Meeting the Enemy in World War I Poetry: Cognitive Dissonance as a Vehicle for Theme
Some World War I poems show an enemy soldier up close. This choice usually proves very effective for expressing the general irony of war, to be sure. However, I submit that showing interaction with the enemy also allows the speaker space to wrestle with internal conflict, guilt, or cognitive dissona...
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doaj-fcaef6ae94d444698c3e9a55f8751e9f2020-11-25T01:01:02ZengMDPI AGHumanities2076-07872019-02-01813010.3390/h8010030h8010030Meeting the Enemy in World War I Poetry: Cognitive Dissonance as a Vehicle for ThemeDavid Poynor0English Department, United States Naval Academy, Annapolis, MD 21402, USASome World War I poems show an enemy soldier up close. This choice usually proves very effective for expressing the general irony of war, to be sure. However, I submit that showing interaction with the enemy also allows the speaker space to wrestle with internal conflict, guilt, or cognitive dissonance, and that it allows—or even forces—readers to participate in that struggle along with the speaker. While the poets’ writings no doubt had therapeutic effects for the poets themselves, I focus more on the literary effects, specifically arguing that the poems are powerful to us readers since they heighten the personal exposure of the poets’ psyches and since they make us share the dissonance as readers. I consider poems by Siegfried Sassoon, Wilfred Owen, Robert Graves, Ford Madox Ford, Herbert Read, and Robert Service.https://www.mdpi.com/2076-0787/8/1/30World War Iwar poetrycognitive dissonanceenemiesencountersSiegfried SassoonWilfred OwenRobert GravesFord Madox FordHerbert ReadRobert Service |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
David Poynor |
spellingShingle |
David Poynor Meeting the Enemy in World War I Poetry: Cognitive Dissonance as a Vehicle for Theme Humanities World War I war poetry cognitive dissonance enemies encounters Siegfried Sassoon Wilfred Owen Robert Graves Ford Madox Ford Herbert Read Robert Service |
author_facet |
David Poynor |
author_sort |
David Poynor |
title |
Meeting the Enemy in World War I Poetry: Cognitive Dissonance as a Vehicle for Theme |
title_short |
Meeting the Enemy in World War I Poetry: Cognitive Dissonance as a Vehicle for Theme |
title_full |
Meeting the Enemy in World War I Poetry: Cognitive Dissonance as a Vehicle for Theme |
title_fullStr |
Meeting the Enemy in World War I Poetry: Cognitive Dissonance as a Vehicle for Theme |
title_full_unstemmed |
Meeting the Enemy in World War I Poetry: Cognitive Dissonance as a Vehicle for Theme |
title_sort |
meeting the enemy in world war i poetry: cognitive dissonance as a vehicle for theme |
publisher |
MDPI AG |
series |
Humanities |
issn |
2076-0787 |
publishDate |
2019-02-01 |
description |
Some World War I poems show an enemy soldier up close. This choice usually proves very effective for expressing the general irony of war, to be sure. However, I submit that showing interaction with the enemy also allows the speaker space to wrestle with internal conflict, guilt, or cognitive dissonance, and that it allows—or even forces—readers to participate in that struggle along with the speaker. While the poets’ writings no doubt had therapeutic effects for the poets themselves, I focus more on the literary effects, specifically arguing that the poems are powerful to us readers since they heighten the personal exposure of the poets’ psyches and since they make us share the dissonance as readers. I consider poems by Siegfried Sassoon, Wilfred Owen, Robert Graves, Ford Madox Ford, Herbert Read, and Robert Service. |
topic |
World War I war poetry cognitive dissonance enemies encounters Siegfried Sassoon Wilfred Owen Robert Graves Ford Madox Ford Herbert Read Robert Service |
url |
https://www.mdpi.com/2076-0787/8/1/30 |
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