.sk/index_htm_files/mkd_4_20_kotlyar.pdf
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spelling doaj-eebbf7f624d44ec6a4e3cd075dec66db2021-07-02T14:36:41ZengMuzeológia a kultúrne dedičstvo, o.z.Muzeológia a Kultúrne Dedičstvo1339-22042453-97592020-12-018411113610.46284/mkd.2020.8.4.8Synagogue Decorations in Present-Day Ukraine: Practice in Preservation of Cultural and Artistic HeritageKotlyar, EugenySokolyuk, LyudmylaPavlova, TetianaThere are approximately ten historical synagogue buildings left in Ukraine today which continue, to varying extents, to preserve their original wall paintings and decoration. A number of these were only recently discovered. The attempts underway, beginning in the early 2000s, to preserve as well as uncover old paintings often produce the opposite effect, destroying authentic works. The cultural significance of these historical landmarks requires that they be included in a single international register, along with supervision and an agreed upon preservation program designed individually for each. Synagogue wall paintings will inevitably perish unless ways of transferring this heritage are sought that will move these works to a different and more reliable “medium of cultural memory”. Different, innovative approaches to museum preservation and ways of presenting these works to public view are called for. Among the tried and tested options are: reconstructing old synagogue interiors which contain wall or ceiling paintings; using motifs taken from the original paintings in new works being produced for the Jewish community; and work on exhibition projects, catalogues and two-dimensional reconstruction models.https://www.muzeologia.sk/index_htm_files/mkd_4_20_kotlyar.pdfukrainesynagogue wall paintingsstateconservationpresentation
collection DOAJ
language English
format Article
sources DOAJ
author Kotlyar, Eugeny
Sokolyuk, Lyudmyla
Pavlova, Tetiana
spellingShingle Kotlyar, Eugeny
Sokolyuk, Lyudmyla
Pavlova, Tetiana
Synagogue Decorations in Present-Day Ukraine: Practice in Preservation of Cultural and Artistic Heritage
Muzeológia a Kultúrne Dedičstvo
ukraine
synagogue wall paintings
state
conservation
presentation
author_facet Kotlyar, Eugeny
Sokolyuk, Lyudmyla
Pavlova, Tetiana
author_sort Kotlyar, Eugeny
title Synagogue Decorations in Present-Day Ukraine: Practice in Preservation of Cultural and Artistic Heritage
title_short Synagogue Decorations in Present-Day Ukraine: Practice in Preservation of Cultural and Artistic Heritage
title_full Synagogue Decorations in Present-Day Ukraine: Practice in Preservation of Cultural and Artistic Heritage
title_fullStr Synagogue Decorations in Present-Day Ukraine: Practice in Preservation of Cultural and Artistic Heritage
title_full_unstemmed Synagogue Decorations in Present-Day Ukraine: Practice in Preservation of Cultural and Artistic Heritage
title_sort synagogue decorations in present-day ukraine: practice in preservation of cultural and artistic heritage
publisher Muzeológia a kultúrne dedičstvo, o.z.
series Muzeológia a Kultúrne Dedičstvo
issn 1339-2204
2453-9759
publishDate 2020-12-01
description There are approximately ten historical synagogue buildings left in Ukraine today which continue, to varying extents, to preserve their original wall paintings and decoration. A number of these were only recently discovered. The attempts underway, beginning in the early 2000s, to preserve as well as uncover old paintings often produce the opposite effect, destroying authentic works. The cultural significance of these historical landmarks requires that they be included in a single international register, along with supervision and an agreed upon preservation program designed individually for each. Synagogue wall paintings will inevitably perish unless ways of transferring this heritage are sought that will move these works to a different and more reliable “medium of cultural memory”. Different, innovative approaches to museum preservation and ways of presenting these works to public view are called for. Among the tried and tested options are: reconstructing old synagogue interiors which contain wall or ceiling paintings; using motifs taken from the original paintings in new works being produced for the Jewish community; and work on exhibition projects, catalogues and two-dimensional reconstruction models.
topic ukraine
synagogue wall paintings
state
conservation
presentation
url https://www.muzeologia.sk/index_htm_files/mkd_4_20_kotlyar.pdf
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