Representações do feminino no cinema e na memória da resistência armada à ditadura militar brasileira

The article aims to analyze the documentary Em busca de Iara (2014), directed by Flávio Frederico. The film aims to reconstruct the trajectory of political activist Iara Iavelberg, whose narrative is led by Mariana Pamplona, niece of Iara and responsible for the script, production and co-direction o...

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Main Authors: Carolina Dellamore, Juliana Ventura de Souza Fernandes
Format: Article
Language:English
Published: Institut Pluridisciplinaire pour les Etudes sur l'Amérique Latine 2017-07-01
Series:L'Ordinaire des Amériques
Subjects:
Online Access:http://journals.openedition.org/orda/3464
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spelling doaj-fb1f11f2fdb440bd805f7f43ee1e71562020-11-24T22:51:59ZengInstitut Pluridisciplinaire pour les Etudes sur l'Amérique LatineL'Ordinaire des Amériques2273-00952017-07-0122210.4000/orda.3464Representações do feminino no cinema e na memória da resistência armada à ditadura militar brasileiraCarolina DellamoreJuliana Ventura de Souza FernandesThe article aims to analyze the documentary Em busca de Iara (2014), directed by Flávio Frederico. The film aims to reconstruct the trajectory of political activist Iara Iavelberg, whose narrative is led by Mariana Pamplona, niece of Iara and responsible for the script, production and co-direction of this work. However, the focus of the documentary is the dismantling of the official version of the dictatorship, which attributed suicide to Iara’s death in 1971. Thus, in the investigative urge to prove that Iara Iavelberg was murdered by repression, the documentary relegates a secondary plan his political militancy during the dictatorship. The central argument is that in the documentary the guerrilla Iara remains recognized for her beauty and for being the lover of former army captain Carlos Lamarca and not for her political activities, which contributes little to the discussion of the role of women militancy in organizations the left.http://journals.openedition.org/orda/3464military dictatorshipBrazildocumentar narrativefemenine militancyIara Iavelberg
collection DOAJ
language English
format Article
sources DOAJ
author Carolina Dellamore
Juliana Ventura de Souza Fernandes
spellingShingle Carolina Dellamore
Juliana Ventura de Souza Fernandes
Representações do feminino no cinema e na memória da resistência armada à ditadura militar brasileira
L'Ordinaire des Amériques
military dictatorship
Brazil
documentar narrative
femenine militancy
Iara Iavelberg
author_facet Carolina Dellamore
Juliana Ventura de Souza Fernandes
author_sort Carolina Dellamore
title Representações do feminino no cinema e na memória da resistência armada à ditadura militar brasileira
title_short Representações do feminino no cinema e na memória da resistência armada à ditadura militar brasileira
title_full Representações do feminino no cinema e na memória da resistência armada à ditadura militar brasileira
title_fullStr Representações do feminino no cinema e na memória da resistência armada à ditadura militar brasileira
title_full_unstemmed Representações do feminino no cinema e na memória da resistência armada à ditadura militar brasileira
title_sort representações do feminino no cinema e na memória da resistência armada à ditadura militar brasileira
publisher Institut Pluridisciplinaire pour les Etudes sur l'Amérique Latine
series L'Ordinaire des Amériques
issn 2273-0095
publishDate 2017-07-01
description The article aims to analyze the documentary Em busca de Iara (2014), directed by Flávio Frederico. The film aims to reconstruct the trajectory of political activist Iara Iavelberg, whose narrative is led by Mariana Pamplona, niece of Iara and responsible for the script, production and co-direction of this work. However, the focus of the documentary is the dismantling of the official version of the dictatorship, which attributed suicide to Iara’s death in 1971. Thus, in the investigative urge to prove that Iara Iavelberg was murdered by repression, the documentary relegates a secondary plan his political militancy during the dictatorship. The central argument is that in the documentary the guerrilla Iara remains recognized for her beauty and for being the lover of former army captain Carlos Lamarca and not for her political activities, which contributes little to the discussion of the role of women militancy in organizations the left.
topic military dictatorship
Brazil
documentar narrative
femenine militancy
Iara Iavelberg
url http://journals.openedition.org/orda/3464
work_keys_str_mv AT carolinadellamore representacoesdofemininonocinemaenamemoriadaresistenciaarmadaaditaduramilitarbrasileira
AT julianaventuradesouzafernandes representacoesdofemininonocinemaenamemoriadaresistenciaarmadaaditaduramilitarbrasileira
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