Dance, Philosophy, and Somaesthetics
This essay examines the question whether dance can do philosophy by considering the manner in which dance processes used in the studio can advance philosophical investigations of human embodiment. Two contemporary improvisation techniques are discussed, Gaga technique developed by Ohad Naharin and...
Main Author: | Eric Mullis |
---|---|
Format: | Article |
Language: | English |
Published: |
Performance Philosophy
2016-07-01
|
Series: | Performance Philosophy |
Subjects: | |
Online Access: | https://www.performancephilosophy.org/journal/article/view/36 |
Similar Items
-
Aesthetic Pleasure: a somaesthetic laboratory in a dance classroom
by: Mônica Medeiros Ribeiro
Published: (2012-05-01) -
Somaesthetics and Banality: A Reply to Kremer
by: Jana Migašová
Published: (2020-12-01) -
Somestetika a filosofické seberozvíjení: Průsečík filosofie a sportu Somaesthetics and philosophical self-cultivation: An intersection of philosophy and sport
by: Joan Grassbaugh Forry
Published: (2006-02-01) -
The Work of Art in a Pragmatist Perspective, between Somaesthetics and Techno-aesthetics
by: Dario Cecchi
Published: (2019-11-01) -
Documenting the Elusive and Ephemeral in Embodied Design Ideation Activities
by: Laia Turmo Vidal, et al.
Published: (2018-06-01)