Meeting the Enemy in World War I Poetry: Cognitive Dissonance as a Vehicle for Theme

Some World War I poems show an enemy soldier up close. This choice usually proves very effective for expressing the general irony of war, to be sure. However, I submit that showing interaction with the enemy also allows the speaker space to wrestle with internal conflict, guilt, or cognitive dissona...

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Main Author: David Poynor
Format: Article
Language:English
Published: MDPI AG 2019-02-01
Series:Humanities
Subjects:
Online Access:https://www.mdpi.com/2076-0787/8/1/30
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spelling doaj-fcaef6ae94d444698c3e9a55f8751e9f2020-11-25T01:01:02ZengMDPI AGHumanities2076-07872019-02-01813010.3390/h8010030h8010030Meeting the Enemy in World War I Poetry: Cognitive Dissonance as a Vehicle for ThemeDavid Poynor0English Department, United States Naval Academy, Annapolis, MD 21402, USASome World War I poems show an enemy soldier up close. This choice usually proves very effective for expressing the general irony of war, to be sure. However, I submit that showing interaction with the enemy also allows the speaker space to wrestle with internal conflict, guilt, or cognitive dissonance, and that it allows—or even forces—readers to participate in that struggle along with the speaker. While the poets’ writings no doubt had therapeutic effects for the poets themselves, I focus more on the literary effects, specifically arguing that the poems are powerful to us readers since they heighten the personal exposure of the poets’ psyches and since they make us share the dissonance as readers. I consider poems by Siegfried Sassoon, Wilfred Owen, Robert Graves, Ford Madox Ford, Herbert Read, and Robert Service.https://www.mdpi.com/2076-0787/8/1/30World War Iwar poetrycognitive dissonanceenemiesencountersSiegfried SassoonWilfred OwenRobert GravesFord Madox FordHerbert ReadRobert Service
collection DOAJ
language English
format Article
sources DOAJ
author David Poynor
spellingShingle David Poynor
Meeting the Enemy in World War I Poetry: Cognitive Dissonance as a Vehicle for Theme
Humanities
World War I
war poetry
cognitive dissonance
enemies
encounters
Siegfried Sassoon
Wilfred Owen
Robert Graves
Ford Madox Ford
Herbert Read
Robert Service
author_facet David Poynor
author_sort David Poynor
title Meeting the Enemy in World War I Poetry: Cognitive Dissonance as a Vehicle for Theme
title_short Meeting the Enemy in World War I Poetry: Cognitive Dissonance as a Vehicle for Theme
title_full Meeting the Enemy in World War I Poetry: Cognitive Dissonance as a Vehicle for Theme
title_fullStr Meeting the Enemy in World War I Poetry: Cognitive Dissonance as a Vehicle for Theme
title_full_unstemmed Meeting the Enemy in World War I Poetry: Cognitive Dissonance as a Vehicle for Theme
title_sort meeting the enemy in world war i poetry: cognitive dissonance as a vehicle for theme
publisher MDPI AG
series Humanities
issn 2076-0787
publishDate 2019-02-01
description Some World War I poems show an enemy soldier up close. This choice usually proves very effective for expressing the general irony of war, to be sure. However, I submit that showing interaction with the enemy also allows the speaker space to wrestle with internal conflict, guilt, or cognitive dissonance, and that it allows—or even forces—readers to participate in that struggle along with the speaker. While the poets’ writings no doubt had therapeutic effects for the poets themselves, I focus more on the literary effects, specifically arguing that the poems are powerful to us readers since they heighten the personal exposure of the poets’ psyches and since they make us share the dissonance as readers. I consider poems by Siegfried Sassoon, Wilfred Owen, Robert Graves, Ford Madox Ford, Herbert Read, and Robert Service.
topic World War I
war poetry
cognitive dissonance
enemies
encounters
Siegfried Sassoon
Wilfred Owen
Robert Graves
Ford Madox Ford
Herbert Read
Robert Service
url https://www.mdpi.com/2076-0787/8/1/30
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