"Krev k hrdlu stoupá, s mým se mísí slovem": lidské mimo lidskost a poetika nesnesitelného. K válečné poezii Jana Zahradníčka // ‘Blood Ascends to the Mouth and Mixes with My Word’: Human Outside Humanity and the Poetics of the Insufferable. On the War Poetry of Jan Zahradníček
The period of the German occupation, the ‘Böhmen und Mähren’ Protectorate and World War II constitutes a specific cultural, social, intellectual, as well as emotional and affective ’space’ of confrontation with extreme states and experiences — which are then variously articulated and shapes by ar...
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doaj-fa126941bd0145efbfebfa97f6c1916e2020-11-25T01:05:37ZcesUniverzita Karlova, Filozofická fakultaSlovo a Smysl1214-79152336-66802016-06-0113253061"Krev k hrdlu stoupá, s mým se mísí slovem": lidské mimo lidskost a poetika nesnesitelného. K válečné poezii Jana Zahradníčka // ‘Blood Ascends to the Mouth and Mixes with My Word’: Human Outside Humanity and the Poetics of the Insufferable. On the War Poetry of Jan ZahradníčekJosef Vojvodík0 Jan Wiendl1Ústav české literatury a komparatistiky Filozofické fakulty Univerzity KarlovyÚstav české literatury a komparatistiky Filozofické fakulty Univerzity KarlovyThe period of the German occupation, the ‘Böhmen und Mähren’ Protectorate and World War II constitutes a specific cultural, social, intellectual, as well as emotional and affective ’space’ of confrontation with extreme states and experiences — which are then variously articulated and shapes by art, as well as reflected in art theory and philosophy of art. The current debate on the crisis of humanism and the newly aroused theoretical interest in anthropological, philosophical and aesthetic phenomena such as affectivity, pathos, and the performativity and mediality of emotions and affects, puts into a new light also the issue of the relationship between art and violence in Czech art, and in particular poetry, of the wartime period. Our main question in this context is: How should one explain that even amongst the horrors of war, occupation, and brutal violence, in confrontation with inhumanity, cruelty and suffering, highly impressive aesthetic works are created? Can the unimaginable be represented? The authors seek to provide at least a partial answer by presenting an analysis of the wartime poetry of Jan Zahradníček from his Korouhve, especially of his Žalm roku dvaačtyřicátého (Psalm of ’42).http://wordandsense.ff.cuni.cz/wp-content/uploads/sites/18/2016/06/Josef-Vojvod%C3%ADk-%E2%80%94-Jan-Wiendl30-61.pdfJan Zahradníčekválečná poezieextrémní stavafektivitapatosperformativitamedialitawar poetryextreme situationaffectivitypathosperformativitymediality |
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language |
ces |
format |
Article |
sources |
DOAJ |
author |
Josef Vojvodík Jan Wiendl |
spellingShingle |
Josef Vojvodík Jan Wiendl "Krev k hrdlu stoupá, s mým se mísí slovem": lidské mimo lidskost a poetika nesnesitelného. K válečné poezii Jana Zahradníčka // ‘Blood Ascends to the Mouth and Mixes with My Word’: Human Outside Humanity and the Poetics of the Insufferable. On the War Poetry of Jan Zahradníček Slovo a Smysl Jan Zahradníček válečná poezie extrémní stav afektivita patos performativita medialita war poetry extreme situation affectivity pathos performativity mediality |
author_facet |
Josef Vojvodík Jan Wiendl |
author_sort |
Josef Vojvodík |
title |
"Krev k hrdlu stoupá, s mým se mísí slovem": lidské mimo lidskost a poetika nesnesitelného. K válečné poezii Jana Zahradníčka // ‘Blood Ascends to the Mouth and Mixes with My Word’: Human Outside Humanity and the Poetics of the Insufferable. On the War Poetry of Jan Zahradníček |
title_short |
"Krev k hrdlu stoupá, s mým se mísí slovem": lidské mimo lidskost a poetika nesnesitelného. K válečné poezii Jana Zahradníčka // ‘Blood Ascends to the Mouth and Mixes with My Word’: Human Outside Humanity and the Poetics of the Insufferable. On the War Poetry of Jan Zahradníček |
title_full |
"Krev k hrdlu stoupá, s mým se mísí slovem": lidské mimo lidskost a poetika nesnesitelného. K válečné poezii Jana Zahradníčka // ‘Blood Ascends to the Mouth and Mixes with My Word’: Human Outside Humanity and the Poetics of the Insufferable. On the War Poetry of Jan Zahradníček |
title_fullStr |
"Krev k hrdlu stoupá, s mým se mísí slovem": lidské mimo lidskost a poetika nesnesitelného. K válečné poezii Jana Zahradníčka // ‘Blood Ascends to the Mouth and Mixes with My Word’: Human Outside Humanity and the Poetics of the Insufferable. On the War Poetry of Jan Zahradníček |
title_full_unstemmed |
"Krev k hrdlu stoupá, s mým se mísí slovem": lidské mimo lidskost a poetika nesnesitelného. K válečné poezii Jana Zahradníčka // ‘Blood Ascends to the Mouth and Mixes with My Word’: Human Outside Humanity and the Poetics of the Insufferable. On the War Poetry of Jan Zahradníček |
title_sort |
"krev k hrdlu stoupá, s mým se mísí slovem": lidské mimo lidskost a poetika nesnesitelného. k válečné poezii jana zahradníčka // ‘blood ascends to the mouth and mixes with my word’: human outside humanity and the poetics of the insufferable. on the war poetry of jan zahradníček |
publisher |
Univerzita Karlova, Filozofická fakulta |
series |
Slovo a Smysl |
issn |
1214-7915 2336-6680 |
publishDate |
2016-06-01 |
description |
The period of the German occupation, the ‘Böhmen und Mähren’ Protectorate and World War
II constitutes a specific cultural, social, intellectual, as well as emotional and affective ’space’
of confrontation with extreme states and experiences — which are then variously articulated
and shapes by art, as well as reflected in art theory and philosophy of art. The current debate
on the crisis of humanism and the newly aroused theoretical interest in anthropological,
philosophical and aesthetic phenomena such as affectivity, pathos, and the performativity and
mediality of emotions and affects, puts into a new light also the issue of the relationship between
art and violence in Czech art, and in particular poetry, of the wartime period. Our main question
in this context is: How should one explain that even amongst the horrors of war, occupation,
and brutal violence, in confrontation with inhumanity, cruelty and suffering, highly impressive aesthetic works are created? Can the unimaginable be represented? The authors seek to provide
at least a partial answer by presenting an analysis of the wartime poetry of Jan Zahradníček from
his Korouhve, especially of his Žalm roku dvaačtyřicátého (Psalm of ’42). |
topic |
Jan Zahradníček válečná poezie extrémní stav afektivita patos performativita medialita war poetry extreme situation affectivity pathos performativity mediality |
url |
http://wordandsense.ff.cuni.cz/wp-content/uploads/sites/18/2016/06/Josef-Vojvod%C3%ADk-%E2%80%94-Jan-Wiendl30-61.pdf |
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