“Visualidade” educacional na Guiné-Bissau à luz da teoria de banda desenhada, ou seja, uma revisão trans/pós-colonial das ideias didáticas/pedagógicas no âmbito da lusofonia

The main purpose of the article is to present analysis of comic book Nô Pintcha which – as we state – is the exceptional example of visual representation of theory of education from period of early independ-ence of former portuguese colonies in Africa. Nô Pintcha was published in 1978 during the sum...

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Main Authors: Jakub Jankowski, Piotr Stańczyk
Format: Article
Language:Catalan
Published: Adam Mickiewicz University 2019-09-01
Series:Studia Romanica Posnaniensia
Subjects:
Online Access:https://pressto.amu.edu.pl/index.php/srp/article/view/20382/19914
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spelling doaj-f67b7e0dc3c64b7f8b592db0ed2efd112021-08-02T21:25:58ZcatAdam Mickiewicz UniversityStudia Romanica Posnaniensia0137-24752084-41582019-09-01463639310.14746/strop.2019.463.005“Visualidade” educacional na Guiné-Bissau à luz da teoria de banda desenhada, ou seja, uma revisão trans/pós-colonial das ideias didáticas/pedagógicas no âmbito da lusofoniaJakub Jankowski 0Piotr Stańczyk1Universidade de VarsóviaUniversidade de GdańskThe main purpose of the article is to present analysis of comic book Nô Pintcha which – as we state – is the exceptional example of visual representation of theory of education from period of early independ-ence of former portuguese colonies in Africa. Nô Pintcha was published in 1978 during the summit of ministers of education and educators from Angola, Cape Verde, Guinea Bissau, Mozambique and São Tomé. Authors of Nô Pintcha considered comic book as a apendix to the basic literacy campaign in Guinea Bissau. Theory of education which was used during literacy campaign had origins of emancipa-tory popular education of Paulo Freire. Thus the analysis presented in this paper lies parallely in looking for the Nô Pintcha in perspective of comic book theory as well in looking for traces Freire’s theory.https://pressto.amu.edu.pl/index.php/srp/article/view/20382/19914comic bookopenesspostcolonialismpopular educationbasic literacy campaignguinea bissau
collection DOAJ
language Catalan
format Article
sources DOAJ
author Jakub Jankowski
Piotr Stańczyk
spellingShingle Jakub Jankowski
Piotr Stańczyk
“Visualidade” educacional na Guiné-Bissau à luz da teoria de banda desenhada, ou seja, uma revisão trans/pós-colonial das ideias didáticas/pedagógicas no âmbito da lusofonia
Studia Romanica Posnaniensia
comic book
openess
postcolonialism
popular education
basic literacy campaign
guinea bissau
author_facet Jakub Jankowski
Piotr Stańczyk
author_sort Jakub Jankowski
title “Visualidade” educacional na Guiné-Bissau à luz da teoria de banda desenhada, ou seja, uma revisão trans/pós-colonial das ideias didáticas/pedagógicas no âmbito da lusofonia
title_short “Visualidade” educacional na Guiné-Bissau à luz da teoria de banda desenhada, ou seja, uma revisão trans/pós-colonial das ideias didáticas/pedagógicas no âmbito da lusofonia
title_full “Visualidade” educacional na Guiné-Bissau à luz da teoria de banda desenhada, ou seja, uma revisão trans/pós-colonial das ideias didáticas/pedagógicas no âmbito da lusofonia
title_fullStr “Visualidade” educacional na Guiné-Bissau à luz da teoria de banda desenhada, ou seja, uma revisão trans/pós-colonial das ideias didáticas/pedagógicas no âmbito da lusofonia
title_full_unstemmed “Visualidade” educacional na Guiné-Bissau à luz da teoria de banda desenhada, ou seja, uma revisão trans/pós-colonial das ideias didáticas/pedagógicas no âmbito da lusofonia
title_sort “visualidade” educacional na guiné-bissau à luz da teoria de banda desenhada, ou seja, uma revisão trans/pós-colonial das ideias didáticas/pedagógicas no âmbito da lusofonia
publisher Adam Mickiewicz University
series Studia Romanica Posnaniensia
issn 0137-2475
2084-4158
publishDate 2019-09-01
description The main purpose of the article is to present analysis of comic book Nô Pintcha which – as we state – is the exceptional example of visual representation of theory of education from period of early independ-ence of former portuguese colonies in Africa. Nô Pintcha was published in 1978 during the summit of ministers of education and educators from Angola, Cape Verde, Guinea Bissau, Mozambique and São Tomé. Authors of Nô Pintcha considered comic book as a apendix to the basic literacy campaign in Guinea Bissau. Theory of education which was used during literacy campaign had origins of emancipa-tory popular education of Paulo Freire. Thus the analysis presented in this paper lies parallely in looking for the Nô Pintcha in perspective of comic book theory as well in looking for traces Freire’s theory.
topic comic book
openess
postcolonialism
popular education
basic literacy campaign
guinea bissau
url https://pressto.amu.edu.pl/index.php/srp/article/view/20382/19914
work_keys_str_mv AT jakubjankowski visualidadeeducacionalnaguinebissaualuzdateoriadebandadesenhadaousejaumarevisaotransposcolonialdasideiasdidaticaspedagogicasnoambitodalusofonia
AT piotrstanczyk visualidadeeducacionalnaguinebissaualuzdateoriadebandadesenhadaousejaumarevisaotransposcolonialdasideiasdidaticaspedagogicasnoambitodalusofonia
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