The Computer Generated Art/Contemporary Cinematography And The Remainder Of The Art History. A Critical Approach
The paper analyses the re-conceptualization of the intermedial trope of computer generated images/VFX in recent 3D works/cinema scenes through several examples from art history, which are connected with. The obvious connections between art history and images are not conceived primarily as an embodim...
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| Format: | Article |
| Language: | deu |
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Artes
2016-11-01
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| Series: | Anastasis: Research in Medieval Culture and Art |
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| Online Access: | http://anastasis-review.ro/wp-content/uploads/2016/12/III-2-Modesta-Lupascu-BDT.pdf |
| Summary: | The paper analyses the re-conceptualization of the intermedial trope of computer generated images/VFX in recent 3D works/cinema scenes through several examples from art history, which are connected with. The obvious connections between art history and images are not conceived primarily as an embodiment of a painting, the introduction of the real into the image, but prove the reconstructive tendencies of contemporary post-postmodern art. The intellectual, the casual, or the obsessive interaction with art history shown by the new film culture, is already celebrated trough 3D computer generated art, focused to a consistently pictorialist cinematography. |
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| ISSN: | 2392-862X 2392-9472 |