Figurative and Semantic Dominants of the Story “Scarlet Herbs” by Zeitun Tolgurov

Thematic multidimensionality of “Scarlet Herbs” by Z. Tolgurov actualizes the interaction of figurative dominants; the story’s philosophical and aesthetic structure is developed at their intersection. Two significant aspects of the story’s fictional world are reflected in its title: “scarlet herbs”...

Full description

Bibliographic Details
Main Author: Inna A. Kazharova
Format: Article
Language:English
Published: A.M. Gorky Institute of World Literature of the Russian Academy of Sciences 2020-12-01
Series:Studia Litterarum
Subjects:
Online Access:http://studlit.ru/images/2020-5-4/Kazharova.pdf
id doaj-f5887dc4472148de80e1aabae04cf69a
record_format Article
spelling doaj-f5887dc4472148de80e1aabae04cf69a2020-12-13T13:56:27ZengA.M. Gorky Institute of World Literature of the Russian Academy of SciencesStudia Litterarum2500-42472541-85642020-12-015430031910.22455/2500-4247-2020-5-4-300-319Figurative and Semantic Dominants of the Story “Scarlet Herbs” by Zeitun Tolgurov Inna A. Kazharova0https://orcid.org/0000-0002-7431-0840The Institute for the Humanities Research — Affiliated Federal State Budgetary Scientific Establishment “Federal Scientific Center “Kabardian-Balkarian Scientific Center of the Russian Academy of Sciences”Thematic multidimensionality of “Scarlet Herbs” by Z. Tolgurov actualizes the interaction of figurative dominants; the story’s philosophical and aesthetic structure is developed at their intersection. Two significant aspects of the story’s fictional world are reflected in its title: “scarlet herbs” — a plant and color. This article explores the components of these two interrelated dominants that correlate with a wider framework that makes their interpretation possible — nature and color. I analyze the first of the two in comparison with the interconnected images of the clearing, spring, pine, and birch while juxtaposing the second one with other colors, green, black and white. The limited number of colors used by the author allows him to enhance semantic accents of the story and help the reader not only to see the metaphysical dimension of the story’s realistic conflict but also not to lose sight of the realistic authenticity hidden in the wide associativity of myth and folklore.http://studlit.ru/images/2020-5-4/Kazharova.pdftolgurovimagesemanticsnaturecolordominantemotional subtextsacred centertree-patron.
collection DOAJ
language English
format Article
sources DOAJ
author Inna A. Kazharova
spellingShingle Inna A. Kazharova
Figurative and Semantic Dominants of the Story “Scarlet Herbs” by Zeitun Tolgurov
Studia Litterarum
tolgurov
image
semantics
nature
color
dominant
emotional subtext
sacred center
tree-patron.
author_facet Inna A. Kazharova
author_sort Inna A. Kazharova
title Figurative and Semantic Dominants of the Story “Scarlet Herbs” by Zeitun Tolgurov
title_short Figurative and Semantic Dominants of the Story “Scarlet Herbs” by Zeitun Tolgurov
title_full Figurative and Semantic Dominants of the Story “Scarlet Herbs” by Zeitun Tolgurov
title_fullStr Figurative and Semantic Dominants of the Story “Scarlet Herbs” by Zeitun Tolgurov
title_full_unstemmed Figurative and Semantic Dominants of the Story “Scarlet Herbs” by Zeitun Tolgurov
title_sort figurative and semantic dominants of the story “scarlet herbs” by zeitun tolgurov
publisher A.M. Gorky Institute of World Literature of the Russian Academy of Sciences
series Studia Litterarum
issn 2500-4247
2541-8564
publishDate 2020-12-01
description Thematic multidimensionality of “Scarlet Herbs” by Z. Tolgurov actualizes the interaction of figurative dominants; the story’s philosophical and aesthetic structure is developed at their intersection. Two significant aspects of the story’s fictional world are reflected in its title: “scarlet herbs” — a plant and color. This article explores the components of these two interrelated dominants that correlate with a wider framework that makes their interpretation possible — nature and color. I analyze the first of the two in comparison with the interconnected images of the clearing, spring, pine, and birch while juxtaposing the second one with other colors, green, black and white. The limited number of colors used by the author allows him to enhance semantic accents of the story and help the reader not only to see the metaphysical dimension of the story’s realistic conflict but also not to lose sight of the realistic authenticity hidden in the wide associativity of myth and folklore.
topic tolgurov
image
semantics
nature
color
dominant
emotional subtext
sacred center
tree-patron.
url http://studlit.ru/images/2020-5-4/Kazharova.pdf
work_keys_str_mv AT innaakazharova figurativeandsemanticdominantsofthestoryscarletherbsbyzeituntolgurov
_version_ 1724384362133192704