Il ragno e il grattacielo. Lo spettacolo e la catastrofe

The paper framework aims to be a reasoning between two media images, set in a time span covering almost half a century: Spiderman’s debut in the “cartoon” medium (1962) and what is probably the first “narrative” elaboration on 9/11 produced by the great cultural industry machine (Straczynski J. M, R...

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Main Author: Pier Paolo Zampieri
Format: Article
Language:English
Published: Mimesis Edizioni, Milano 2016-03-01
Series:Im@go. A Journal of the Social Imaginary
Subjects:
Online Access:http://cab.unime.it/journals/index.php/IMAGO/article/view/1131
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spelling doaj-f91b0f61217e48079f6f1348bead8ce92020-11-25T02:32:43ZengMimesis Edizioni, MilanoIm@go. A Journal of the Social Imaginary2281-81382281-81382016-03-0101160177920Il ragno e il grattacielo. Lo spettacolo e la catastrofePier Paolo ZampieriThe paper framework aims to be a reasoning between two media images, set in a time span covering almost half a century: Spiderman’s debut in the “cartoon” medium (1962) and what is probably the first “narrative” elaboration on 9/11 produced by the great cultural industry machine (Straczynski J. M, Romita J. JR., [December] 2001). This paper offers a genealogy of the superhero genre, and discusses the internal reasoning of a medium which, having metropolis, image and seriality as its constituents, summarizes and maybe discloses contemporary societies’ dynamics. Show and catastrophe, under this perspective, are perhaps only logical and ordinary consequences.http://cab.unime.it/journals/index.php/IMAGO/article/view/1131Spidermanshow society9/11imagecatastrophemetropolis
collection DOAJ
language English
format Article
sources DOAJ
author Pier Paolo Zampieri
spellingShingle Pier Paolo Zampieri
Il ragno e il grattacielo. Lo spettacolo e la catastrofe
Im@go. A Journal of the Social Imaginary
Spiderman
show society
9/11
image
catastrophe
metropolis
author_facet Pier Paolo Zampieri
author_sort Pier Paolo Zampieri
title Il ragno e il grattacielo. Lo spettacolo e la catastrofe
title_short Il ragno e il grattacielo. Lo spettacolo e la catastrofe
title_full Il ragno e il grattacielo. Lo spettacolo e la catastrofe
title_fullStr Il ragno e il grattacielo. Lo spettacolo e la catastrofe
title_full_unstemmed Il ragno e il grattacielo. Lo spettacolo e la catastrofe
title_sort il ragno e il grattacielo. lo spettacolo e la catastrofe
publisher Mimesis Edizioni, Milano
series Im@go. A Journal of the Social Imaginary
issn 2281-8138
2281-8138
publishDate 2016-03-01
description The paper framework aims to be a reasoning between two media images, set in a time span covering almost half a century: Spiderman’s debut in the “cartoon” medium (1962) and what is probably the first “narrative” elaboration on 9/11 produced by the great cultural industry machine (Straczynski J. M, Romita J. JR., [December] 2001). This paper offers a genealogy of the superhero genre, and discusses the internal reasoning of a medium which, having metropolis, image and seriality as its constituents, summarizes and maybe discloses contemporary societies’ dynamics. Show and catastrophe, under this perspective, are perhaps only logical and ordinary consequences.
topic Spiderman
show society
9/11
image
catastrophe
metropolis
url http://cab.unime.it/journals/index.php/IMAGO/article/view/1131
work_keys_str_mv AT pierpaolozampieri ilragnoeilgrattacielolospettacoloelacatastrofe
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