"Krev k hrdlu stoupá, s mým se mísí slovem": lidské mimo lidskost a poetika nesnesitelného. K válečné poezii Jana Zahradníčka // ‘Blood Ascends to the Mouth and Mixes with My Word’: Human Outside Humanity and the Poetics of the Insufferable. On the War Poetry of Jan Zahradníček

The period of the German occupation, the ‘Böhmen und Mähren’ Protectorate and World War II constitutes a specific cultural, social, intellectual, as well as emotional and affective ’space’ of confrontation with extreme states and experiences — which are then variously articulated and shapes by ar...

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Main Authors: Josef Vojvodík, Jan Wiendl
Format: Article
Language:ces
Published: Univerzita Karlova, Filozofická fakulta 2016-06-01
Series:Slovo a Smysl
Subjects:
Online Access:http://wordandsense.ff.cuni.cz/wp-content/uploads/sites/18/2016/06/Josef-Vojvod%C3%ADk-%E2%80%94-Jan-Wiendl30-61.pdf
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spelling doaj-fa126941bd0145efbfebfa97f6c1916e2020-11-25T01:05:37ZcesUniverzita Karlova, Filozofická fakultaSlovo a Smysl1214-79152336-66802016-06-0113253061"Krev k hrdlu stoupá, s mým se mísí slovem": lidské mimo lidskost a poetika nesnesitelného. K válečné poezii Jana Zahradníčka // ‘Blood Ascends to the Mouth and Mixes with My Word’: Human Outside Humanity and the Poetics of the Insufferable. On the War Poetry of Jan ZahradníčekJosef Vojvodík0 Jan Wiendl1Ústav české literatury a komparatistiky Filozofické fakulty Univerzity KarlovyÚstav české literatury a komparatistiky Filozofické fakulty Univerzity KarlovyThe period of the German occupation, the ‘Böhmen und Mähren’ Protectorate and World War II constitutes a specific cultural, social, intellectual, as well as emotional and affective ’space’ of confrontation with extreme states and experiences — which are then variously articulated and shapes by art, as well as reflected in art theory and philosophy of art. The current debate on the crisis of humanism and the newly aroused theoretical interest in anthropological, philosophical and aesthetic phenomena such as affectivity, pathos, and the performativity and mediality of emotions and affects, puts into a new light also the issue of the relationship between art and violence in Czech art, and in particular poetry, of the wartime period. Our main question in this context is: How should one explain that even amongst the horrors of war, occupation, and brutal violence, in confrontation with inhumanity, cruelty and suffering, highly impressive aesthetic works are created? Can the unimaginable be represented? The authors seek to provide at least a partial answer by presenting an analysis of the wartime poetry of Jan Zahradníček from his Korouhve, especially of his Žalm roku dvaačtyřicátého (Psalm of ’42).http://wordandsense.ff.cuni.cz/wp-content/uploads/sites/18/2016/06/Josef-Vojvod%C3%ADk-%E2%80%94-Jan-Wiendl30-61.pdfJan Zahradníčekválečná poezieextrémní stavafektivitapatosperformativitamedialitawar poetryextreme situationaffectivitypathosperformativitymediality
collection DOAJ
language ces
format Article
sources DOAJ
author Josef Vojvodík
Jan Wiendl
spellingShingle Josef Vojvodík
Jan Wiendl
"Krev k hrdlu stoupá, s mým se mísí slovem": lidské mimo lidskost a poetika nesnesitelného. K válečné poezii Jana Zahradníčka // ‘Blood Ascends to the Mouth and Mixes with My Word’: Human Outside Humanity and the Poetics of the Insufferable. On the War Poetry of Jan Zahradníček
Slovo a Smysl
Jan Zahradníček
válečná poezie
extrémní stav
afektivita
patos
performativita
medialita
war poetry
extreme situation
affectivity
pathos
performativity
mediality
author_facet Josef Vojvodík
Jan Wiendl
author_sort Josef Vojvodík
title "Krev k hrdlu stoupá, s mým se mísí slovem": lidské mimo lidskost a poetika nesnesitelného. K válečné poezii Jana Zahradníčka // ‘Blood Ascends to the Mouth and Mixes with My Word’: Human Outside Humanity and the Poetics of the Insufferable. On the War Poetry of Jan Zahradníček
title_short "Krev k hrdlu stoupá, s mým se mísí slovem": lidské mimo lidskost a poetika nesnesitelného. K válečné poezii Jana Zahradníčka // ‘Blood Ascends to the Mouth and Mixes with My Word’: Human Outside Humanity and the Poetics of the Insufferable. On the War Poetry of Jan Zahradníček
title_full "Krev k hrdlu stoupá, s mým se mísí slovem": lidské mimo lidskost a poetika nesnesitelného. K válečné poezii Jana Zahradníčka // ‘Blood Ascends to the Mouth and Mixes with My Word’: Human Outside Humanity and the Poetics of the Insufferable. On the War Poetry of Jan Zahradníček
title_fullStr "Krev k hrdlu stoupá, s mým se mísí slovem": lidské mimo lidskost a poetika nesnesitelného. K válečné poezii Jana Zahradníčka // ‘Blood Ascends to the Mouth and Mixes with My Word’: Human Outside Humanity and the Poetics of the Insufferable. On the War Poetry of Jan Zahradníček
title_full_unstemmed "Krev k hrdlu stoupá, s mým se mísí slovem": lidské mimo lidskost a poetika nesnesitelného. K válečné poezii Jana Zahradníčka // ‘Blood Ascends to the Mouth and Mixes with My Word’: Human Outside Humanity and the Poetics of the Insufferable. On the War Poetry of Jan Zahradníček
title_sort "krev k hrdlu stoupá, s mým se mísí slovem": lidské mimo lidskost a poetika nesnesitelného. k válečné poezii jana zahradníčka // ‘blood ascends to the mouth and mixes with my word’: human outside humanity and the poetics of the insufferable. on the war poetry of jan zahradníček
publisher Univerzita Karlova, Filozofická fakulta
series Slovo a Smysl
issn 1214-7915
2336-6680
publishDate 2016-06-01
description The period of the German occupation, the ‘Böhmen und Mähren’ Protectorate and World War II constitutes a specific cultural, social, intellectual, as well as emotional and affective ’space’ of confrontation with extreme states and experiences — which are then variously articulated and shapes by art, as well as reflected in art theory and philosophy of art. The current debate on the crisis of humanism and the newly aroused theoretical interest in anthropological, philosophical and aesthetic phenomena such as affectivity, pathos, and the performativity and mediality of emotions and affects, puts into a new light also the issue of the relationship between art and violence in Czech art, and in particular poetry, of the wartime period. Our main question in this context is: How should one explain that even amongst the horrors of war, occupation, and brutal violence, in confrontation with inhumanity, cruelty and suffering, highly impressive aesthetic works are created? Can the unimaginable be represented? The authors seek to provide at least a partial answer by presenting an analysis of the wartime poetry of Jan Zahradníček from his Korouhve, especially of his Žalm roku dvaačtyřicátého (Psalm of ’42).
topic Jan Zahradníček
válečná poezie
extrémní stav
afektivita
patos
performativita
medialita
war poetry
extreme situation
affectivity
pathos
performativity
mediality
url http://wordandsense.ff.cuni.cz/wp-content/uploads/sites/18/2016/06/Josef-Vojvod%C3%ADk-%E2%80%94-Jan-Wiendl30-61.pdf
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