Le décor peint du refuge de l’abbaye augustine du Mont Saint Éloi à Arras (fin XVe-début XVIe siècle)

The Wetz d’Amain is the only medieval building standing in Arras. It was erected in the 1450s, as a place of refuge during the war years for the friars of Mont-Saint-Éloi, an augustinian abbey about 10 km from the town. Unoccupied for a very long time, it is in bad repair and deteriorates. In the 19...

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Bibliographic Details
Main Authors: Laurence Baudoux-Rousseau, Hugues Dewerdt, Matthieu Fontaine
Format: Article
Language:fra
Published: Ministère de la Culture et de la Communication 2013-11-01
Series:In Situ : Revue de Patrimoines
Subjects:
Online Access:http://journals.openedition.org/insitu/10683
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spelling doaj-f39fbd3088444ff29f1b2b646a09009b2020-11-24T21:57:34ZfraMinistère de la Culture et de la CommunicationIn Situ : Revue de Patrimoines1630-73052013-11-012210.4000/insitu.10683Le décor peint du refuge de l’abbaye augustine du Mont Saint Éloi à Arras (fin XVe-début XVIe siècle)Laurence Baudoux-RousseauHugues DewerdtMatthieu FontaineThe Wetz d’Amain is the only medieval building standing in Arras. It was erected in the 1450s, as a place of refuge during the war years for the friars of Mont-Saint-Éloi, an augustinian abbey about 10 km from the town. Unoccupied for a very long time, it is in bad repair and deteriorates. In the 1980s, mural paintings were discovered in the upper room, the greatest of the building: four medallions (tondo) surrounded with foliage, the subject of which seemed mysterious: - two men wearing a helmet, with arm in the hand, - a man who squeezes a sponge, - another one on a throne, in an assembly, - a donkey with a packsaddle, grazing on. Each of these scenes is completed with a short but partly obliterated text. Today, we know the scenes depict some of the Alciato’s Emblemata, in the 1615 edition. And the inscriptions have something to do with money. The using of the room is unknown (the archives have disappeared) and this choice remains unexplained.http://journals.openedition.org/insitu/10683Arrasabbaye du Mont-Saint-Eloiarchitecture civilerefugeAlciatemblèmes
collection DOAJ
language fra
format Article
sources DOAJ
author Laurence Baudoux-Rousseau
Hugues Dewerdt
Matthieu Fontaine
spellingShingle Laurence Baudoux-Rousseau
Hugues Dewerdt
Matthieu Fontaine
Le décor peint du refuge de l’abbaye augustine du Mont Saint Éloi à Arras (fin XVe-début XVIe siècle)
In Situ : Revue de Patrimoines
Arras
abbaye du Mont-Saint-Eloi
architecture civile
refuge
Alciat
emblèmes
author_facet Laurence Baudoux-Rousseau
Hugues Dewerdt
Matthieu Fontaine
author_sort Laurence Baudoux-Rousseau
title Le décor peint du refuge de l’abbaye augustine du Mont Saint Éloi à Arras (fin XVe-début XVIe siècle)
title_short Le décor peint du refuge de l’abbaye augustine du Mont Saint Éloi à Arras (fin XVe-début XVIe siècle)
title_full Le décor peint du refuge de l’abbaye augustine du Mont Saint Éloi à Arras (fin XVe-début XVIe siècle)
title_fullStr Le décor peint du refuge de l’abbaye augustine du Mont Saint Éloi à Arras (fin XVe-début XVIe siècle)
title_full_unstemmed Le décor peint du refuge de l’abbaye augustine du Mont Saint Éloi à Arras (fin XVe-début XVIe siècle)
title_sort le décor peint du refuge de l’abbaye augustine du mont saint éloi à arras (fin xve-début xvie siècle)
publisher Ministère de la Culture et de la Communication
series In Situ : Revue de Patrimoines
issn 1630-7305
publishDate 2013-11-01
description The Wetz d’Amain is the only medieval building standing in Arras. It was erected in the 1450s, as a place of refuge during the war years for the friars of Mont-Saint-Éloi, an augustinian abbey about 10 km from the town. Unoccupied for a very long time, it is in bad repair and deteriorates. In the 1980s, mural paintings were discovered in the upper room, the greatest of the building: four medallions (tondo) surrounded with foliage, the subject of which seemed mysterious: - two men wearing a helmet, with arm in the hand, - a man who squeezes a sponge, - another one on a throne, in an assembly, - a donkey with a packsaddle, grazing on. Each of these scenes is completed with a short but partly obliterated text. Today, we know the scenes depict some of the Alciato’s Emblemata, in the 1615 edition. And the inscriptions have something to do with money. The using of the room is unknown (the archives have disappeared) and this choice remains unexplained.
topic Arras
abbaye du Mont-Saint-Eloi
architecture civile
refuge
Alciat
emblèmes
url http://journals.openedition.org/insitu/10683
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