The interpretation of classical music in Polish and Russian animation as a basis for creative dialogue
Animated musical film, lying at the intersection of the two creative worlds and representing a dialogue between the musician and painter, is a living process of the visual interpretation of the artistic image of a musical work. A dialogue between the director of an animated film and the com...
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| Format: | Article |
| Language: | English |
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Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts
2016-01-01
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| Series: | Muzikologija |
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| Online Access: | http://www.doiserbia.nb.rs/img/doi/1450-9814/2016/1450-98141621175B.pdf |
| Summary: | Animated musical film, lying at the intersection of the two creative worlds
and representing a dialogue between the musician and painter, is a living
process of the visual interpretation of the artistic image of a musical work.
A dialogue between the director of an animated film and the composer of a
musical masterpiece can take place only if there is intonational (term used
according to B. Asaf’ev’s writing) “equalization” of the artistic and
validation determinants of merger-related, personal, emotional states. The
author emphasizes that within the artistic image of an animated film, the
inner essence of the “I” is made on the basis of the artist’s expression, the
unity and consistency of color, sound, plastic solutions, coupled with deep
philosophical generalizations, cultural, and value-semantic in their nature.
The article provides examples of interpretations of classical music
masterpieces in animated films by Russian and Polish filmmakers. |
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| ISSN: | 1450-9814 2406-0976 |