Representações do feminino no cinema e na memória da resistência armada à ditadura militar brasileira
The article aims to analyze the documentary Em busca de Iara (2014), directed by Flávio Frederico. The film aims to reconstruct the trajectory of political activist Iara Iavelberg, whose narrative is led by Mariana Pamplona, niece of Iara and responsible for the script, production and co-direction o...
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Institut Pluridisciplinaire pour les Etudes sur l'Amérique Latine
2017-07-01
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Series: | L'Ordinaire des Amériques |
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Online Access: | http://journals.openedition.org/orda/3464 |
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doaj-fb1f11f2fdb440bd805f7f43ee1e71562020-11-24T22:51:59ZengInstitut Pluridisciplinaire pour les Etudes sur l'Amérique LatineL'Ordinaire des Amériques2273-00952017-07-0122210.4000/orda.3464Representações do feminino no cinema e na memória da resistência armada à ditadura militar brasileiraCarolina DellamoreJuliana Ventura de Souza FernandesThe article aims to analyze the documentary Em busca de Iara (2014), directed by Flávio Frederico. The film aims to reconstruct the trajectory of political activist Iara Iavelberg, whose narrative is led by Mariana Pamplona, niece of Iara and responsible for the script, production and co-direction of this work. However, the focus of the documentary is the dismantling of the official version of the dictatorship, which attributed suicide to Iara’s death in 1971. Thus, in the investigative urge to prove that Iara Iavelberg was murdered by repression, the documentary relegates a secondary plan his political militancy during the dictatorship. The central argument is that in the documentary the guerrilla Iara remains recognized for her beauty and for being the lover of former army captain Carlos Lamarca and not for her political activities, which contributes little to the discussion of the role of women militancy in organizations the left.http://journals.openedition.org/orda/3464military dictatorshipBrazildocumentar narrativefemenine militancyIara Iavelberg |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Carolina Dellamore Juliana Ventura de Souza Fernandes |
spellingShingle |
Carolina Dellamore Juliana Ventura de Souza Fernandes Representações do feminino no cinema e na memória da resistência armada à ditadura militar brasileira L'Ordinaire des Amériques military dictatorship Brazil documentar narrative femenine militancy Iara Iavelberg |
author_facet |
Carolina Dellamore Juliana Ventura de Souza Fernandes |
author_sort |
Carolina Dellamore |
title |
Representações do feminino no cinema e na memória da resistência armada à ditadura militar brasileira |
title_short |
Representações do feminino no cinema e na memória da resistência armada à ditadura militar brasileira |
title_full |
Representações do feminino no cinema e na memória da resistência armada à ditadura militar brasileira |
title_fullStr |
Representações do feminino no cinema e na memória da resistência armada à ditadura militar brasileira |
title_full_unstemmed |
Representações do feminino no cinema e na memória da resistência armada à ditadura militar brasileira |
title_sort |
representações do feminino no cinema e na memória da resistência armada à ditadura militar brasileira |
publisher |
Institut Pluridisciplinaire pour les Etudes sur l'Amérique Latine |
series |
L'Ordinaire des Amériques |
issn |
2273-0095 |
publishDate |
2017-07-01 |
description |
The article aims to analyze the documentary Em busca de Iara (2014), directed by Flávio Frederico. The film aims to reconstruct the trajectory of political activist Iara Iavelberg, whose narrative is led by Mariana Pamplona, niece of Iara and responsible for the script, production and co-direction of this work. However, the focus of the documentary is the dismantling of the official version of the dictatorship, which attributed suicide to Iara’s death in 1971. Thus, in the investigative urge to prove that Iara Iavelberg was murdered by repression, the documentary relegates a secondary plan his political militancy during the dictatorship. The central argument is that in the documentary the guerrilla Iara remains recognized for her beauty and for being the lover of former army captain Carlos Lamarca and not for her political activities, which contributes little to the discussion of the role of women militancy in organizations the left. |
topic |
military dictatorship Brazil documentar narrative femenine militancy Iara Iavelberg |
url |
http://journals.openedition.org/orda/3464 |
work_keys_str_mv |
AT carolinadellamore representacoesdofemininonocinemaenamemoriadaresistenciaarmadaaditaduramilitarbrasileira AT julianaventuradesouzafernandes representacoesdofemininonocinemaenamemoriadaresistenciaarmadaaditaduramilitarbrasileira |
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1725667724502237184 |