Silence, Sound, and Affect

The present paper offers a subjective overview of approaches to affect. Research on affect accelerated in the last two decades within several disciplines, in response to different concerns and research questions, energized by new research in psychology and, more recently, neuroscience. But while af...

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Main Author: Dominika Ferens
Format: Article
Language:English
Published: Polskie Towarzystwo Retoryczne/ Polish Rhetoric Society 2020-12-01
Series:Res Rhetorica
Subjects:
Online Access:http://resrhetorica.com/index.php/RR/article/view/438
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spelling doaj-f77afefe06e64b0aaf7ef39ad9e287e12021-03-01T22:00:35ZengPolskie Towarzystwo Retoryczne/ Polish Rhetoric SocietyRes Rhetorica2392-31132020-12-017410.29107/rr2020.4.3Silence, Sound, and AffectDominika Ferens0Uniwersytet Wrocławski, Wydział Filologiczny The present paper offers a subjective overview of approaches to affect. Research on affect accelerated in the last two decades within several disciplines, in response to different concerns and research questions, energized by new research in psychology and, more recently, neuroscience. But while affect studies scholars agree that emotions, amplified by the media, course through all social relations and electrify our entire bodies, scholars attracted to specific clusters of theories have little to say to each other. To remedy this situation, I attempt to bridge several seemingly incompatible strands of research on affects in psychology, cultural studies, and media studies, in order to bring out commonalities and patterns that may prove useful for reading literature and other cultural artifacts. Defining affects, I refer to the practice of tuning musical instruments to a specific pitch as an analogy for the way affects resonate from the macro to the micro levels of social life. http://resrhetorica.com/index.php/RR/article/view/438theories of affectemotionsfeelingstransmission of affects
collection DOAJ
language English
format Article
sources DOAJ
author Dominika Ferens
spellingShingle Dominika Ferens
Silence, Sound, and Affect
Res Rhetorica
theories of affect
emotions
feelings
transmission of affects
author_facet Dominika Ferens
author_sort Dominika Ferens
title Silence, Sound, and Affect
title_short Silence, Sound, and Affect
title_full Silence, Sound, and Affect
title_fullStr Silence, Sound, and Affect
title_full_unstemmed Silence, Sound, and Affect
title_sort silence, sound, and affect
publisher Polskie Towarzystwo Retoryczne/ Polish Rhetoric Society
series Res Rhetorica
issn 2392-3113
publishDate 2020-12-01
description The present paper offers a subjective overview of approaches to affect. Research on affect accelerated in the last two decades within several disciplines, in response to different concerns and research questions, energized by new research in psychology and, more recently, neuroscience. But while affect studies scholars agree that emotions, amplified by the media, course through all social relations and electrify our entire bodies, scholars attracted to specific clusters of theories have little to say to each other. To remedy this situation, I attempt to bridge several seemingly incompatible strands of research on affects in psychology, cultural studies, and media studies, in order to bring out commonalities and patterns that may prove useful for reading literature and other cultural artifacts. Defining affects, I refer to the practice of tuning musical instruments to a specific pitch as an analogy for the way affects resonate from the macro to the micro levels of social life.
topic theories of affect
emotions
feelings
transmission of affects
url http://resrhetorica.com/index.php/RR/article/view/438
work_keys_str_mv AT dominikaferens silencesoundandaffect
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